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Veteran electronic music composer Jill Fraser’s new work takes stock of generations and lifetimes of memory, speculating on how the spirit of our songs might be interpreted after we’re gone. With her 1978 Serge Modular, Prism Modular and Ableton Push 3 in the circuit path, she recomposes a stack of American revival hymns, making new creations for the future. A fluent meditation upon mortality and rebirth amid numinous infinities of dimensional sound.
Terraforma has just announced the release of a limited edition vinyl LP commemorating the eight remarkable editions held at Villa Arconati from 2014 to 2023.
For AI-38 Italian duo LF58 (Giuseppe Tillieci and Filippo Scorcucchi) present ‘Radials’. A site-specific concept piece that was recorded live on location in Venice, Radials showcases the powerful and transportive sound world which LF58 have become known for. Radials takes its name from the homonymous exhibition created by the Roman artist group Sbagliato, for the 2023 Biennale Architettura of Venice.
Following a landmark renovation of the Fondaco dei Tedeschi by renowned Dutch architect Rem Koo…
This month's Electronic Sound cover star is the supremely talented Suzanne Ciani, and we have an awesome red vinyl seven-inch by the American modular virtuoso to supplement the issue. Suzanne Ciani's long and intense connection with modular synthesis started after meeting Don Buchla in the late 1960s. She soon became obsessed with the Buchla 100 and 200 systems, taking a particular interest in how the voltage-controlled quadrophonic capabilities enabled her to move sounds around a room. More tha…
*150 copies limited edition* Build Buildings is Brooklyn, New York, based Ben Tweel. He makes music with computers, instruments and household sounds. The sounds on “Ecotone” are sourced from acoustic guitars, lap harp, ukulele, mbira, and clarinet, and played through the gestural iPad program Samplr. He has released numerous albums since 2004, most recently 2022’s “Bring in the Lampstand and Light Its Lamps” on Audiobulb Records.
Kimihide Kusafuka and John Wiese capitalize on their common language of concrète cut-up sounds for their first ever duo album, following many collaborations with Sissy Spacek. In a roaring daytime session, the pair performed two sets, approximately 20 minutes each, of finely detailed fast paced electronics. Recorded November 2023 at Technology Hour Extra Volume 3 at Freaky Show, Shizuoka, Japan. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Tip! *200 copies limited release* "Soplo" is the debut solo album from Berlin-based Mexican multimedia artist, sound designer, and DJ, Daniela Huerta -- and a true thing of beauty it is. A hallucinatory array of vaporous atmospheres, illusory rhythms, vanishing voices, and evocative environmental recordings, "Soplo" (Spanish for 'breath') ruminates on the enduring resonance of storytelling. Huerta places an interest in mythology at the center of her practice, using it as a springboard to explore…
Ubek returns. The mysterious Polish duo digs out a new collection of degraded echoes, salvaged from authority. Galvanised as if lost to the shock of formal experiments. Ubek III revises the present and takes us back to other versions of actuality.
*200 copies limited edition* Die Sonne Satans (also known as Die Sonne Satan) is the musical creation of Paolo Beltrame. The name Die Sonne Satans is borrowed from the title of Georges Bernanos' novel "Sous le soleil de Satan", which Maurice Pialat adapted into the eponymous film in 1987. Die Sonne Satans is driven by the desire for self-determination in opposition to dogmas or conventions supported only by tradition, authority, or revelation. It remains one of the most creative and simultaneous…
The acquatic and marine imagery drawn by the titles and the artwork for “The Gentle Whale”, Francesco Lurgo’s second LP, the first one for Silentes, are a metaphor for a sound that is liquid and like the sea is constantly shifting from the quietness of intimate ambient moments to waves of maximalist sonic pressure, always looking with admiration to the creative world of contemporary soundtracks. From this sonic fluid, arpeggios and themes played by melancholic post-rock guitars and plucky synths…
In 2007 an Italian film festival invites Mouse on Mars to score a film of their choice. The organizers claim to be able to clear the rights for any movie the band chooses. Werner Herzog’s fictional documentary Fata Morgana, which merges footage of several desert explorations by Herzog and his team into one continuous association, has long been a band’s favorite. The film comes with a soundtrack by Mozart, Leonard Cohen, Third Ear Band and field recordings. Andi Toma and Jan St. Werner are sent a…
Maurizio Bianchi began experimenting with industrial / noise music shortly after the genre emerged. Initially, he released four recordings under the moniker Sacher-Pelz, then began using his own name or his initials, M.B., in 1980. From 1979 to 1984, Bianchi released around 35 albums, showcasing a period of intense creativity before he took a break from music until 1998. Since resuming his work, he has released over 250 additional albums. What is remarkable about Bianchi’s career - aside from hi…
Miki Yui is a musician, artist, and composer, originally from Tokyo, who has been based in Düsseldorf since 1994. Her whose work has long explored multiple forms of media, while documenting liminal zones of perception. On her latest album, As If, Yui creates a subtly connected suite of electronic music, drawn from improvisations and randomised processes that she has engaged with modular synthesis. Deeply poetic in its expression, even at its most minimal, the six pieces on As If have a curious t…
*2024 stock* UK-based artist Chris Herbert is a man of intermittent communications. Over the past decade he has published a select oeuvre of crushingly lush and elegant records. Fittingly then, Constants, his new edition for Room40 is a transmission from an overtly private realm. Working in a relative vacuum, beyond the reach of contemporary electronic music trends, Herbert has focussed his interest in intuitive composition. Drawing on a mixed musical palette and interweaving sounds sourced from…
*200 copies limited edition with hand-stamped coffee stained sleeves and insert* 5 decided and minimal arrangements of raw organic waste, tired motors, and idling electronic signals. Sound sources that are unmistakably worldly, spun into Ochu’s signature malaise, making them impossible to place. A continuation of the trajectory established on his preceding albums Unproduktiw and Lähmung des Wartens, this time while a slightly noisier edge.
When "In Blue" was released in 1995, many fans thought that this was the most typical Klaus Schulze record for a long time. They were probably right because Klaus did the songs a little bit with the fans in mind for whom the sounds of the previous album were too modern. In this respect "In Blue" is a more traditional Schulze record and, also, because it featured Manuel Goettsching on "Return Of The Tempel". However, he didn't plan this. Somehow it came to his mind to ask Manuel if he won"t feel …
In a forgotten age, on a vanished continent, the Nightmare Realm cruelly thrived. Warlords shared power over barren and arid lands, massive armies of heavily armed soldiers guaranteed a fragile peace under the sky. Everything in this unfortunate world had a sinister aura, fear was the dominant feeling in the heart of every creature.
Today (fortunately!) even the memory of this distant and gloomy world has disappeared. In fact, there are few historical testimonies that have come down to us from t…