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Following their recent Difference and Repetition, A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze. Formed in Paris in 1989, Palo Alto released his first album (a cassette) on the Italian label Old Europa Cafe in 1990. The year 2020 is therefore an opportunity to celebrate the 30th anniversary of this first stone, the founder of …
**200 copies** The electronic music emanating from the Scandinavian region encompasses a vast universe and has a long tradition behind it. In 1964 the electronic music studio EMS in Stockholm opened as a conventional analogue studio, its primary intention being to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. Since then the Scandinavian electronic music scene has continued to flourish decade upon decade, culminatin…
A composition written for the string quartet Halvcirkel by Anders Lauge Meldgaard on the base of Fragment 94 by Sappho, re-written by Mette Moestrup who is special guest feature on the album. The score for the composition is open ended and leaves many possibilities and choices to be made by the musicians during performance, creating a space for non-hierarchical, playful, crisp interaction.
Nico’s iconic post-Velvets return to rock! As one critic memorably put it, when Nico spoke it was like coffin-lids creaking. When she sang it was like listening to ravens taking off 13 at a time. Nico was like nothing rock music had ever seen or heard before or since. In Paris in the seven year gap between the recording of The End and the release of Drama Of Exile, Nico appeared to be doing little more than feeding a heavy heroin habit. When she met Aura Records founder Aaron Sixx after a gig th…
* Limted LP + insert and donwnload code, limited to 300 copies.* John Hubbard, who is also a book designer and based in Finland, had released the sole recordings of the legendary project “Vogelscheiß Und Seine Verrückten Kröten” in 1989 in a limited edition of just 50 copies on his Strength Through Joy label. Now these rare recordings are re-issued for the first time by Art Into Life. In 1988, upon meeting Steve Stapleton while on vacation in Europe, John then went to Aachen and visited Christop…
In what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors.
Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 v…
Duane Pitre returns to Imprec with Omniscient Voices, an articulate, intense and emotionally resonant set of five pieces for justly tuned piano and electronics. Omniscient Voices is a uniquely distinct work that follows Pitre's trilogy of releases which culminated with 2015’s Bayou Electric and included the critically acclaimed Feel Free (2012) and Bridges (2013) albums. Where those albums were rooted in long form pieces, Omniscient Voices is a collection of shorter pieces, offering more harmon…
Since 2004, Laurent Gérard alias Èlg (Opéra Mort, Orgue Agnès) has never ceased to draw the sonic equivalent of concentric spirals and labyrinths made of cedars, brambles and guts. By constantly renewing his instrumentarium over the years, he has built improbable bridges between musique concrète and songwriting (Vu du Dôme, Mauve Zone), diagonal spoken word and wormhole (Amiral Prose), electronic incantations in crypt and blob choirs (Mil Pluton, La Chimie). The language is sometimes francophone…
Three brand new spaced-out transatlantic duo explorations, available in November on 7" vinyl from Astral Editions. A stunning art object of sound and vision. credits released November 12, 2021 Ashley Paul - guitar, voice, bells, clarinet, keyboard - in London Jeffrey Alexander - guitar, wooden saxophone, moog, electric piano - in Philadelphia
"The songs pull at you like the dream realm when you are trying to focus on daily life. The songs act as if they’re about to burst into a song you’ve enjoyed a hundred times before but they don’t — their path is sideways, backwards, upside down. And also completely straight, just to fuck with you." -- Bill Callahan
*2021 repress* "On Suicide's First Rehearsal Tapes, recorded in 1975, Alan Vega and Martin Rev create minimalist aural structures, traces of which would surface on their eponymous debut album, released on the Red Star label in late 1977."These songs are not a sketchpad of semi-formed ideas. The First Rehearsal Tapes comprise an audio diary of two men out in the ether, measuring themselves as evolving individual artists and as a unit who would rely on inseparability to realize their unique and of…
Throughout the years EPA has focused on a sort of long-form blown out raga, noise, drone vibe with various players joining Marlowe at varying intervals. Within the past 2 years we've seen this core group of five come together as a unit - Marlowe with Chris Bush (Flanger Magazine, Caboladies, Flower Man), Ryan Davis (State Champion, Tropical Trash), Shutaro Noguchi (Feeding Tube artiste) and Dan Davis (Tropical Trash). Sometimes it can be a bit cliche to harp on "their new album is a game change…
* 2021 LP edition * compiles the six tracks from the original EP release, their March 1981 Peel session and an early '80s studio outtake. Liner notes by Brian Turner. If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10-inch EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' an…
* 200 copies * Boche’s third album in 25 years, on solid vinyl, that unites outtakes from his beat-oriented early phase with ambient pieces, generated mainly from manipulated shortwave radio recordings. The album culminates in “Stolid Rounder”, one of his key tracks from the late 1980s: deeply pulsing audio feedbacks explore stereophonic space. The sleeve, with cover art by Marc Behrens, includes a laser cut stencil of the original Boche logo for your personal DIY Boche branding! Sweet!
I See Wind, I Hear Voices” is Tam’s debut on Wasser Bassin. The label’s second is now aimed to the dancefloor, and – we ought to say – it is a mean dancefloor: Powerful kick-drums, fat basslines and acid synths, all wrapped up in low-motion House dynamics
Originally released as privately pressed K7, Praga De Urubu Só Pega Em Cavalo Magro (Vulture’s Plague Only Catches a Thin Horse), is the result of a Tropa Macaca live performance in the emblematic Lisbon venue Lux, circa 2012. The long ecstatic piece, lasting over 21 minutes, builds up slowly – much like a vulture hovering patiently over its prey, waiting for the opportunity to claim its reward.
**Edition of 60 copies **the newest goop from Uton, Finnish grand master rrrof sound and splice, and dice feeling more calm and "awakened" from the previous release, this calms and soothes, and also quakes a bit of your high-ligh - - a dense, and yet awakened 40 mins or so of hyperbolic meditation and strange dirge. in its own way. Pulse, and quip
**Edition of 58 copies ** An endearingly crackly lo-fi collection from New Zealander Anthony Milton " Its been a long while since I recorded any music, still been playing but I drowned my last tape recorder crossing a river in the Ruahine Ranges. Discovered that I could record on the old cell phone my mum gave me and so decided to borrow another off a mate and try recording using 2 cellphones. These were mostly done on an autumn afternoon in 2012. One layer was recorded on my knees in the bush.…
Originally created in 1977 as a single handmade copy, Dara Birnbaum’s Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With) gathers writings, working drawings, photographic documentation, and ephemera from the artist’s earliest video and installation works. The publication was originally produced by Birnbaum and exhibited in Notebooks, Workbooks, Scripts, and Scores at Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, and color images have…