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Oscar Jan Hoogland is the sound of Amsterdam in person. He plays in the Muziekgebouw (Amsterdams main hall for modern composed music) as well as in the Bimhuis (Holland’s main jazz venue) that is literally attached to it, as in its parking garage. He is an instant composer, pianist and inventor of his own instrument by putting a clavichord, a keyboard instrument from the 17th century, on 220 Volt electricity.
As the last student of the late pianist, composer and improvisor Misha Mengelberg he te…
*Limited edition of 100 hand-numbered copies, issued in a digipack.* Non Toxique Lost are one of the most important and equally most underrated bands from Berlin's 1980s Industrlal scene. Sprung aus den Wolken, Einstürzende Neubauten, Die Tödliche Doris and also Non Toxique Lost were the core of the movement in the divided city. In the old days, most of their albums came out on cassette only, later they were collected onto vinyls and CDs.
After the tragic loss of long-time member Steffen Schütze…
Section 25 formed in Blackpool,UK in November 1977. Initially they were a duo, consisting of brothers Larry Cassidy and Vincent Cassidy. In June 1978 they made their live debut with Phil Denton on guitar. Their first 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division fame.
Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction from 1983 onwards, a process which culminat…
The show on this album was performed in Olomouc, Czech Republic, at the Moravian Theatre, in the year 2010. The Ceasar gallery organized a retrospective exhibition called “The Residents Residence“ in Olomouc. The exhibition contained art, constumes, masks and other artefacts of The Residents and Už Jsme Doma were asked if they could create their own versions of The Residents’ songs, and play them to support the exhibition.
As Randy, the Residents’ singer, was invited for the opening and staying …
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works Reese often focuses on performative and narrative aspects, as is the case in the three pieces on this CD.
The first track "the lightest words had the weight of oracles" features the historical and specific tone colour of the Fairlight CMI Synthesize…
Seventy years ago, computers were as big as swimming pools and were programmed by country girls. ENIAC, the world’s first fully electronic, vacuum-tube-based universal computing machine, sported a weight of 27 tonnes and used 18,000 vacuum tubes for calculating. And, each day, at least two of those vacuum tubes gave out. When this machine was presented to the world public in 1946, six young women, most of them maths students from the rural Midwest of the USA, had spent three years inventing a me…
With Monument of Diamonds, Kraig Grady offers a singular entry in the field of microtonal composition, crafting a sound world as immersive as it is otherworldly. The piece, composed in 2020 and realized for a small orchestra of specially built or adapted brass and woodwinds, is structured around the Meta-Slendro tuning - a 17-pitch scale pioneered by Erv Wilson. This tuning infuses the entire work with a crystalline, unfamiliar resonance, letting every phrase and chord shimmer with a sense of sp…
Repetition of the same dream emerged from collaboration under unusual circumstances: during the early Covid-19 lockdown, Clara de Asis and Mara Winter found themselves together in Basel, using both a local church and a midnight tunnel to explore the limits of breath, resonance, and intuition. The album, spanning five works for flute, percussion, and electronics, is shaped as much by its resonant spaces and spontaneous method as by pre-composed material. The duo dissolves rigid lines between comp…
**200 copies. Originally released on tape in 1984** Tunes & Scenery (Hard To Whistle) is an adventurous and quite unique work that was originally recorded on an analog four-track in 1983 by the young visual artist and musician Jacques van Erven. The album brings together the surprising combination of analog synthesizers, small Casio keyboards, a mouth harp, ukulele, marimba, and a variety of drums. A kind of hybrid music of contemporary jazz and world music combined with influences of rock and n…
**300 copies. 180 gram RTI pressing, comes with two inserts** this LP is one of two vinyl releases from recording sessions at the Chummery late in 2006. The Chummery was the Seattle home to Sun City Girls, Sublime Frequencies, Abduction, and The Sea Donkeys. In fact it was the last residence of Charles Gocher who passed away in there only a few months after this session. Along side this there is the highlight from NNCK's concert in Vancouver, British Columbia on that same trip. This record foll…
Tip - this is stunning! Since their launch in mid-2000s, the New York based imprint, Unseen Worlds, has continued to set an incredibly high bar through the earth-shaking quality of their releases. As dedicated to historical artists and works as they are to those emerging in the present, they’ve always taken their time, slipping things into the world with remarkable care, that leave humble tectonic shifts in their wake. After an absolutely incredible couple of years with brilliant albums from Lau…
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
A schizoid-concrete opus of environmental sounds heightened, stimulated, decontextualized, and teased into a psychic puzzle of industrialized and post-industrialized detritus, I'm Lost marks another milestone in the ever impressive catalogue from Australian sound-artist Eamon Sprod, who adopts the moniker Tarab for his endeavors. The title is one that explodes with a multitude of meaning. There's the geographical frustration in losing one's way as the surrounding landmarks fail to match with wha…
Murmer is the pseudonym for Patrick McGinley, a man with several passports which have taken him to many a foreign land in search of found sounds of the unsettled, the forgotten, the mysterious, and the beautiful. His field recordings of activated environments (e.g. resonant industrial spaces, windswept telephone lines, bowed branches, gasping ventilator systems, etc.) originate from all of the locations where he has traveled; yet, the documentation of these sounds is not the terminus of McGinley…
**Edition of 500** RV Paintings were born in California. Humboldt County, to be exact. It is nearly impossible to imagine their origins being elsewhere since the brothers Brian and Jon Pyle, who currently pilot RV Paintings, constantly mine the metaphysical properties of their homeland through a heavy-lidded psychedelia. The redwood trees that majestically rise from the rugged terrain may have been one of the endemic objects that inspired RV Paintings to “jam nature”; but Humboldt County’s other…
A journey through time, perhaps, for a daydreamer floating in a small boat amidst the radiant hues of a midnight sun. that daydreamer in this instance is the icelandic artist Sigtryggur Berg Sigmarsson, best known for his electro-surrealism in stilluppsteypa. he has long been an artist of extremes and absurdities -- mania fueled performances, wildly scribbled drawings, and haflerian audio shock-therapy, on one side; and on the other, a profound meditation on austere shape, form, and mood cast th…
The core tracks of The Unlistening Place were recorded in 2015. At the time, these were intended to be part of what was to be the final Fossil Aerosol album, scheduled for a distant release. But history circled back on itself and the result was a reworking of future tracks, alongside more new material. Historiography eating its own tail. Tradition, referents, and resolute nothing from the place that does not hear.
Songs about the river are a common trope in the history of music. Psalms of being cleansed, being baptized, being redeemed. There are ballads of murder, lost love, jealousy, and all sorts of rank human emotion reflected in the surface of the water. Respect, praise, and worship of the river are other themes often channeled through music as well. Even in the realm of ambient music, digital mimesis of the aquatic is commonplace. Fossil Aerosol Mining Project, in their ongoing archaeological approac…
Black Editions present a reissue of Kazuo Imai's far and wee, originally released in 2004. Kazuo Imai is one of the few artists to traverse both Japan's early avant-garde and free jazz movements. Though he began performing in the 1970s, his 2004 P.S.F. album far and wee was only the second under his name. In a series of thrilling acoustic guitar improvisations -- Imai's playing crackles with dynamic tension and physicality as well as a subtlety and nuance that reveals him as one of the instrumen…
A Colourful Storm presents a new album by Beequeen, the duo of Frans de Waard (Kapotte Muziek) and Freek Kinkelaar (Brunnen). Over two long-form pieces, new material from 2020 and almost-discarded fragments dating back to 1988 are collaged to form a brand-new composition. Think woodblock, guitar, static radio signals, ethereal ambience. An honorable addition to Beequeen's discography and a beautiful piece of the Dutch avantgarde with historic ties to Edward Ka-Spel, De Fabriek, Merzbow, and Nurs…