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The LP release presents the reissue of a little-known, but extremely beauty, Post-Minimalism album composed by Wayne Siegel when he was mid-twenties. Moved from US to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous kaleidoscope of Post-Minimalism results. These works are constructed around a relentless musical process that consists of delaying and repeating every element in a certain measure, without inten…
Shetahr is a three headed trash pop band from Brussels. They are primitive, demented and existential. Driven by animalistic drums, edgy guitare and a howling voice they'll bite your face off. Expect a stripped down set-up and a raw performance. Released on Kraak records. Recorded and mixed at THE YELLOW TAPE by Peter Van de Veire. Mastered by Frédéric Alstadt.
CD Edition. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a …
Born in 1940 in Berlin, Ralf Nowy's musical interest was first exposed to an audience during his school years, when he formed his first rock'n'roll band in the late fifties. After graduation from the Konservatorium, he joined the German jazz scene and also worked for the Saaerland radio station. His recording career began recording exploitation albums designed for dance parties, following the path opened in Germany by artists like Paul Nero (a.k.a. Klaus Doldinger). But with the rise of the krau…
The 50th release by the aufabwegen label is also part of the edition elektronik of the Deutscher Musikrat. The extensive double CD compilation comes with a detailed booklet. The release links up the history of the aufabwegen label with a personal take on the evolution of noise music in Germany. It traces the developments from the early cathartic powers of pure noise via bruitistic sound researches up to the formation of an aesthetic of noises themselves; a self conscious sound culture. This move…
“The Piano has been an instrument that has woven its way in and out of my life since I was a child. I grew up listening to great classical and jazz players, prepared piano and electronic experiments, extended techniques and later the incredible works of Boulez, Stockhausen, Cage, Ligeti, Ferrari, Feldman, Xenakis and Scelsi. I had written for and worked with many great pianists and created ensemble works with piano and electronics where I was given the freedom to write complex pieces for gifted …
Had the titular contest in guy maddin's "the saddest music in the world" not been rigged from the onset, turkey could have delivered an impeccable contestant in ekin fil. for many years now, her spectral dream-pop deconstructions hold a thousand-yard stare of an unconsolable melancholy; and she's drawn the highly favorable comparisons to grouper and lovesliecrushing thanks to her understated yet beloved catalogue of releases on root strata, students of decay, no kings, and sacred phrases. helen …
Christian Wolfarth's work clearly thrives on tactility and manipulation. In he also applied some techniques to concoct and subsequently remodel the acoustic substance on offer. On the one hand, his instrumental expertness is in evidence: one the other, processes of cut-and-paste and natural-sounding looping furnish several sections with potent connotations: relievingly hyptnotic a moment, almost suffocating the next. In fact, there are dynamic surpises waiting for the listener.
In the fi…
Instruments which sound like instruments!!! Unbelievable real-time compositions for the unlikely instrumentation of piano, trumpet and violin courtesy of North Of North: Anthony Pateras, Scott Tinkler and Erkki Veltheim. This is no random grimprov get together or free jazz blowout, this is a serious engagement with compositional parameters combined with instrumental virtuosity from a working band. Drawing from Xenakian architextures, Carterian set theory, Carnatic music, sharp-edged point…
Anthony Burr, clarinets, ARP 2600. Anthony Pateras, piano, prepared piano. Seven meditations for clarinets, pianos and electronics. The Long Exhale catalogues psychoacoustic experiments and Feldman-influenced acoustic excursions undertaken between 2014 and 2015 by Australian composer - performers Anthony Burr and Anthony Pateras. Anthony Burr has enjoyed a distinguished career as an exponent of contemporary classical music, probably known to many people from his meticulously executed perfo…
Jacques Demierre, piano. Axel Dörner, trumpet. Jonas Kocher, accordion. Live at Cave12, Geneva, Switzerland, October 2014. Recorded by Benjamin Ephise. Mixed by Axel Dörner. Mastering by Blaise Favre. Artwork by Xavier Robel.
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
Marta Sainz: voice, dan bau; If, Bwana (Al Margolis): amplified detritus box, recorder, clarinet.Marta Sainz and Al Margolis (If, Bwana) met and performed together in Madrid, Spain for the first time in October 2014. That initial performance - she on voice performance and he on laptop, was such a joy, that they both determined that they would work together again as soon as possible. That opportunity arose again in June 2015, when the duo did a brief tour in Spain, as well as going into the studi…
Tim Catlin formed the Overtone Ensemble in 2012 in order to perform works using his self-made "vibrissa" instruments. Each instrument consists of 12 vertically mounted aluminum rods that are longitudinally stroked by hand to produce ethereal singing tones. The long sustaining nature of the rods' sound and microtonal tunings allow players a sonic palette of complex textures and harmonic complexity. Other instruments used include massed hand-bells, quarter-tone bells, EBowed acoustic guitars, re-t…
The album that closes the triangle formed by "Thursday Evening" and "Perversions of the Aging Savant", as it was partially recorded in the same sessions of these two albums in Andrea Serrapiglio's studios.
Sparkle in Grey is a Milan based electronica and post-rock project formed in the year 1999 by Matteo Uggeri (Laptop, Electronics and Field Recordings). In 2005 two new members joined the project: Cristiano Lupo (Guitar and Drums), who was also in previous new-wave/industrial band Norm with Ugg…
Grand Orchestra, for mixed orchestra and bagpipes. Composed and directed by Reinhold Friedl. Performed by zeitkratzer & guest at Haus der Kulturen der Welt, Berlin, August 21, 2011. The score for Grand Orchestra has been developed for musicians, laymen, old people, children, adolescents, for anyone who likes to join in. Grand Orchestra is not for education. It's not about explaining, intellectual understanding or the training of cultural values; rather it's about having faith in the abilities an…
Ffansion | Fancies, voted one of the year’s best albums by BBC Radio 3’s Late Junction, documents the rare rapport between Welsh violinist Angharad Davies and Berlin-based pianist Tisha Mukarji. Realized as part of Another Timbre’s “Violin +1” series, the album paints a spacious landscape of improvised textures, blending prepared piano with close-miked virtuosic violin in St Catherine’s Church, London. Davies and Mukarji relinquish self-consciousness and allow the instruments to propose the musi…
XL Suns LP continues the multilayered synth "pop" style Nuslux has started in his 7"s...
"Played in 2013-1014 by Roope Eronen with Roland SH-2000, Vermona Mono Lancet, Spring King Reverb, piano, bass guitar and some random equipment."
Antti Tolvi is a self-taught finnish musician known for his participation in groups like Avarus, Kemialliset Ystävät, Lauhkeat Lampaat, Päivänsäde and Rauhan Orkesteri.
Taikuri Tali is a typical example of finnish psychedelic folk music. A delectable solo work, not so minimalistic, as his first Pianoketo double LP on Fonal records, but a more trippy psychedelic one! His music takes on a meditative quality, with organ melodies & electronic noisy sounds. An amazing work and one of his best.
Fr…