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Long deleted, few copies available for this 1977 album with Gruppo di Improvvisazione Nuova Consonanza members and associates "This is another fine date in Mario Schiano's deeply slung bag of atonal tricks. This date, an improv suite with various attachments, features our fearless Italian leader coming to arms with a quartet whose members carry with them not only most of the instruments in the orchestra, but an arsenal of noisemakers and percussion instruments and an endless round of techniques …
2000 release ** Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to, with, most of the time sound contributions, but also f.e. spoken words from the artists and varying te…
This CD presents compositions for piano using the instrument in an unorthodox way. The strings are bowed with nylon strings, stimulated by E-Bows, rubbed with metal, the keys' sound is examined as a corrugated surface and staccato rhythms are repeated in a narrow register. On the one hand, the pieces introduced here explore new ways of playing the piano. In this sense they are enlarged playing techniques, as they have been developed for most instruments in the second half of the twentieth …
The sixth and final volume in Wergo's acclaimed series of recordings, Earle Brown - A Life in Music completes the label's reissue of the eighteen LPs of Earle Brown's legendary Contemporary Sound Series, recorded between 1960 and 1973. The first disc in the set contains works by John Cage and Christian Wolff from the early 1960s. Disc two presents violinist Paul Zukofsky accompanied by pianist Gilbert Kalish in works by Crumb, Yun, Wuorinen and Cage. The final disc contains works by South Americ…
Lejaren Hiller (1924-1994) was a musically eclectic composer, often combining several different types of techniques in the same piece. In the mid-sixties, he asserted that his "objective in composing music by means of computer programming is not the immediate realization of an aesthetic unity, but the providing and evaluating of techniques whereby this goal can eventually be realized." In this sense Hiller was a forward-looking composer, in that each piece was an experiment that lead towa…
Painting Petals On Planet Ghost is the project formed in 2004 by the brothers Maurizio and Roberto Opalio, better known as My Cat Is An Alien, along with Ramona Ponzini, after years of synergistic interaction. The idea behind the project is to combine the most lyrical and melodic MCIAA sounds with the peculiar research carried on by Ramona and focused on the use of ancient Japanese poetry as a privileged source of texts to be set to music. PPOPG is therefore a project that reflects an escape to …
Debut disc from the new collaborative project between Nathan Bowles (Black Twig Pickers/Spiral Joy Band) and Lisa Cameron (Venison Whirled). A real odd one this, lots of rattling and scraping of percussive objects creating 3 tracks of abstract improvised surreal sonic explorations. The sound is matched by what I can only describe as the weirdest sleeves I have every had the joy of releasing (and we've had some weird ones), but this one is far out, the guy at my local print shop looked baffled wh…
If, Bwana is always Al Margolis. Trio Scordatura is Elisabeth Smalt, viola d'amore; Alfrun Schmid, voice; Bob Gilmore, keyboard/laptop. The new 2 cd magnum opus by If, Bwana (Al Margolis) has been almost 3 years in the making. It is the first time he has composed works (usually with prerecorded sounds) specifically for another ensemble. Gilmore's Girls, Ringing (Ano)the(r) Bell, and Diapason, maybe were specifically written for Trio Scordatura. Cicada 4AA was the first piece of If, Bwana's…
'I was going to write about how this is an absolutely beautiful and disturbing record, but I think quoting from the liner notes of James Pritchett really does sum it up. 'Frances White invites us to take a walk through her Resonant Landscape. Where are we going? We are walking through the woods, marshes, and streams of New Jersey. She points out the birds and frogs that make their home there, the water that flows through it and the wind that shakes the trees. But then we turn and there is…
Wired Open Day 2009 is a vinyl-only release documenting live performances by Alan Lamb, Garry Bradbury, David Burraston, Oren Ambarchi and Robin Fox. Held outdoors during the evening of October 31st at The WIRED Lab, in rural South West, New South Wales, Australia, this 2LP is a document of the event; the result of an artist-in-residence program to explore the sonic possibilities of The Wires, landscape scale installations in rural NSW. The WIRED Lab is an artist-run initiative founded in 2007 t…
2011 release ** All the recordings were made at home in Athens between June 2010 and April 2011. No electronic effects, overdubbing or processing used. Ambient noise from several parallel events taking place in Greece at the time of recording has deliberately not been removed. "On Stroke by Stroke, the windows in Dimitra Lazaridou-Chatzigoga’s house are thrown open; you can hear the streets of Athens enlaced in her apothegmatic pieces for a radically prepared and refashioned zither. Knowing this…
a Snare is a Bell is a solo piece for snare drum, voice and the room in which it is played.Inspired by some close encounters I had with African shamanic/trance musicians and my personal experiences with meditation and music, it also relates to a known-to-many-of-us acoustical wonder of sitting on the toilet and picking up the tone of that little room (often by accident while coughing or talking out loud to oneself) and enjoying to sing that tone and let the toilet become filled with an eno…
The 2nd volume of "Music for Piano and Strings" by Morton Feldman is performed by The Smith Quartet with John Tilbury, presenting "Patterns In a Chromatic Field", and "Piano, violin, Viola, Cello", on DVD audio to allow for the length of these large works
Several lifetimes ago, when I was nineteen, I was interviewed by Wilfrid Mellers for a place at York University. That I failed to win a place may have been due in part to the confinement of our discussions to the music of Morton Feldman. Wilfr…
After excellent reviews and endless touring all over the world, supporting bands like Deerhoof, Xiu Xiu and Sic Alps, the Italian weirdos Father Murphy are back with a brand new album titled “Anyway your children will deny it”. It is the latest, boldest installation of an ongoing series of albums investigating the band’s favorite themes: life, death, love, religion and even more death. For this album, the Italian trio comprised of Reverend Freddie (vocals, guitar), Chiara Lee (vocals, keyboards,…
n his compositions, composer/performer Kyle Bruckmann seeks to integrate rigor and internal logic with raw immediacy while fully engaging his fellow performers as not simply dutiful interpreters, but creatively invested collaborators. Aesthetically, the results evoke much from European modernism, but realized via idiosyncratic modular forms and process-oriented strategies equally indebted to the New York School and the jazz avant-garde. On Procedural Grounds (2010) is a half-hour work conc…
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.
Catalan musician Ferran Fages, known for his guitar work as much as his work with turntables and electronics, delivers here a striking album of evocative, nocturnal electric guitar explorations. Bracketed by two intricate pieces of feedback, the centerpiece of this work maps out a carefully constructed arc of a story, bringing this album closer to that often misunderstood soundtrack-for-a-movie-yet-to-be-filmed genre. Ferran Fages: electric guitar and walkie-talkie. Composed, recorded and mixed …
Superb brand new release by Osvaldo Coluccino, enetirely focused on Acoustics objects. 'On a practical level : I struck or rubbed the objects, I breathed onto them etc. I never left them in peace in their (false) status of amorphous objects, or with their forced function, or with a univocal voice. I provoked them so that the 'new side', springs out from them and resounds. It doesn't matter what category of object it is; what matters is the aesthetic outcome of its 'singing'. Ethic-Aestheti…
while, during and after showing the video installation "Gargles from Ipanema" during the exhibition "Contour 2011" at Nekkerspoel Station in Mechelen, Belgium, a ton of hate-mail, lettres of complain and negative fleshbook-, twitter- and blog comments arrose from the smelly armpit of Belgium, people have spit on the TV screens and even cut the electricity out. therefore NMBS decided to remove the installation 3 days before the groupexhibtion closed down.the installation showed an older woman dan…
Collection gathers pre-Wooden Wand and the Vanishing Voice material from James Jackson Toth's Golden Calves project. Originally released in 1996; limited to 1000 copies. "It was really all about The Godz, Jandek, The Shadow Ring, Strapping Fieldhands, Swell Maps and Tower Recordings. Beyond these, I had only heard the 'classic' and most available free jazz, krautrock and noise albums. I was a long way from, say, the second Comus album or Charles Gayle. But this music changed my life. It was a re…