Redefines The Meter
*2025 stock* Recorded live in Studio 4, National Danish Radio 2007 by Sune TB Nielsen. Mixing by TR Kirstein & Sune TB Nielsen. Levels, ins / outs / ups / downs and general music control by Gæoudjiparl assisted by Guido Zen and Tordis Berstrand Mastered and cut to vinyl by Lupo & Gæoudjiparl, D&M Berlin 2008 Cover by Leif Elggren
Peel Session
2025 stock A live band session from their Succour album period, including Rough For Radio and Phazemaze which never appeared on any other release. Warp Records release WXAXRXP Sessions featuring ten specially selected sessions recorded for radio from across the history of the label, from the very early days right up to the WXAXRXP x NTS weekend. In the age of immediate, unelected, often low-quality rips of anything that is broadcast, these releases present each session in the highest quality ado…
Seefeel
2025 stock Warp's first ever 'guitar-playing' signing make a welcome return with this, their self-titled, second album for the label. Applying less of their signature 'shoegaze' aesthetic, the addition of Boredoms drummer E-da and electronic musician Shigeru Ishihara in the line-up, has given this album much more of a palpable feel than earlier releases on Warp and Too Pure. An invigorating return.
Everything Squared
After critically acclaimed reissues of their mid-90s material, Seefeel return with their first new music since 2011. Everything Squared is a one-off 6-track mini-album which presents a contemporary evolution of their trademark sound. Mainly composed and performed by the core duo of Mark Clifford and Sarah Peacock, with bass on two tracks from Shigeru Ishihara.
Mastered by Berlin-based engineer Stefan Betke aka Pole at Scape Mastering, and housed in a sleeve designed by Ian Anderson at The Design…
Stone and Worship
“Instructed by the chasm between pulseless discorporeality of elemental mass and a meditation on its reflection in human reproach” – unknown
Reverb
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
Meido
This 2025 album by sound artist Yengo is a haunting exploration of sonic landscapes. Oscillators rise as if drawing curses from the depths of the underworld, surrounded by collage noise that drifts, vanishes, and gradually intensifies in ferocity. The album weaves a chilling atmosphere reminiscent of Japanese horror films with an experimental and avant-garde auditory sensibility, converging towards a sonic catastrophe. The cassette tape edition is uniquely packaged in a sleeve wrapped in bamboo …
Campanelli
Valentina Goncharova's work encapsulates a unique blend of innovation and tradition, providing audiences with an enthralling exploration of the vast possibilities within musical expression. Drawing upon her compositional skills honed during her academic studies, Valentina expertly manipulates the violin, seamlessly integrating it with synthesizers and drum machines. The result is a mesmerizing fusion of organic and electronic elements, characterized by slow, pulsating drone soundscapes.
The Wrong Cage
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
Euterpe Sequence
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
Komu Mam To Powiedzieć?
2006 release ** "The Krakow band Bordo, celebrating their tenth anniversary, has given us the album 'Komu mam to pomaga?'. Post-rock, psychedelic, sometimes dark - this is the music of the Bordo group. The term space-rock fits it perfectly. When recording the album 'Komu mam to pomaga?', the artists chose twelve songs from the fifty prepared ones, which gave an hour of material. The crazy music is accompanied by equally psychedelic lyrics, or rather phrases repeated over and over again, such as …
The Haunting Triptych
2010 release ** "Truly intriguing is the fusion of intent between Pietro Riparbelli (K11, Radical Matters) and Philippe Petit (Bip_HOp, Strings of Consciousness) who develop three pieces of menacing and dense dark ambient that bring to mind the best releases by Lustmord and Nurse With Wound. As mentioned, "The Haunting Triptych" is divided into three parts and each of them appears as a work plan interlocked with the others but arranged on a different angle. "Residual Spookiness" has the merit of…
Chroma
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
The Interstices Of These Epidemics
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
Tetra Summer
2005 release ** Hand-made cover with collage mini-poster sleeve.
Colli Di Pedona
2003 release ** ""Based on a series of field recordings taken during a Tuscany stage of the Giro D'Italia 2002, The Colli di Pedona Tapes is probably the most psychedelic release to date from this fascinating Welsh duo. After a series of albums on the Ochre label that established them as one of new rising forces from the UK underground, Colli di Pedona is a slightly different take on their trademark sound: languid, luminous ambient tracks melt into minimal drones (the aptly titled 'Vortex'), whi…
Serpentement
2025 stock ** "The solitary project of Thomas Bonvalet initially focused on the nylon string guitar, taking short, dynamic and abrupt forms and limiting itself exclusively to the acoustic possibilities of the instrument. A radical posture, it constantly threatened to put itself at an impasse, seeing itself forced into metamorphosis and movement. The instrument thus became less and less identifiable. At the periphery it absorbed the sound of objects (metronome, tuning forks...) deviating from the…
Introduction Of "Blue Of Noon"
2010 release ** "The Polish MonotypeRec has become the breeding ground for applied music. Recently, one interesting experimental release after another has been rolling off the press. Some elusive and incomprehensibly intriguing and others within the slightly more common frameworks. The first category includes the new collaboration between Olga Magieres and Tetsuo Furudate. Olga Magieres was born in Russia in 1955, but has lived in Denmark since 1971. Here she became a classically trained pianist…
Enjoy Country Music
Tommaso Rolando and Domiziano Maselli met at the release party for Emilio Pozzolini's latest album, thanks to Emilio's invitation. This proved to be a pivotal moment; Tommaso's planned tour of southern France had been cancelled due to COVID-related disruptions within Orchestra Bailam. Since that concert, the duo has shared common ground—stages, rehearsal spaces, video calls—and a shared goal: developing a genuine and personal musical vocabulary.Despite their different backgrounds and generationa…