Five Voices
International consortium of freaky vocal talent culled together here represent some of the finest exponents of extemporaneous jibber jabber extant. From the U.S., we have the zany N.Y. avant chanteuse Shelley Hirsch and her equally flipped out N.Y. compatriot in extended vocal technique David Moss as well as the L.A.-based Anna Homler, whose approach emerges from her personal zone of invented language generation as heard on her gorgeous Do Ya Sa Di Do CD, which I posted a while back. To that, ad…
Uluru
Solo work by one great saxophone player, founder of the Butch Morris' X-Communication and of the Cecil Taylor's European Big Band.
Azzazin
Shorter than many of Muslimgauze's 1990s albums - 13 untitled songs over 45 minutes - Azzazin, originally released as part of the limited-edition subscription series, feels more like a collection of random experiments than a cohesive piece of work per se. If not something that would intrigue the casual listener, the hard-core fan will likely find something of interest on the various tracks here. Starting with an extremely minimal opening number - it's no surprise Finnish experimental duo Pan Son…
Allez Teia
Heldon were one of the quintessential European progressive groups of the 70s. Led by Richard Pinhas (and assorted backing guests), they released 7 albums from 1974 to 1979, all reissued in the early 90s by Cuneiform (inferior French editions can be found on Spalax). Pinhas went on to record a series of solo albums under his own name, also to be found on Cuneiform. Allez Teia was the second Heldon album from 1975 -- it features Pinhas's trademark instrumental sound: waves of distorted post-Frippi…
Cosmic Tones For Mental Therapy / Art Forms Of Dimensions Tomorr
Much of what was unique about the original Pink Floyd's sound - the use of echo and piercing organ for musical effect - is present here, Floyd fans take note. Wonder if Syd Barrett had been exposed to Sun Ra's music. "Cosmic Tones" sounds like a 20th Century space-inflected chamber music quite unlike jazz, though it contains elements of it. The music attempts to paint pictures in an abstract fashion unencumbered by notions of traditional musical form. Instruments enter, contribute to the picture…
Hu-du-men: Original Motion Picture Soundtrack
Soundtrack for a movie by Shu Kei. Chino Shuichi: piano, organ, synthesizer; Uchihashi Kazuhisa: guitar, bass, banjo; Matsumoto Osamu (5): trombone; Otsubo Hirohiko (2,10,16,17): contrabass; Nasuno Mitsuru (5): bass; Yoshigaki Yasuhiro: drums, latin percussions; Aya (2,16,17): vocal; Otomo Yoshihide (1): sampler.
Electro-Acoustic Solo Works 1984-95
Electro-Acoustic Solo Works (1984-95) collected assorted compositions of musique concrete and interactive computer music (Chatterlings of april 1995 for sampler and drums, and an excerpt from Aivilik Rays of may 1990, originally more than one hour long).
Wonderful World
“Wonderful World” is the first single release to be taken from the acclaimed Nine Horses album "Snow Borne Sorrow". It features a previously unreleased composition, ‘When Monday Comes Around’, along with a radio edit of “Wonderful World”.
Asymmetrical Music
The new cd with Norwegian composer Eivind Buene and his composition, asymmetrical music. This is Sofa first release with a written score, but it doesn't mean that improvisation is abandoned. On the contrary, asymmetrical music focuses on the meeting point between composition and improvisation. The two soloists, Ivar Grydeland guitar and Ingar Zach Ð percussion, are improvising as a duo but also on another level, with the written score. The members of the Ensemble featured on this disc are also v…
A Blind Man's Gallery Of Mirrors
All tracks are live recordings of experimental music from Freedom In A Vacuum Festivals, held since 1991 at the Music Gallery in Toronto.
Tap Dancing in the Sand
A selection of pieces by the great musical pioneer Robert ashley performed by the Dutch Ensemble MAE. Some of the works were especially written for the Ensemble in the last few years, and have never been recorded before, namely the title work 'Tap Dancing in the Sand' featuring ashley's voice and 'Hidden Similarites'. Other works presented on the CD are 'Outcome Inevitable', 'in memoriam Esteban Gomez' and 'She was a Visitor'.
Upbeat
Upbeat was drawn from concerts the quartet had performed in Austria, Germany, Switzerland, France and Spain in November 1997. It contained composed material from each of the group members, plus improvised pieces.
Kolednice
Legendary east block vocalist. Here is 17 tracks of experimental child songs mixed with traditional folky style that are calm and relaxing. Beautiful voice as always.
Elegy
Recording of a file-card composition, performed on flute, viola, guitar, turntables, sound effects, percussion & voice. "Creates a mysterious world of erotic perversion, drawing inspiration from the writings of Jean Genet, and features an unusual collection of some of SF's most interesting musicians: David Abel, Barbara Chaffe, Mike Patton, David Shea, David Slusser, Trey Spruance & William Winant.
La nuit est au courant
The fabulous "La nuit est au courant", documenting a rare tour by an extraordinary quartet featuring enfants terribles Jac Berrocal (trumpet) and Jacques Thollot (drums), with bassists Francis Marmande and Hubertus Biermann. Long out of print
Greatest Death
Brighter Death Now, one of the foremost purveyors of dark/death industrial music over the last 10 years, are all set to go again with the addition of another chapter to this electronic necronomicon known as Great Death (parts I-III). Those brave enough to order the final part of this beastly triptych will know what to expect now, since another item that followed it was a questionnaire by which we wished for the customers to vote for the five best tracks of the entire Great Death trilogy. The res…
Improvisations
Astreja is a rare, almost unique example of a group of composers – famous in their own right - impovising together, creating music that none of them could write (produce) by him – or herself. Astreja – a group consisting of the leading composers of academic avantgarde from the then Soviet Union improvising with rarely used Russian, Caucasian and Central-Asian folk instruments. - was founded in 1975 by Vyacheslav Artiomov, Sofia Gubaidulina and Victor Suslin. This is the original round-up. Later…
Goebbels Heart
Goebbels Heart is a kind of compilation disc, pulling together portions of early-'80s recordings by this duo originally released on the small German label Riskant. At this point in his career, Goebbels (who would later release more atmospheric and experimental albums on ECM) seems to be very much under the influence of composers such as Carla Bley, including the utilization of European workers' songs (Hans Eisler here). Goebbels plays mostly keyboards, both acoustic and electric, while Harth (ye…
Locus Solus
Reissue of the Rift 1983 DBL LP. Locus Solus was made up of small groups of Zorn's closest contemporaries at the time: Christian Marclay, Peter Blegvad, Arto Lindsay, Anton Fier, Wayne Horvitz, Ikue Mori, M.E. Miller. Subtitled "In search of improvised song form," this is supremely disorienting sonic chatter, but still quite listenable; watching this one waft though your speaker cones can't help but give you a feeling of superiority towards the human race's numerous inferior forms.
Filmworks 1986 - 1990
This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly (featuring the nasty guitars of Bob Quine, Marc Ribot and Arto Lindsay); a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Out of print for several years these classic recordings are made available here with the original cover art intact. This is the place where it all began.