Cancer
*250 copies limited edition* Originally released in 1992 via Tesco, »Cancer« was recorded one year earlier by Thymme Jones, Dan Burke, Mark Klein, Mitch Enderle, Chris Block, and Jim O'Rourke.
This one was mostly a group effort focused on a dark ambient atmospheric environment and experimental minimalism that crawls under your skin. Mark & Thymme’s heavy synth is omnipresent, Mitch & Chris scraping every piece of scrap metal they could find, Jim’s extended piano & tabletop guitar is apparent, t…
Rumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Dead Mind Records Bundle
A comprehensive survey of experimental sound practices across generations, geographies, and aesthetic approaches. This four-release bundle from Dead Mind Records presents vital documents of uncompromising artistic vision: from contemporary electronic collaboration to archival excavations of ambient and industrial histories.
At the center stands Carlos Giffoni & Joachim Nordwall's New Music - a visceral convergence of two sound artists operating at the outer edges of techno, noise, and electro-ac…
More Songs of Civilization
Excavating new sonic layers from archives and homemade instruments, Darrell DeVore extends his panoramic collage with More Songs of Civilization - the third volume of his highly personal, genre-scrambling series. This edition continues the kaleidoscopic fusion of outsider jazz, synthetic textures, chants, and fragmented ensemble dialogues, casting a wide net through decades of radical experimentation and archival recovery.
A Song of Civilization Up to Now
With a panoramic sweep spanning ancient chant, synth experiment and fractured jazz, Darrell DeVore crafts a heady multi-part journey in A Song of Civilization Up to Now. Homemade instruments, electronics and stuttering ensemble work animate an unpredictable collection that tunnels between traditions, collage and improvisation, reflecting on humanity’s creative arc through uncompromising sonic invention.
You Must Be Certain Of The Devil
CD Edition. In 1988, with America's AIDS death toll at 46,000 and antivirals still years away, Diamanda Galás released You Must Be Certain of the Devil, the final installment of her Masque of the Red Death trilogy. Her brother Philip had died of AIDS-related illness in 1986. She had been attending Act Up protests. Critics dismissed her as "the AIDS lady," unwilling to reckon with what she was actually doing: creating a work she described as "begun in 1984 and not completed until the end of the e…
Thylacine
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey through environmental improvisation, blending mechanical invention, wildlife acoustics, and subtle instrumental textures into a narrative of listening and ecological reverence.
Blindfold test
Movement, unpredictability and found sound take center stage as Clinton Green and Ernie Althoff bring together turntable constructions and hand-built kinetic instruments. Their joint work finds a magnetic middle ground between gentle percussive chaos and immersive, floating textures—highlighting the overlapping of machine logic and human touch.
Steady State
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Melophobia
Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.
Semiotic Drift
Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.
Juno
Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.
Ensemble A
Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.
Oneiric
Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.
Howl
Howl by Daisy Rickman offers a luminous journey through Cornish and English folk, steeped in mythic sun worship, nocturnal dreamscapes, and meditative storytelling. Recorded and performed entirely by Rickman herself, this second album channels solitary creativity and multi-instrumental textures into ten radiant pieces where sun, memory, and spirit intertwine in slow-burning, ornamental songforms.
Xmas In March
2025 Stock. 300 copies. Jac Berrocal and David Fenech have been recording together for over a decade, a partnership that has produced albums with Ghédalia Tazartès (RIP) and Vincent Epplay, and led to performances alongside Felix Kubin, Jean-Hervé Peron, Jean Noel Cognard, and Thierry Müller (Illitch). Their work together occupies a distinct zone in French experimental music—playful without being frivolous, structured without being rigid, drawing equally from free jazz, musique concrète, and the…
Lightworks
2025 Stock. 300 copies. The Rock in Opposition movement that coalesced in late-1970s Europe - Henry Cow, Magma, Univers Zero, and the other founding members - established a template for how progressive rock could operate outside industry expectations. But RIO was never meant to be a museum piece. The tradition survives through mutation, through artists who understand its principles without replicating its surface.
Stop Motion Orchestra, based in Austin, Texas, represents one such mutation. Light…
Where to From
Where to From marks the much-anticipated solo return of Hildur Guðnadóttir, a composer-collaborator equally versed in spectral pop, avant-garde, and soundtrack work. Reaching beyond her acclaimed film and TV scores, Guðnadóttir crafts nine intimately reflective pieces for strings and choir—drawn from years of voice memos and melodic fragments—where minimalist restraint meets moments of luminous warmth. The album’s texture hovers between Scandinavian melancholy, sacred choral atmosphere, and a me…
Whistle and I'll Come To You
Whistle and I’ll Come To You by Death and Vanilla is an evanescent, cinematic dream-pop companion to the cult 1968 BBC ghost story film. Through shimmering synths, vibraphone, and spectral loops, the Malmö trio crafts an atmospheric journey where hauntology, vintage electronics, and melancholy motif intertwine, conjuring equal parts nostalgia and spectral unease.
Selected Works 1985-2005
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritual overtones, threading together global traditions and ecstatic energy to create immersive soundscapes meant for both movement and contemplation.