Fact I
*2025 stock* After a long break Wozzeck returns to Intonema with an album called Fact I that opens the next chapter in the group's history. Ilia Belorukov, Mikhail Ershov and Konstantin Samolovov celebrated a decade of the band last year and wrote a piece with the materials collected over several years, transformed them and placed them into a new context.
This resulted in a 37-minute composition of math rock, noise, musique concrete and field recordings with a wide dynamic range and sounds throu…
Binus
In a collaboration lasting several days in Novi Sad, Belorukov & Zlanabitnig explored the acoustic and electronic sound combinations of their instruments as well as ambiental sounds and field recordings in the immediate surroundings of the city. This was not just a direct musical collaboration. Ilia and Sara integrated their sounds into the spaces in which they were played in, be it the studio_kuda.org, the museum acoustics or the Peace Chapel. The musicians developed different approaches throug…
Palace
The electroacoustic composition Palace combines the autobiographical, the carefully stored, the long lost and the accidentally forgotten with the spontaneity of rediscovery and reinvention.
In Palace, I interweave older archival recordings from my time as an Ives-playing pianist, field recordings, accidentally rediscovered leftovers and scraps of my daughter's singing and piano playing, as well as newly created live performed material using oscillators, feedbacks and all of the above – sampled, …
Ganglions
Tip! *2025 stock* "On Ganglions, Badrutt sculpts sinusoidal sounds, internal and external feedback as well as voice inputs and other sources into two pieces of otherworldly music. The release takes the listener into the realm of an arthropod central nervous system and its nerve cells processing tactile and visual information (Supraesophageal). The B-Side – Suboesophageal – showcases a more primitive, destructive approach that could well be aligned with a nerve cluster that processes environmenta…
Nyctalopia
The trio Gaudenz Badrutt (electronics), Jean-Luc Guionnet (alto saxophone) and Frantz Loriot (viola) met for the first time at the Biel/Bienne-based “Joyful Noise” encounters in December 2018. Very quickly, the three agreed on a formal and sonic understanding, giving the trio a distinctive sound, combining and interweaving different sonic aesthetics, from electroacoustic to acoustic improvised music.
In February 2020, the trio continued its musical journey for a residency at Instants Chavirés i…
Sauerkraut
*2025 stock* In 2013, the collaboration of electronic musician Gaudenz Badrutt and saxophonist Ilia Belorukov began in a trio with accordionist Jonas Kocher, and in 2014 the album Rotonda was released on Intonema. Since then, time has passed, Badrutt and Belorukov have toured also as a duo, Belorukov later switching to a modular synthesizer.
In March 2019 in Biel/Bienne, the duo fruitfully worked in a new context, looking for fresh ways to interact, not only with each other, but also between ele…
One (CDr)
2010 release ** "Jim Campbell (aka the preterite) is a turntapelist, for lack of a better term. Inspired by proponents of experimental work with vinyl, early tape and concrete music, Cagean chance practices and both cosmic and free music, the Berlin-based American artist built a one-of-a-kind instrument out of relics of the tape age, his “cassette scratch orchestra”, composed of cast-off phrase trainers, original effects, a re-purposed and prepared analog cassette multitracker and piles of found…
Estasy
2012 release ** "Estasy is the project of Emiliano Maggi, an Italian singer/songwriter who has spent the last couple of years releasing low-key CD-Rs and collaborating with artists and filmmakers in Rome. A lot of the time his live performances with other artists, well-documented on YouTube, are set to spooky visuals, and in those that aren't Maggi wears quite frightening masks. Sure, quite a bit of that does sound like the sort of standard gimmickry rife in 2012, but there's something about Emi…
Zonal Disturbances II
Following Dirk Serries’ recent albums the composer continues to explore different sonic terrain. Still on the electric guitar with a motherboard of analog pedals, the 4 tracks on Zonal Disturbances II start to give signs of a new signature style of ambience Dirk is constructing. Organic, brooding and eerie. All recorded live on the spot creating music that still showcases the artist’s fondness for minimalism and slow repetitive clusters of sound while tying connections with his roots in industri…
Invincible Time
*100 copies limited edition* Quality label Raw Tonk Records never shies away from a challenge and this release is no exception. A gathering of three wilful musical characters in the beautiful resonance of the Oude Klooster chapel in Brecht (Belgium). Guitarists Luis Lopes (Portugal) and Dirk Serries (Belgium) and pianist Martina Verhoeven (Belgium), this time on the electric piano, creating a nightmare-ish live soundtrack to a fictional David Cronenberg movie. From a calm jazzy opener to dense…
Ablution
2006 release ** "A collaborative one-track mini-cd from US Tidal (aka David Brownstead, ex-666 Volt Battery Noise, and currently involved in the militan zionist project Barzel) and Dutch Peter Duimelinks (known for his activity in THU20, Kapotte Muziek and Goem), clothed in two splendid photos by Alluvial's own Kevin Wienke. The work is inspired by the Jewish purification ritual, but as the cd gives no further information about that I will stick to the music - which by the way is excellent. "Abl…
Stray Shafts Of Sunlight
2013 release ** "Three pieces recorded live in 2007 but just released. Ultra-quiet approach of electroacoustic improvisation. Guionnet on sax and microphones, La Casa on microphones and laptop, Samartzis on laptop and electronics. All three also play (with) silence. Each sonic intervention is delicated set in relation with what is (and is not) around it. Three sound stories with a thin yet consistent abstract narrative."
Guo1
2017 release ** "GUO is the duo of guitarist and singer Daniel Blumberg (Hebronix, The Howling Hex) and saxophonist Seymour Wright. Both use heavy distortion and extreme amplification which is later processed and manipulated with metal cassettes to create a multi-layered, lacquered object of sinister, fizzing, metallic beauty. GUO1 with text by David Toop, was the beginning of an on-going series of releases that include etchings made by the duo and a piece of ekphrasis from a creative writer res…
IIN
2012 release ** "Darius Ciuta, Lithuanian architect, sound artist, born 1966, is an artist that definitely can not be pigeonholed for the marketing purposes of narrative and aesthetic unidrectional coherence, although if you stand between and shuffle through his work you will find a labyrinth of communicating vessels. His works explore continuously new alphabets spectrums, building an intricate vocabulary of frequencies and densities as translations and transformations (exchange between sound a…
Transition
2011 release ** Limited edition of 450 hand-numbered copies. "Tetuzi Akiyama, an improviser who plays both acoustic and electric guitar, performs in Japan and other countries, including on yearly overseas tours. Takuji Kawai, born in 1963, studied classical piano as a child and received a master's degree from the graduate school of Tokyo National University of Fine Arts and Music. He started improvising in the mid-1980s, and in addition to improvised music he currently performs works by contempo…
Séance of Sleep I: The Saraswati Dreamcraft
*150 copies limited edition* Drawing on decades of musical studies (Indian classical music, archaic Appalachian fiddle music, Microtonality, and early electronic experimentation), David Wunder Brägger has woven together a minimalist and analog-driven “séance” of sounds through his uniquely assembled electronic devices and acoustic drone makers. The results are epic, strange, calming, and wondrous. An immersive and stunningly beautiful cosmic bath of sound, DW Bragger’s “The Saraswati Dreamcraft”…
Lost Words
Diagnosed with early onset Alzheimer’s in 2021, Lost Words is the first of two recordings undertaken after Tim’s diagnosis. These new collabs were coordinated and produced by Ken (Bundy) Brown (Tortoise, Gastr del Sol, Pullman) and feature Joshua Abrams, Oren Ambarchi, David Daniell, John Dieterich, Darin Gray, Glenn Kotche, Tara Jane O’Neil, Jim O’Rourke and Ken Vandermark among others. Tim’s stalwart rhythmic zeal is the lynchpin and common ground across these tracks that span a wide swath of …
4 Oder 5 Hässliche(Klavier)Stücke
2002 release ** "The chronicle, divided between neo-dada and "fluxus", of some life-scenes. Luca Miti works for the deconsecration of the artist's role, and guide us thru the "delicate" representation of a domestic and personal art, near both to the artist and the listener. The four (or five) pieces of the title (compositions of two friends Otfried Rautenbach and Matthias Maas and Miti itself), performed by Anna Guidi and Luca Miti (piano, sax and live electronics) are mixed with the joyous "int…
June 26, June 27
*30 copies limited edition* This double disc project originated with Evan’s recordings, which comprise the first disc. Evan’s original recordings June 26, and June 27 were made at home in one take, an improvisation with feedback, instruments, and interior environment. The following disc “Ponder with Strong Hands” and “Silo No Jazz” include Evan’s original recordings re-amplified by John Collins McCormick.
"In service to the microphone in the room and the simultaneous ability to forget about the …
Deep Talk In A Shallow Creek
This recording was made June 3, 2023 near Kingston New York while standing in the Stony Kill. In part one, John and Evan improvise with and against each other and nature. The raging water is a dynamic barrier at once the audible center and distracting noise. Part two showcases audio’s ability to fool the senses, by slowing the playback speed we can challenge the figure/ground relationship.
"If there is a need for constant sound I like a creek. They are reliable, if rain-dependent. Of making soun…