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Born at the end of 1984, Gerstein moved between filmic experimentalism and piano sonatas with background noise elements.In 1989, after the release of the cassette La Pomata Delle Femmine, the project seemed to have reached its end. However, Maurizio Pustianaz’s creation took a new direction, shifting toward a sound still open to experimentation but influenced by the more romantic atmospheres reminiscent of David Sylvian.
In 1991/92, the first embryonic versions of the tracks that would later ap…
2025 stock There’s a gulf of contrasts to be heard between Seefeel’s 1993 debut Quique and its 1995 follow-up Succour. Both are searching works in their own right, two shining examples of the fertile crossover of shoegaze and electronic, but it’s clear that, somewhere in the album-to-album transition, things got darker for the project.
A growing fascination with the dystopian ends of dub and ambient are thoroughly explored on the Starethrough EP, the first of Seefeel’s recordings for Warp, a spi…
2025 stock If Succour was Seefeel’s departure from the cul de sac of shoegaze music to wander through the desert of abstract electronics, 1996’s (Ch-Vox) which has been out of print since its original release is the sound of a group building a civilisation in the remotest spot, revelling in their sound far away from the rest of the world, their tones arriving to us like strange signals through the air. Singular as each of Seefeel’s LPs are, (Ch-Vox) could well be their definitive statement, a co…
2009 release ** "Tom Hamilton is unquestionably among the most inquisitive minds around. Local Customs explores some obscure notions about music theory and performance practice, leading to sound combinations that are at once unsettling and yet somehow familiar. One discovers that there is very little in Local Customs that follows from conventionally intentional music writing. It is perhaps better to regard it as a group of artifacts of little-known origins, modified through new transformations i…
Legendary 1976 Private Press Rarity Documents Oklahoma's most uncompromising Proto-Punk visionaries, this trio produced art-damaged outsider rock influenced by Stooges, Beefheart, and Velvet Underground
To Septiske Membraner by Cría Cuervos is a fluid mesh of musique concrète, water textures, and field recordings. Bubbling noise fluxes through submerged sonic layers, creating an immersive, decaying environment of shifting acoustic debris.
Sords by Meilt blends noise, musique concrète, and lofi tape textures into a gritty, abstract sound collage. Saturated loops, found sounds, and analog decay create a visceral, fragmented listening experience rooted in sonic experimentation.
A decaying transmission of lo-fi textures, fractured drones, and dark ambient noise. uœrhe crafts a sonic archive of entropy and memory—where time collapses into static, and history hums beneath layers of analog dust.
Recorded at Harmful Sound Studio, outside & at home 2020-2023.Field recordings, Roland D50, found & stolen sounds for tape, sampler and Dictaphone.For Riitta-Liisa Danielsbacka.
*2025 stock. 30 copies limited edition* Renowned experimental guitarist and avant-garde musician Eugene Chadbourne presents Milanesa / Astral Traveling, a bold new release available now via the German label Frei zum Abriss Kollektiv. This two-track album showcases Chadbourne’s signature blend of free improvisation, wit, and boundary-pushing soundscapes, further cementing his status as a true pioneer of the underground music scene.
Richard Hronský’s “Pohreb” uses intimate soundscapes—wood, radio, bird songs—to evoke childhood memories and the grief of loss, transforming personal audio diaries into a universal meditation on change, tradition, and time’s passage.
"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…
"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …
Originating from a Lisbon residency, Joana Guerra and Yaw Tembe’s duo explores slow, tectonic musical landscapes on ‘Orogénese.’ Their blend of eclectic instruments and ethereal voices crafts mysterious, timeless soundscapes, revealing hidden sonic futures through organic collaboration.
Snakes & Thunder explores the coexistence of meanings and sound as motion, focusing on balance, connection, and similitude. The album reflects on proximity and rhythm, inviting wandering, myth-making, and embracing the strange.
Peachfuzz’s ‘Impeachment’ showcases innovative interplay among Lisbon’s João Pereira, João Almeida, and Norberto Lobo. Their music spans meditative drones to energetic bursts, blending acoustic and electronic elements with playful spontaneity.
The Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCra…