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Via Lattea is the new recording project of the music and performance research ensemble Enten Hitti. The work takes inspiration from research on the “feminine” and from the matrilineal transmission of life. It is the result of various research trips to the places where the culture of the “sacred female” took shape over 4000 years ago: Cyprus, Crete, Turkey, Ireland, South Africa, Indonesia … The historical and geographical suggestions have been freely reinterpreted and transformed into musical pi…
Originally released in 1968. Jerry Moore was working as a folksinger in Greenwich Village when ESP-Disk' artist Randy Burns brought him to the label's attention. Recorded in August 1967 at Impact Studios, NYC, the soulful Life Is a Constant Journey Home (also issued at one point as Ballad of Birmingham, acknowledging its most famous and important song) is so legendary that we'll just let the press quotation below describe it. But please also consider this: that's a heckuva band Mr. Moore's backe…
Reed instruments are capable of some of the most impassioned music on the planet, all due to the malleability of the reeds, themselves—historically made of plant tissue – which vibrate when air hits them. The origin of most reed instruments is steeped in rural, pastoral culture. Many insistent, loud, often joyful, reed instruments have always been played outdoors as traditional accompaniment for dancing and celebrations.
This compelling album is the second volume in the Excavated Shellac release…
Expansive and ambitious, Tender Revolutions is the latest from Vietnam-born, Portland-based multimedia artist Dao Strom. A fluid album, existing between genres—part ambient folk, part sound collage, part spoken word, part post rock—it blurs the line between the work of an experimental composer and the work of an accomplished singer-songwriter. Instruments slip in and out (guitar, piano, synthesizer, strings, drums, percussion) amid field recordings and samples, all anchored by Strom’s singular v…
Chris Brokaw is the consummate underground rock musician. In a career spanning thirty-plus years he has been in countless bands (Come, Codeine, Charnel Ground, The Lemonheads, to name a few) has been a sideman with everyone from Thurston Moore to GG Allin, pounded countless stages on nonstop tours, and played on over seventy recordings, including lp's, ep's, cassettes and soundtracks. 'Puritan' is his tenth solo lp and it's a killer.
From the hypnotic repetition on the extended instrumental outr…
2025 stock The best of Khwanta Fasawang, the heart and soulful Sister No. 1 of 1980s Lam Phaen, queen of the cassette era. She was chosen, from over a thousand demo tapes, by legendary producer and songwriter Doi Inthanon, who wanted to create a new, streetwise dance style of molam(*) music. The Lam Phaen genre was the result, and Khwanta Fasawang was the singer he chose to be its representative. Combining earlier musical trajectories with electronic elements and lyrics dealing with drinking and…
2025 stock How can we explain the power of music? How can songs delivered in a language which we don't understand move us so? This collection contains the very best songs from Hongthong Dao-udon, one of the great Thai singers of the "third generation" of Molam singers, one of the artists who succeeded in fusing Molam with Luk Thung, thus triggering a new generation of singers; in fact she was the first to sing both genres from the beginning of her career, considering herself to be situated happi…
2025 stock Imagine being a punk rocker before there were any others, or a hippie whose message of peace was infused with a sardonic whimsy. That’s what it must have been like to be Pip Proud, in Sydney in the late 1960s, railing against the media and its hypocrisies, making a music that cut through all lies. — David Nichols Pip Proud, sui generis, could be considered an Australian outsider, with his untutored and uninhibited singing style, his primal guitar playing, his resolutely personal visio…
Dervish-like guitar spirals by Ghent-based musician Benoît Monsieurs, following two excellent releases on Kraak under his Venediktos Tempelboom moniker. Ecstatic music that takes cue from psychedelism, modern and ancient - from Hildegard von Bingen to Vincent le Masne et Bertrand Porquet. Splendid stuff.
Unlike France, Belgian underground scenes never ceased to be consistent since the early 1970's and onwards, constituting vast, sprawling networks, that reaches present days via very active label…
2025 stockJust over a decade ago, Japanese indie-pop duo Tenniscoats recorded »Papa's Ear« (2012) and »Tan-Tan Therapy« (2007), two albums made with musical and production help from Swedish post-rock/folk trio Tape. Originally released on Häpna, they are beautiful documents of the exploratory music made by a close-knit collective of musicians, fully at ease with each other, playing songs written by Tenniscoats and arranging them in gentle and generous ways. Released during a particularly product…
Though packaged together, Joshua and Same Day Walking chart distinct worlds. Recorded in northern California and produced by Robby Moncrieff (Dirty Projectors, Zach Hill), Joshua is woolier and warmer, evoking haze, humidity, and overgrown Spanish moss. Meanwhile, Same Day Walking — recorded in Iceland and produced by Moncrieff alongside two-time GRAMMY-winning composer / sound designer Sam Slater (Joker, Chernobyl) — is, appropriate for its icier climes, windswept and beholden to the vast empti…
Alan James Eastwood's glorious Seeds is a certified folk-funk lost-classic. But who was Alan James Eastwood? He had never hit the big time and commercial success eluded him. By the mid-1970s, his musical career was pretty much over and he was almost unknown except among deep heads, amongst whom he would gain cult status.
Original copies of the 1971 vinyl release of Seeds exchange hands for high sums, if you can find one. This expanded 2LP contains an extra record, collecting 9 rare non-album sin…
Veronique Chalot’s A L'entrèe du Temps Clair, released in 1982, is a luminous exploration of early French folk traditions. Backed by Italian musicians and employing instruments such as hurdy-gurdy, bouzouki, and bagpipes, Chalot’s distinctive voice and delicate arrangements breathe new life into ancient ballads, fusing medieval atmospheres with timeless musical sensitivity.
H&F Recordings’ album Friends, sometimes known as Fragile, is a rediscovered gem of early 1970s British psych-folk. Crafted by Peter Howell and John Ferdinando, this collaborative project—originally issued as a private press—displays gentle harmonies, intricate acoustic textures, and a disarmingly intimate approach, now remastered for fresh ears after decades of semi-mythical obscurity.
The genealogy of Céleste Boursier-Mougenot's aquatic, immersive, multisensory installation, developed in over twenty versions over thirty years. Clinamen is published on the occasion of the installation of a monumental version of Céleste Boursier-Mougenot's work in the Rotonde of the Bourse de Commerce – Pinault Collection during Summer 2025. "These blue islets, their surface dotted with floating white porcelaine emispheres, like the atoms of an endlessly renewed musical form - drifting, collidi…
Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.
Last Night I Heard the Dog Star Bark, the third full-length from Gwenifer Raymond, finds the Welsh guitarist deepening her American primitive explorations with a turbulent, spectral intensity. Across ten instrumental tracks for solo guitar and banjo, Raymond braids the darkness of Appalachian nights with the cosmic anxieties of science fiction, displaying fierce dexterity and meditative nuance.
Horizoning, the sole album from Stefan Gnys, emerges as a deeply atmospheric and personal artifact of 1969, where raw, introspective songwriting meets lo-fi folk production. Long considered a Hamilton cult rarity, the reissue preserves Gnys’s solitary voice and sensitive arrangements—acoustic guitar, subdued backing, and confessional lyrics—making each note resonate with fragile honesty.
Language At An Angle by Sam Wenc is a reflective exploration into the interface of sound, text, and performance, redefining the emotional and spatial possibilities of instrumentation. Renowned for upending genre expectations, Wenc crafts ambient textures and avant-folk motifs that subtly coalesce, inviting listeners into a contemplative sonic environment. The album distinguishes itself by merging Americana atmospheres with experimental nuance, embodying a distinctive voice within contemporary mi…
With five albums released, several tours around Spain, Europe, Uruguay and the United States in which he has paired among others with Geoff Farina (Karate) or Glenn Jones and even performed at the legendary John Fahey tribute festival in Takoma Park, Maryland (The Thousand Incarnations of the Rose), the passing of time has consolidated Isasa's musical career to the point of winning the praise of such exquisite critics as Byron Coley or Wire magazine, the blessing of masters of the new guitar suc…