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2025 stock A second volume of late 50s and early 60s Cambodian slow rock, pop and R&B tracks - following the first volume's featuring as compilation of the week on Lauren Laverne's BBC 6Music show. From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-g…
2025 stock From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported early rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-grown slow rock, pop & rnb 45 recordings from the early 60s, prior to the further embrace of US psych & garage rock-orientated sounds in the mid 60s and into the Vietnam war era.
Carrying on from recent archival releases from masters of Indian classical tradition such as Kamalesh Maitra and the Dagar Brothers, Black Truffle is pleased to present a previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan. Born to a musician family in Hoshiarpur in the northwestern state of Punjab, Khan moved with his family to Lahore in Pakistan after the 1947 partition of India, becoming a child musical prodigy. Khan was a master of the kyhal form of Hindustani cl…
2025 Repress Every song on this album taps into raw, rich veins of sound that are simultaneously dense but easy to enjoy; vintage and modern; new yet timeless. The album kicks off with a monster track entitled "Stratton-Eustis" - one of those complex yet flowing tunes that makes you think overdubs were involved or the player has grown an extra set of limbs. Then there's "Kenduskeag,” a raga-esque group recording in an abandoned New England Conservatory building with Ethan WL and the long standin…
Offering some of her first original compositions, ‘The Time Has Come’ was a break from tradition in more ways than one for Anne Briggs. Where previous recordings displayed the unaccompanied melodies of her voice, this album - originally released by CBS in 1971 - brings additional instrumentation in the form of guitar and bouzouki. The result is that her vocals are not submerged but heightened - the plucked strings providing the perfect foil for her crystalline inflection.
‘The Time Has Come’ i…
2025 stock Originally released in 2006. Under the direction of Anak Agung Gede Mandera; Recorded in New York & London, 1952. The gamelan and dancers of Peliatan were the first to give an extensive foreign tour, demonstrating their revolutionary kebyar style. These performances are the first modern recordings made of a gamelan. Extensive liner notes by Edward Herbst, along with rare photos, document one of Bali's most significant ensembles. Remastered from the master tapes.
The Italian composer Riccardo Komesar take his place in the vast panorama of instrumental guitar music with this debut album released by Torto Editions and Ramble Records: divided in three mid long tracks, “Tre storie per chitarra” is a condensed of contemporary lyricism and emotional soundscape: the mellow and distinctive fingerpicking is the drive of the journey, waving in circular patterns and evolving in the whole structure. His personal playing style is developed on a nine strings guitar, w…
Tip! The term Miao is a very ancient Chinese misleading pseudo-ethnic categorisation, what we call the Hmong in western languages, a term recognised by colonial French Indochina. Miao became a generic term which does not reveal the diversity of 38 subgroups or 9 million people, mostly in Southern China Guizhou Province.
China having moved towards the market economy, a large number of minority regions have marketed a commodity available only to them: their ethnicity itself. Ethnic tourism has dev…
**Clear vinyl editions. Old-school tip-on jacket with metallic silver foil stamping along with a 12-page booklet featuring extensive liner notes from scholar and pianist Thomas Feng.** From beloved composer Emahoy Tsege Mariam Gebru, a revelatory new album of vocal pieces. The first vocal album by beloved Ethiopian nun, composer, and pianist Emahoy Tsege Mariam Gebru - profound and deeply moving home cassette recordings made amidst political upheaval and turmoil. These are songs of wisdom, loss,…
*85 copies limited edition* Rooted deeply in traditional Sakha music Aldana Duoraan creates a meditational state of mind using an instrument called “khomus” and her voice. The second album of Prague based musician born in Sakha republic is a two-sided EP called “sɯrdɯk / qaraŋa” which means “lightness / darkness”. The name is inspired by the duality of the universe, light and dark sides of a person, ever changing reality.
The name of the album is written in the first Sakha alphabet created by Sa…
*300 copies limited edition* A debut that is not a debut. Eva Fernández Suárez and Thomas Barrière have both been around for a while, just not as a duo. Eva is originally from the Asturias region in northern Spain but has been residing in France for quite a few years now. As a solo singer, her work is firmly rooted in classic folk-inspired material, more specifically in the bleak, bare-bones, and stripped-down kind. With her slow, rhythmic delivery, perfectly placed melodic nuances, and a vocal …
A massive speaker-smashing release, decades overdue. It's been bootlegged - shamefully so, many times over the years - but finally we present the first ever officially licensed reissue of this truly special Afro-disco-not-disco LP from 1979. A favourite of Harvey, Antal, Young Marco and, er, every great DJ to ever play deep records ever, basically. It's not hard to see - or, indeed, *feel* why.
Gem after gem of relentless, irresistibly funky gold, it's an incredibly revelatory album with endless…
Huge Tip! Recorded 67 years ago, reissued in Shirley Collins's 90th year in this universe. 'Sweet England' along with its sister album 'False True Lovers', was recorded in the spring of 1958 when I was twenty-two years old. I had been living for the previous two years in London with Alan Lomax, the American folklorist, working for him as editorial assistant on his book The Folk Songs of North America and on his field recordings from America, Great Britain, Italy and Spain. The tracks that make u…
Vashti Bunyan’s ‘Lookaftering’ is 20 years old. To mark the occasion, and also Vashti’s 80th birthday, an expanded 2xLp edition is to be released. As well as the original studio album itself the second LP features demo versions, an alternate take, and a live performance of one of the original album tracks. This edition also comes with reflective sleeve notes from Vashti, producer Max Richter, Devendra Banhart and Dave Howell, and a 16-page lyric booklet featuring a collection of paintings by Vas…
*300 copies limited edition* With Umwelt, room, An’archives releases the first vinyl LP by Japanese singer, songwriter and guitarist, Kotonashiso. An elegant collection of seven slow-moving, free-ranging song forms, Umwelt, room is reflective, pensive, and yet has a great, expansive sense of movement, each song’s parameters feelingalmost infinitely flexible. Born in Tokyo in 1984, Kotonashiso began playing music in 2000. After taking a long break from making music between the years 2005 to 2016,…
1995 release ** Joujouka Black Eyes is a CD by Moroccan Sufi trance musicians Master Musicians of Joujouka. It was released in May 1995 on Sub Rosa Records. It was produced by Frank Rynne and includes the song "Brian Jones Joujouka very Stoned" written by Joujouka born painter Mohamed Hamri. This song commemorates the third visit of Rolling Stones founder Brian Jones to Jajouka. On this visit Jones recorded Brian Jones Presents the Pipes of Pan at Joujouka. The group on this CD includes veteran …
‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music.
The album was conceived after a trip to Latin America and marks a clear break from previous production.
Released in 1971, it is Lucio Battisti's first album composed entirely of unreleased tracks. The record is a concept album that explores the concept of love seen from multiple angles. Among the musicians who participated in the recordings are members of the future Premiata Forneria Marconi.
Audio remastered at 24Bit/192kHz from the original tapes. White vinyl mix red 180 gr.