Folk /
Kissing The Contemporary Bliss
For over 30 years troubadour walier DAN IRETON has called upon the spirit of 78 shellac blues n' psychedelic Stooges n' Velvets to fuel his guttural, pure soul ethos of the song. Hints at the classic forms of Dylan's Blood On The Tracks, Buckley's Starsailor & the celestial fug of Sun Ra' third-eye vision to create an approach untraveled yet increasingly influential. Kicks up the most outward bound & staggering approaches to Gus Cannon's "Walk Right In" & Robert Johnson's "Stones In My Passway" …
A Day Without Disaster
A Day Without Disaster is the newest chapter in the musical adventures of Nick Castro & The Young Elders. The group has spent the last year recording and touring the world while honing their skills both in the studio and on stage. This EP, on Italian label A Silent Place, is a glimpse into the ever-evolving minds of NC & The Young Elders, which are dwelling somewhere between the romantic male/female duets of Richard & Linda Thompson and the exotic worldly arrangements of the Incredible String Ba…
Guitar soli
The debt that modern guitarist composers owe to the late Robbie Basho can hardly be overstated. Though Fahey invented the genre and Kottke proved its marketability, it was Basho's technique, vision, and self-image that resonated most strongly with Will Ackerman and the so-called New Age guitar movement he founded. It's a crime Basho's music hasn't been available on record for many years. Now older guitar fans can welcome back an old friend and newer ones can learn where it all came from on this …
Days Have Gone By
Every decade John Fahey's work creates a wave of followers all trying to fuse acoustic blues with the Indian and Western classical traditions. What most of them miss when studying their hero's albums is his knack for crafting wonderfully infectious tunes. Sure, Fahey is totally avant garde, as he descends into esoteric tunings and maze-like picking. But that never prevents an album like 1967's Days Have Gone By from making listeners hum, clap and whistle along. This is folk music, after all.
Frowny Frown
EXCLUSIVE ADVANCE RELEASE! A could-have-been classic from John Terrill, cofounder of Bloomington's the Dancing Cigarettes. Unlike the wiry art-punk of his late-'70s band, "Frowny Frown" is a far more intimate set of homespun pop-psychedelia, recorded between 1989-99 and only hand-pressed for close friends. A halcyonic journey with rich layers of vocal harmonies (perhaps a sly nod to "Smiley Smile") that fans from Bobb Trimble to Galaxie 500 will find much to love. Includes a bonus track from '84…
A Taste of Ra II
 The mysterious pseudonym remains, in this, the second release in the Taste of Ra trilogy. The accompanying information describes the music as such: "When your ears are gates and they're wide open. Levels of sound will chase you down, collide, kiss and fight. In the yard that you now found; The past will meet the present, you're paying past with present. When you finally hear her voice that makes you leave your body behind and meet as gods...Sound will evolve and something that was once heard…
Leaves From Off the Tree
Bo' Weavil is so excited to be releasing Leaves From Off The Tree: a three-way project of Sharron Kraus, Meg Baird (Espers) & Helena Espvall (Espers). This is a beautiful recording of traditional folk material, with the most stunning singing and arrangements of some of England and Appalachia's finest songs. 'The songs on this record were recorded after many an evening swapping songs (and beers!) in Fishtown, Philadelphia, where Sharron had moved from her native England, and Meg and Helena were a…
Ironclad
This is the same Clayton Noone who isn't (but will soon be) a legend; the same man behind the art-punk Futurians and junk-noise Armpit. Nevermind his super obscure CD-R- only collaborations with Last Visible Dog label-mate Antony Milton, going under the name 'Claypipe.' Ironclad however differs from so much of Noone's output in that it is both more personal and more accessible. While none of the trappings of the low-fi New Zealand noise aesthetic are gone, this is more gentle, more melodic; a fo…
Bury The Square
From the vibrant Southern quasi-capital of Durham emerge Megafaun, wearing earnestness across the chest and abstraction along the sleeves. They pour forth dulcet harmonies, as seeking vocals tug banjo lines up the Appalachian mountains; redemptive noise soaks everything, like thick air wafting from the Atlantic. Clawhammer banjo and strummed acoustics lock and roll with electric guitars and electronic textures. They realize that folk implies deep, personal, intense expression, whether the instru…
Boujeloud
The Master Musicians of Joujouka are often credited with being the first "world music" group. The Joujouka music for Boujeloud, or the Father of Skins, is frantic and has several movements which would equate to a symphony or the score of an opera if it were European classical music. The festival and ritual originate in the worship of the God Pan. In 1994, Frank Rynne began a two year long project recording the Master Musicians of Joujouka in their village. Sub Rosa released two CDs from these re…