Jazz /
Lady of the Aurian Wood: A Magic Life of Duke
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Gigs: Introducing Michael Garrick
Gigs: Introducing Michael Garrick catches Michael Garrick on the bandstand rather than in the chapel, a pianist still forming his voice through standards, ballads, and early originals. This live-feeling 2008 release frames him with a tight trio setting, revealing a restless, harmonically alert player already bending the jazz canon toward his own lyric intensity.
Yet Another Spring
On Yet Another Spring, Michael Garrick enlarges his sacred-jazz universe into a full-scale orchestral meditation on birth, loss, and renewal. Scored for the Michael Garrick Jazz Orchestra with recurring features for Norma Winstone, the 2006 suite moves from intimate prayer to blazing big-band catharsis, treating the life cycle as both liturgy and drama.
Inspirations
Inspirations finds Michael Garrick turning inward with his New Quartet, distilling a lifetime of big ideas into melodic, small-group conversation. Recorded in 2006, it honours John Coltrane’s legacy without mimicry, letting Garrick, Martin Hathaway, Paul Moylan, and Alan Jackson reimagine spiritual intensity as supple, lyrical post-bop.
Children of Time
On Children of Time, Michael Garrick stretches his sacred-jazz imagination into cosmic scale, writing for the Jazz Britannia Orchestra and reuniting with vocalist Norma Winstone to explore creation myths, Eucharistic ritual, and his own visionary texts. The result is a 2006 suite that feels like a liturgy drifting through deep space, turning theology into glowing, unsettled sound.
Jazz Praises at St. Paul's
With Jazz Praises at St. Paul's, Michael Garrick welds liturgical grandeur to jazz improvisation, conjuring an atmosphere as reverent as it is free. Featuring the Michael Garrick Sextet, John Marshall, and the St. Paul’s Cathedral Choir, this 2005 release radiates both spiritual inquiry and creative boldness, transcending boundary with every motif.
Dial Up
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus and dedication to the music is exceptional. That’s not to say that these three don’t have a combined CV that straddles a who’s who list of contemporary music across multiple scenes. But their ethos is one that emanates from their midwestern locale …
Field Trip
Zach Tenorio invites listeners on an immersive auditory adventure with his latest release, Field Trip. This captivating album showcases a rich tapestry of sound, blending ambient textures, intricate rhythms, and evocative melodies that transport the audience through vivid emotional landscapes. Field Trip exemplifies Zach Tenorio’s innovative approach to music production, where organic elements seamlessly merge with electronic flourishes. Each track unfolds with a cinematic quality, encouraging l…
The Man In Me / Dark Star
*100 copies limited edition* "Will and I have been playing together for a very long time and in a lot of very different contexts. Our musical history goes back to playing basements and art galleries in Providence in 2008, wanders through a years-long informal residency playing as a sax and guitar duo in Bushwick and Ridgewood, and brings us up to just last week when Will joined Taper’s Choice at a sold out Brooklyn Bowl to celebrate Relix Magazine’s 50th anniversary—more on that again later. In …
"First Set" Live At ETA
*200 copies limited edition* "The contemporary Los Angeles jazz renaissance has a rich cast of characters. Among the most interesting are Dave Harrington, Billy Mohler, and Jay Bellerose, all established players with fascinating discographies. While these musicians are integral to the current L.A. jazz scene, they’ve traveled various pathways to their current destinations. Harrington is a composer and multi-instrumentalist, well-known as the guitarist for Darkside, who have recorded extensively …
Made Out Of Sound
*2025 stock* "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time d…
The Freedom Suite, Novoa / Carter / Mela Trio, Vol. 2
Brooklyn pianist Eva Novoa joins saxophonist Daniel Carter and drummer Francisco Mela for the second volume of The Freedom Suite, a set of twelve pieces blending piano, Rhodes, harpsichord, gongs, and vocals with Carter's multi-reed brilliance and Mela's Cuban-inflected drumming, creating an urgent, intimate, and fluidly improvised dialogue of words, sound, and fearless imagination.
Big Band Harriott
Big Band Harriott finds Michael Garrick scaling Joe Harriott’s music up to a roaring jazz orchestra, preserving the original’s sharp lines and Caribbean-inflected bite while opening them into rich new voicings, long arcs of tension and release, and solos that underline just how modern this repertoire still feels.
Seven for Lee / Green and Orange Night Park
On Seven for Lee / Green and Orange Night Park, Kevin Figes & You Are Here treat the 7-inch as a miniature universe, squaring up to Lee Konitz and Keith Tippett with wiry lyricism, nervy swing and a slightly spectral warmth that makes homage feel like the start of another story rather than the end of one.
Il Grande Quarto D'Ora
1998 release ** "Il Grande Quarto D'Ora is an album by Giancarlo Locatelli and Franco Beltrametti, showcasing a unique blend of Italian musical styles. The record captures a sophisticated and possibly experimental soundscape that reflects the artists' deep musical expertise and creativity.
This album likely features a combination of rich instrumentation and evocative vocals, characteristic of both Locatelli's and Beltrametti's styles. Their collaboration suggests a well-crafted musical …
Schematics For A Blank Stare - Volume Three
2025 stock "Schematics For A Blank Stare - Volume Three" is a meticulously crafted album that explores organic grooves with a strong funk and soul influence. Released in 2021 under the Funk Night label, this LP vinyl captures Jeffery Scott Greer's signature lo-fi funk sound, recording straight to cassette tape for an authentic vintage feel. The album showcases a blend of groovy, soulful tracks that offer a rich auditory journey for fans of instrumental funk and soul music. It's a perfect additio…
Across Great Distances
Hobo Duo is: Kevin Cosgrove : drums, homemade percussion Bruno Duplant : electric & acoustic guitar, homemade lapsteel, doublebass, whistle
Winter 2025 "Weathering" (Magazine)
We Jazz Magazine, Issue 17 / Winter 2025 "Weathering" for aja monet. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. aja monet by Ayana Contreras, Azymuth by Ben Lee, Henry Threadgill by Bret Sjerven, Sven-Åke Johansson by Magnus Nygren, Anna Webber by Stewart Smith, Rafiq Bhatia by Florent Servia, Steph Richards & Qasim Naqvi by Andy Cush, Ganavya by Tina Edwards, Cosmic Tones Research Trio by Blake Gille…
Journey On Az Ma'ar Moon
The Selenites Band - Journey on Az Ma'ar Moon An Ethiofuturist odyssey. With Journey on Az Ma'ar Moon, their third studio album, The Selenites Band continue their exploration of ethiojazz, deconstructing and reinventing it to project it towards the stars.Conceived as a journey to an imaginary moon, each track becomes a stage in an interstellar narrative, where myths, ancestral rhythms and Afrofuturism intertwine. Between heritage and experimentation, the group deploys a groove from elsewhere: a…
Rivbea Live! Series, Volume 4
"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…