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London - and Berlin - based quartet Let Spin return with I Am Alien, their fifth album and first release with UK label Discus, marking a new chapter in the band’s evolution. Building on the momentum of 2022’s Thick As Thieves, the record is a continuous, shape-shifting work that thrives on tension and risk, collapsing the boundary between composition and improvisation while distilling over a decade of shared history into a fiercely unified listening experience.
Over more than 13 years of playing…
We Jazz Magazine, Issue 18 / Spring 2026 "Space Time" for Shabaka. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Shabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott & Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term "Free Jazz" b…
This is my fourth solo piano release on this wonderful label. The studio’s Yamaha piano is an older darling, bless her, with an easy mechanism and unusual bright tone - lovely to play! It was also my first time recording at Sansom Studios in the West Midlands, some distance from Lancashire where we live. The album was recorded in a few hours and is in three sections. Two tea breaks divided the music in effect, no edits, completely improvised. I was curious about recording in a studio again, most…
The first song cycle collaboration by this new partnership is a highly adventurous and ambitious work, and one which explores a journey through dark places expressed in an improvisation-based language of strange sounds and textures, plus some unexpected left turns into electronic and choral music, before emerging from the woodland and into the morning light. I make a lot of records. In fact most years I release more albums than I make live performances. But this one is special to me in many ways…
Special discounted Bundle. Two of the greatest free jazz records ever laid to tape, back where they belong. Superior Viaduct reissues Noah Howard's The Black Ark and Julius Hemphill's Dogon A.D. — both from 1972, both inexplicably scarce for decades, both essential.
The Black Ark finds Howard backed by a towering ensemble — Norris Jones (Sirone), Arthur Doyle, Leslie Waldron, Earl Cross, Juma Sultan, Mohammed Ali — in four tracks that move from hard-blown spiritual fire to lyrical catharsis. Des…
*300 copies limited edition* In October 2024, g a b b r o travels from Brussels to the mysterious village of Gabbro in Italy. Together with drumming virtuoso Casper Van De Velde, Hanne De Backer invites musical friends along the way to record in places that have personal significance for them. The quest to Gabbro takes them through five countries in seven days: Belgium, Luxembourg, France, Switzerland and Italy. The diverse landscapes and numerous encounters leave a deep impression. The pace of …
Released to celebrate the 70th anniversary of these sessions and the 75th anniversary of Prestige Records, "Miles '54" brings together 20 tracks recorded by the trumpet legend in 1954. Including cuts from albums released that year, it features Sonny Rollins, Charles Mingus, Horace Silver, Art Blakey, Thelonious Monk and more. Included are new liner notes by GRAMMY Award-winning music historian Ashley Kahn and session notes by Dan Morgenstern, with mastering by Paul Blakemore. 4 LP set on 180g bl…
*100 copies limited edition* Trombe's fourth album, 'Bête Noire' (2026), is a tribute to all those wild boars that tear up the countryside, slaughter sheep, and are chased and killed by bizarrely clad figures in orange vests, armed with rifles... Beware of the line of cars parked in a herd along country roads, because they're there, prowling. Don't meet their gaze, or you'll be petrified... In fact, I know some people who had to change their mode of transport after a collision with the beast... …
Legendary producer David Axelrod’s solo album Heavy Axe is one of the finest outputs of the jazz-rock wave, which was the preeminent sound of the mid ’70s. With a little help from legendary players like Johnny “Guitar” Watson, Cannonball Adderley, and George Duke, Heavy Axe crisscrosses between lush funk sounds and full, round low end and majestic orchestral flourishes that made Axelrod’s sonic realm a goldmine for sample-hungry hip-hop beatmakers from the ’90s until today.
In between being one of the most recorded studio drummers of all time, the beat-maestro extraordinaire Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer and audio obsessive Rudy Van Gelder, at his bespoke studio in Englewood Cliffs, New Jersey, and has all the quality hallmarks of that esteemed locale. Three Purdie-penned originals are balanced by three covers of hits-du-jour, utmost among them a blazing romp through James Brown’s…
2026 stock Genie Of The Keys: The Best of Korla Pandit collects 16 choice cuts from this era—all featuring Pandit’s inspired blend of Eastern, Latin, and South Pacific musical traditions. Among the artist’s original compositions is his famous “Magnetic Theme,” which opened Korla Pandit’s Adventures in Music. Genie of the Keys also includes a variety of pop covers, including “Somewhere Over the Rainbow,” “Polka Dots and Moon Beams” and “Speak to Me of Love.” This collection—which not only celebra…
Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo's hypnotic interplay. This is the sound of two of Chi…
The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.
With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intens…
Brooklyn-based pianist and composer Eva Novoa presents Eva Novoa Solo (I), her first solo piano recording and seventh album with 577 Records. Recorded at the legendary Sear Sound Studios in Manhattan, the album captures Novoa alone in the studio, embracing the artistic challenge of vulnerability, introspection, and creative freedom that defines the solo piano format. After several years working primarily within piano trio settings and other ensemble configurations, Novoa turned inward, embarking…
Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus.
Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…
The Awakening’s debut album Hear, Sense and Feel is a landmark spiritual jazz statement that captures the restless, creative energy of early‑1970s Chicago and the vanguard of the Black Jazz Records catalog. Recorded in 1972 at Streeterville Studios and newly available again after years as a coveted collector’s item, the album finds the group balancing deep groove, free improvisation, and Afrocentric consciousness in a way that feels timeless and urgently contemporary.
Hear, Sense and Feel was t…
The Tomeka Reid Quartet - dance! skip! hop! (OOYH 041) releases February 13 2026 (LP/CD/limited streaming) on Out Of Your Head Records, featuring the steady quartet of Tomeka Reid (cello) with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Soon after finishing these compositions in June 2025, Reid realized that much of the music made her want to dance. Inspired by the title of Josh Berman’s stellar A Dance and a Hop, as well as her tendency to skip in public, the title…
*100 copies purple vinyl limited edition* Out Of Your Head Records announces the latest chapter in creative music: 'Half of What You See' by Wrens, a bold new contribution to the label’s tradition of boundary-pushing artistry and limited-run releases. Continuing their dedication to inventive sound and visual originality, Out Of Your Head Records—spanning Richmond and Brooklyn—invites listeners into a world where sonic textures and emotional immediacy collide.
'Half of What You See' showcases Wre…
On John Zorn’s Bagatelles Vol. 5, John Zorn hands eight spiky miniatures to the Kris Davis Quartet, who turn his angular “weirdo tunes” into a fierce, lyrical piano‑guitar quartet set where structure, swing and free combustion constantly collide.