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2015 release ** "A feast for fans of the soprano saxophone as Udo Schindler and Frank Paul Schubert improvise live at the 51th SALON fur Klang + Kunst in Krailing/Munich, Germany in 2015, blending and contrasting two approaches to the instrument in fascinating ways."
2011 release ** "When jazz critic Peter Margasak interviewed Nicole Mitchell for the liner notes he wrote for Awakening, she explained: "I wanted to dig back into the old-school jazz a bit and yet still make room to branch out into never-never land." And that is a perfect description of what the Chicago-based flutist/composer does on this 2011 date, which finds her leading a pianoless quartet that employs Jeff Parker on electric guitar, Harris Bankhead on upright bass and Avreeayl Ra on drums an…
2008 release ** Limited and numbered edition of 250 copies, part of the KMB Jazz CDr Series. "The 2007 solo debut of New York free improvising trumpeter Matt Lavelle, here performing on the hybrid instruments, the Bass-Trumpinet and Bass-Clarumpet, introduced and punctuated with spoken word insight and declarations, and using overdubs on selected tracks, making for an intimate and accomplished album of modern free jazz."
180 gram reissue / Limited Edition 400 copies Includes OBI and 4 pages insert. Text in Japanese / English . Cinedelic presents Jazz in Fabbrica by Enrico Intra. Recorded in Ratti’s Factory in Guanzate (Como) on October 31, 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter betwee the most exquilisitely jazz language and contemporary music of a cultural matrix, and for this re…
A real brain ripping free jazzing blast from the past. Togashi Masahiko may be a name you have already encountered if you are a bit acquainted with Japanese free hardcore blowing jazz. He was the man responsible for churning out Japan's first free jazz disc being “We Now Create” for which he got assisted by Takayanagi Masayuki and Yoshizawa Motoharu amongst others. The following year in 1969, he teamed up with another hardcore blowing spirit, Takagi Mototeru - one of Japan's most unique sax howl…
The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan. Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter.
This album "Sensational Jazz '70 Vol. 1/2" is famous as a live soun…
Jazz drummer and bandleader Takeshi Inomata crafted an impressive discography throughout his career, but none quite matches the brilliance and intensity of Sounds of Sound Ltd, his 1970 album featuring his regular studio band, Sound Ltd. Released during a period when the distinctions between jazz, jazz-funk, and jazz-rock were increasingly blurred, the album seamlessly delivers infectious grooves, intricate solos, and uplifting musical motifs. This sense of speed, this sense of elation. The man …
Anchored in the idea that, despite all obstacles, the human experience casts a net of possibilities, Defiant Life – Vijay Iyer and Wadada Leo Smith second duo recording for ECM – proves a profound meditation on the human condition and both the suffering and resilience it entails. An ethereal iridescence glistens between Leo Smith’s unmistakable trumpet wail and Vijay’s textural key strokes on piano and Fender Rhodes, conjuring multi-dimensional spaces of thoughtful musical conversation. “We work…
1996 release ** "Reconstruction of Sound features Ellen Christi on vocals, Yuko Fujiyama on piano, Masahiko Kono on trombone, and Mauro Orselli on drums and cymbals. This album was recorded at Baby Monster Studio in New York City on March 30, 1993, and includes live recordings from a performance at Roulette in New York City on April 2, 1996. Ellen Christi is a prominent figure in the avant-garde jazz scene, known for her innovative vocal techniques and improvisational style. Her contributions to…
2006 release ** "Harris Eisenstadt's fifth album as a leader features a sextet of young Chicago players and all-star names. The lesser-known names are vibraphonist Jason Adasiewicz, gracefully waltzing through the drummer's complex compositions, and reeds player Jason Mears, who seems too busy keeping up with the score to truly shine. Bassist Jason Roebke has previously proved his worth (in Tigersmilk and the Scott Fields Ensemble, among other projects). Vandermark 5 trombonist Jeb Bishop and To…
1990 release ** "A classic of '90s avant garde jazz, True Live Walnuts features Italian percussionist Mauro Orselli joined by British saxophonist Evan Parker and keyboardist Antonello Salis for some of the most fascinating free music of recent years. Performing just two pieces live at the Europa Jazz Festival in Noci, Italy, the three bring about an extraordinary union of disparate voices in a coherent whole. Orselli is stupendous on percussion, where he interacts with Parker as a second horn. T…
1996 release ** "The thing to do would be to get all misty-eyed about what a great bassist the late David Izenson was and how he brought in the whole deep-bowing technique to jazz with Ornette Coleman in the early '60s. It would also be summarily reasonable to note the student-teacher relationship between Lindberg and Izenson, as well as their friendship, and then discuss the influence of the object of this CD on the subject in terms befitting a jazz record. But forget it. The deal is clear: Joh…
2006 release ** Ten pieces of free-improv-folk-jazz from Finland, with a distinctive foundation of playful vigor and heartening spirit. Some of the tracks take on a higher timbre and slightly more tongue-in-cheek feel as the quartet splinters into the duo Lauhkeat Lamaat.
1989 release ** "For his recording debut, Ivo Perelman performs seven folk melodies, five of which are traditional Brazilian children's songs. A powerful tenor player whose style and sound at times recalls Albert Ayler (without the vibrato), Gato Barbieri, and Clifford Jordan, Perelman uses the simple melodies as points of departure and places to land after his intense and fairly free but melodic improvisations. The first three songs co-feature vocalist Flora Purim, who is at the top of her game…