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Tone Poems sees Michael Garrick orchestrating textures and images in a powerful display of big-band colour. Released in 2011 and performed by the Michael Garrick Jazz Orchestra, the suite of eight pieces draws on myth, landscape, and autobiography - each composition unfolding as a miniature drama of shifting harmony and luminous ensemble interplay.
Green and Pleasant Land finds Michael Garrick turning the English landscape into chamber jazz, writing for a luminous string-based group with piano at its centre. Across live performances from the early 2000s, he folds folk melody, hymn fragments and knotty improv into quietly radical miniatures that make the countryside feel haunted, restless and very much alive.
The New Quartet introduces Michael Garrick in close-up, stripped of choirs and orchestras and thrown into agile, conversational post-bop with Martin Hathaway, Paul Moylan and Alan Jackson. Across standards, Garrick originals and nods to Joe Harriott and Jaco Pastorius, the 2002 session turns lyricism into a pressure test, revealing how much drama four voices can conjure in a small room.
On Down on Your Knees, Michael Garrick revisits his sacred-jazz obsessions through the language of a modern small big band, setting hymns, blues, and standards in luminous, late-20th-century colour. With vocalist Anita Wardell alongside Martin Shaw, Steve Waterman, Jim Tomlinson and others, the 1999 album feels like a devotional songbook rewritten for restless, metropolitan believers.
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Gigs: Introducing Michael Garrick catches Michael Garrick on the bandstand rather than in the chapel, a pianist still forming his voice through standards, ballads, and early originals. This live-feeling 2008 release frames him with a tight trio setting, revealing a restless, harmonically alert player already bending the jazz canon toward his own lyric intensity.
On Yet Another Spring, Michael Garrick enlarges his sacred-jazz universe into a full-scale orchestral meditation on birth, loss, and renewal. Scored for the Michael Garrick Jazz Orchestra with recurring features for Norma Winstone, the 2006 suite moves from intimate prayer to blazing big-band catharsis, treating the life cycle as both liturgy and drama.
Inspirations finds Michael Garrick turning inward with his New Quartet, distilling a lifetime of big ideas into melodic, small-group conversation. Recorded in 2006, it honours John Coltrane’s legacy without mimicry, letting Garrick, Martin Hathaway, Paul Moylan, and Alan Jackson reimagine spiritual intensity as supple, lyrical post-bop.
On Children of Time, Michael Garrick stretches his sacred-jazz imagination into cosmic scale, writing for the Jazz Britannia Orchestra and reuniting with vocalist Norma Winstone to explore creation myths, Eucharistic ritual, and his own visionary texts. The result is a 2006 suite that feels like a liturgy drifting through deep space, turning theology into glowing, unsettled sound.
With Jazz Praises at St. Paul's, Michael Garrick welds liturgical grandeur to jazz improvisation, conjuring an atmosphere as reverent as it is free. Featuring the Michael Garrick Sextet, John Marshall, and the St. Paul’s Cathedral Choir, this 2005 release radiates both spiritual inquiry and creative boldness, transcending boundary with every motif.
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus and dedication to the music is exceptional. That’s not to say that these three don’t have a combined CV that straddles a who’s who list of contemporary music across multiple scenes. But their ethos is one that emanates from their midwestern locale …
Zach Tenorio invites listeners on an immersive auditory adventure with his latest release, Field Trip. This captivating album showcases a rich tapestry of sound, blending ambient textures, intricate rhythms, and evocative melodies that transport the audience through vivid emotional landscapes. Field Trip exemplifies Zach Tenorio’s innovative approach to music production, where organic elements seamlessly merge with electronic flourishes. Each track unfolds with a cinematic quality, encouraging l…
*100 copies limited edition* "Will and I have been playing together for a very long time and in a lot of very different contexts. Our musical history goes back to playing basements and art galleries in Providence in 2008, wanders through a years-long informal residency playing as a sax and guitar duo in Bushwick and Ridgewood, and brings us up to just last week when Will joined Taper’s Choice at a sold out Brooklyn Bowl to celebrate Relix Magazine’s 50th anniversary—more on that again later. In …
Brooklyn pianist Eva Novoa joins saxophonist Daniel Carter and drummer Francisco Mela for the second volume of The Freedom Suite, a set of twelve pieces blending piano, Rhodes, harpsichord, gongs, and vocals with Carter's multi-reed brilliance and Mela's Cuban-inflected drumming, creating an urgent, intimate, and fluidly improvised dialogue of words, sound, and fearless imagination.
On Live At Sogn Student Campus 1968, Ditlef Eckhoff Quintet captures Oslo’s student underground at full boil: hard-bop heads splinter into early freebag squalls while Knut Riisnæs and Christian Reim drive the frontline with nervy, melodic fire, turning a long-lost campus tape into a vivid document of Nordic modern jazz in transition.
A previously unissued post-bop document from 1970, Jyväskylä Workshop Band 1970 assembles American saxophonist Charlie Mariano, Norwegian bassist Arild Andersen and Finnish luminaries Heikki Sarmanto, Eero Koivistoinen, Paroni Paakkunainen, Seppo Ranniko, Pekka Pöyry, Edward Vesala and Matti Koskiala. Professionally captured in concert, the album delivers a vibrant set of groovy, exploratory and subtly exotic tunes that helped assert Finland’s place on the international jazz map.
Big Band Harriott finds Michael Garrick scaling Joe Harriott’s music up to a roaring jazz orchestra, preserving the original’s sharp lines and Caribbean-inflected bite while opening them into rich new voicings, long arcs of tension and release, and solos that underline just how modern this repertoire still feels.
On Seven for Lee / Green and Orange Night Park, Kevin Figes & You Are Here treat the 7-inch as a miniature universe, squaring up to Lee Konitz and Keith Tippett with wiry lyricism, nervy swing and a slightly spectral warmth that makes homage feel like the start of another story rather than the end of one.
1998 release ** "Il Grande Quarto D'Ora is an album by Giancarlo Locatelli and Franco Beltrametti, showcasing a unique blend of Italian musical styles. The record captures a sophisticated and possibly experimental soundscape that reflects the artists' deep musical expertise and creativity.
This album likely features a combination of rich instrumentation and evocative vocals, characteristic of both Locatelli's and Beltrametti's styles. Their collaboration suggests a well-crafted musical …
2025 stock "Schematics For A Blank Stare - Volume Three" is a meticulously crafted album that explores organic grooves with a strong funk and soul influence. Released in 2021 under the Funk Night label, this LP vinyl captures Jeffery Scott Greer's signature lo-fi funk sound, recording straight to cassette tape for an authentic vintage feel. The album showcases a blend of groovy, soulful tracks that offer a rich auditory journey for fans of instrumental funk and soul music. It's a perfect additio…