We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*In process of stocking* We Are Busy Bodies is proud to present a reissue of composer, guitarist, and later producer, Almon Memela’s ultra rare 1975 album, Funky Africa. From the original liner notes: 'Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in …
*In process of stocking* Second, and long out of print album by South Africa's Roots. Remastered from original audio tapes. Artwork completely restored by Steve Lewin.
Assembling unreleased recordings from 1979 and 1980, Shrimp Boats is a South African jazz archival compilation from 1987 built around its epic side-long title track featuring saxophonist Basil "Mannenberg" Coetzee. The recording was made during pianist Lionel Pillay's November 1979 session with Coetzee for the As-Shams/The Sun album Plum and Cherry. Side Two is composed of material recorded in September 1980 from the session for Lionel Pillay's Deeper in Black album. The 1951 pop standard "Shrim…
*In process of stocking* As a member of the all-star Jazz Epistles in the late 1950s, saxophonist Kippie Moeketsi (also spelled Moketsi during his tenure with the As-Shams record label in the 1970s) was one of the pioneering forces of modern South African jazz. While Jazz Epistles bandmates Hugh Masekela and Abdullah Ibrahim would go on to build their careers in the United States in the 1970s, it was at home in South Africa that Moeketsi would leave his mark on the domestic jazz discography. Fro…
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…
*Remastered reissue from original tape transfers* Piero Umiliani's 1968 album Playtime was originally issued on the Omicron label. It has been remastered by Noah Mintz at Lacquer Channel Mastering. Licensed from Liuto Edizioni Musicali.
*Official remastered reissue* We Are Busy Bodies presents Drive Live. A live performance by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
We Are Busy Bodies presents Drive Unlimited. A gem by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Remastered reissue by We Are Busy Bodies. Art restoration by Steve Lewin.
Definitely one of Nucleus' lesser known albums, Alleycat nonetheless maintains the exceptionally high standards that Ian Carr & Nucleus had set for themselves over the course of numerous albums before this one. It's true that there's little here which is a departure from any of their previous releases, but with a quality of of both songwriting and playing this high, who could blame them? Once again we have fast, intricate, melodic jazz-rock fusion, with moments of high energy interspersed with s…
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this re-issue, shows off just why this deserves to be back in press. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing…
Born in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He mi…
The Jazz Epistles were the very first South African jazz group who broke away from the swinging and danceable jazz forms in vogue during the 1950s. A group formed by strong personalities like pianist Dollar Brand, later known as Abdulah Hibrahim, trumpeter Hugh Masekela, saxophonist Kippi Moeketzi, trombonist Jonas Gwangwa, bassist Johnny Getze and drummer Makaya Ntschoko. A bunch of jazz modernists who already in the late 1950s, under the influence of the American "Bop" attitude began to switch…
The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Thomas, Ava Mendoza by Stuart Smith, Tigran Hamasyan by Rui Miguel Abreu, Istanbul Scene by Alper Kaliber, Isaiah Collier by Daniel Spicer, Bill Frisell by Debra Richards, DJ Old Crank by Matti Nives, Tokyo Jazz Joints Vol. 2 by Philip Arneill, reviews…
“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling improvised textures, highlighting all three individual voices as improvisers. The trio completed their inaugural tour of Europe in February & March, having to cancel their final concert and subsequent recording due to the pandemic, delaying the reco…
The music on this album was not preconceived or premeditated in any way whatsoever. The ensemble's method of collaboration has been to begin playing without any discussion of what is to be played or how the music should be approached. The group was formed after a number of informal, but fruitful sessions. It was unanimous among the group that the musical chemistry and dynamic we shared was fertile enough to merit further exploration. « We went into the recording studio after several years of enj…
'An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free playing with an experimental bent, but never departing from the traditions of identifiable jazz music; recommended!
"While Nabatov and Sarin met over 30 years ago (as participants of the famous Banff Jazz Workshop), the Johnson-Nabatov connection clo…
'Well here is Max Johnson's picture, his snapshot of three men in a room making music, and as with any great composed shot, here would be his law of thirds for creating a great image.
First Law: Max Johnson (bass) has the ability to search out the best musicians to suit his current project. Ziv Ravitz (drums), drawing from his Israeli roots, contributes not only a solid and earthy foundation for the others to play over but also provides just enough world music flavor without making it old or tir…
'The musical lineage within the small circle of bassist Max Johnson's trio is unquestionably among the finest in cutting-edge jazz. The leader has played with bassist William Parker, alto legend Anthony Braxton, trombonist Steve Swell and drummer Tyshawn Sorey. In the case of Johnson's current trio, his drummer, Ziv Ravitz, is also a member of the Lee Konitz Quartet and has performed with Joe Lovano, Tomasz Stanko, Aaron Parks and many others. Kirk Knuffke ranks as an equal to Rob Mazurek and Ta…
*In process of stocking* 15 self-portraits by Sebi Tramontana. The shortest is about 30 seconds and the longest is almost nine minutes.In these fifteen pieces the trombone is explored in multiple directions. There are techniques dear to the world of European improvised music as well as echoes of Duke Ellington's trombone masters, Italian accounting as well as the pure sound of the air. Tramontana is a northern wind but Tramontana comes from the south, they have met and through a tube they take u…
*In process of stocking* Songs and Poems is a project born from the necessity to explore, in a chamber dimension, the possibilities of the sound of the word. The quartet joins Blend 3 - the trio of Andrea Grossi with Manuel Caliumi and Michele Bonifati - to the voice of Beatrice Arrigoni and finds its personal dimension within a sound world generated by the fusion of 20th century European traditions, starting from improvised music and European jazz, passing through contemporary music until arriv…