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Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.
eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together. eRikm, from Marseille, burst onto the scene in the mid-'90s as a virtuoso turntablist. Since then, he has gradually shifted his output into a more abstract vein, often abandoning the tu…
A sequence of 13 improvised duets featuring Sharp on soprano sax, dobro, electric fretless guitar, 8-string guitarbass and computer, and Friedl playing inside piano and prepared piano. The results are more instrumental, less electronic than on their previous duo album -- Anostalgia on Grob. Recorded in March, 2001.
Matchless Recordings presents a live concert by the Eddie Prévost Trio recorded at Gateway Studio, Kingston, England on 9th March 1997. The album includes seven tracks performed by Eddie Prévost - Drums, Tom Chant - Soprano saxophone, and John Edwards - Double bass.
"This trio, quite intuitively (because I never spelt out what I hoped would happen) works in a subtle, attentive way: examining what the music is and where it is going all within the process of playing; feeling the sound to be comple…
Matchless Recordings presents a live concert by Eddie Prévost trio recorded at Gateway Studios, Kingston-upon-Thames, London on October 17th 2003. The album includes five tracks performed by Tom Chant - tenor saxophone, bass clarinet, John Edwards - double bass, and Eddie Prévost - drums.
Matchless Recordings presents a live concert by Eddie Prévost quartet. This album is composed of two parts. Part 1 was recorded at the Bracknell Jazz Festival on the 3rd of July, 1983. Part 2 was recorded at Porcupine Studios London. The album includes five tracks performed by Larry Stabbins - Tenor and Soprano Saxophones, Veryan Weston - Piano, Marcio Mattos - Double Bass, and Eddie Prévost - Drums.
"The music you hear on this DL has a distinct urgency and excitement. It moves forward in a comp…
In 177 pages Eddie Prévost includes twenty-nine thought-provoking essays on ideas, perceptions, reactions and the practices of improvised music, as well as a short index. Reactions to the real world - in particular, the political, corporate and commercial ones - are never far from the surface and the place of the individual is mirrored through that of the musician developing his or her own position, responsiveness and voice in a group context. Discourses include the questioning of terminology su…
"Living," wrote John Cage in 1952, "takes place each instant and that instant is always changing. The wisest thing to do is to open one's ears immediately and hear a sound suddenly before one's thinking has a chance to turn it into something logical, abstract or symbolical." Many improvising musicians today pay lip-service to Cage, but very few perform music which really lets sounds be themselves. Since 1993, trombonist and composer Radu Malfatti has been exploring "the lull in the storm", craft…
Derek Bailey (guitar) & Mm Xiao-Fen (pipa). Recorded N.Y.C. 1999." I met Derek at Clinton Studio and we started recording. I remember that my playing felt stiff at first, but I told myself to watch, listen and try to a have dialog with him and most importantly to follow my feelings. I still remember, during the middle of one track, Derek broke a string. I thought he might stop, but he continued playing, using the broken string to scratch on the frets. The results sounded incredible. Incredibly, …
All of the music from the 1975 Wigmore Hall (London) concert by this duo then nearing the mid-point of their twenty years of work together. On CD for the first time. Reissue of Incus LP 16 plus 31 minutes of extra material.
Jamie Muir, percussion; Derek Bailey, guitar. Carminative (08.48), I soon learned to know this flower better (07.14), Jara (07.49), Dart drug (25.50). Recorded at Crane Grove, London in August 1981. Cover photograph (reproduced above) by Jamie Muir. CD is a re-issue of the LP issue which is no longer available.
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus
Derek Bailey, guitar; Barre Phillips, bass. Who's there to know that you passed 'em around (16.01), You'll find my theory is logically sound (16.23), Don't save (10.02), 100 years from today (14.48).Tracks a and b recorded at the Arts Theatre, London on 12 May 1987 by Michael Gerzon; c and d recorded at Hawth Centre, Crawley on 4 September 1988 by Michael Gerzon. Cover drawing (reproduced above) by Tony Mostrom.
IMPROVISED GUITAR SOLOS also with: Anthony Brax ton flute & sopranino saxophone (on 3 & 4 only) .Kent Carter: double bass (on 9 & 10 only). John Stevens: percussion (on 9 & 10 only).
As wonderful is his duo with compatriot Cor Fuhler, who, like Prins, has gradually progressed from Bimhuis improv into electronic experimentation. This is a quite befuddling duo (as on Live, Prins utilises electronics, FM modulations and radio; Fuhler employs EMS Synthi AKS, turntables and mbiras), whose interaction is in a constant state of flux, and one whose ideas flow so liberally and create music which is at times so disorientating that it feels as though one is listening to it through some…
Matchless Recordings presents a live concert by Conditions recorded at Gateway Studios Kingston-upon-Thames Surrey England 16th November 2002 and 2nd March 2003.
The album includes six tracks performed by John Edwards - Double Bass, Eddie Prévost - Drums, Alex James - Piano, Nathaniel Catchpole - Tenor Saxophone, Jamie Coleman - Trumpet.