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The members of the Hidehiko Matsumoto Quartet, a famous combo from the 1960s, reunited for one night only. Their performance was on a grand scale, as if they were flapping their wings on four different wings, including the groovy "Speak Low" and the swinging "Four Wings".
Helen Merrill's masterpiece, featuring arrangements by the genius Masahiko Sato, who adds new pop tunes to jazz standards. The album is composed of a very well-balanced selection of jazz standards, including Barbra Streisand's "Reminiscence," Paul McCartney's "Love in Song," and "I Remember Clifford," dedicated to Helen's golden partner, Clifford Brown.
*2023 stock. 100 copies limited edition* Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by …
Recorded over two days at the Sound Inn Studio, Tokyo in 1983. Fumio Karashima’s Round Midnight is a solid straight ahead session featuring the esteemed pianist at his prime. Featuring Ikuo Sakurai on bass, Motohiko Hino on drums and guest jazz-fusion guitarist Larry Coryell on Side B of the LP. Post bop, cool jazz with a touch of Latin-fusion courtesy of Coryell. Perfect listening for anyone looking for a well-rounded session of classic jazz standards. Fumio Karashima, born March 9, 1948 in Oit…
A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This first album was recreated by the trio of Suzuki Ino, Jimmy Hops. It has also been the first Japanese work of Whynot label, and it has a strong presence. A variety of famous songs and performances, such as Piranha and melancholic stormy "Little Island" are overflowing with vibrants.
“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries. Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times …
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Ma…
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…
Dive into the brilliance of 1970s Japanese jazz with this exceptional bass-led trio session. While piano trios had their spotlight, the bassists led equally enchanting ensembles. Eiji Nakyama's bass takes center stage, weaving lyrical lines complemented by energetic guitar and drums. The album seamlessly blends straight jazz and modal explorations, showcasing creativity without gimmicks. A testament to Japanese jazz greatness, this session stands out for its dynamic and innovative approach.
*2023 stock* Sparkling acoustic duo featuring a contemporary wild chamber attitude, improvising instant compositions, sound texture explorations and sudden lyrical flights. Their improvisation, that has been defined "A Gentle Vertigo", freely crosses boundaries and welcomes rich contradictions between melody and blessed chaos. Experimental flavors, multi-perspective intuitions and reciprocal listening are the extremely well balanced blend of this duo that strives for an improvisation where "thin…
*2023 stock* "To watch two butterflies in flight is to see a complex intertwining of zigs and zags, dips and weaves, as each—seemingly erratically--rides the turbulence its wings create to carry it along. Together they trace an unchoreographed but nevertheless coherent set of variations on the line as they move with, against and through each other’s paths.
The intricate pattern of two butterflies’ interwoven flight paths stands as a fitting analogue for the nuanced complexity of Busy Butterflie…
"Second album for Clairvoyance, a trio that sublimates improvisation through a blessed chemistry, delivering a perfectly balanced music where elements coming from different derivations and attitudes find grace and essentiality, freshness and solidity. Narrative spots and timbral consciousness inform this classy band and make this record unmissable!!
Clairvoyance's fundamental orientation--an orientation that, collectively and individually, represents a compositional stance toward improvisation. …
"Amirani Records, the label founded and run by Milanese soprano saxophonist Gianni Mimmo, ends its eighteen-year run with three final releases. The last of the three, a recording of the Sestetto Internazionale, was reviewed here earlier; preceding it a duet for Mimmo and Finnish soprano and sopranino saxophonist Harri Sjöström, and a solo recording by Milanese cellist Walter Prati.
Mimmo and Sjöström are frequent collaborators, whether in the Sestetto Internazionale or as duet partners, and on W…
[…] There is something slightly daunting about the notion of an improvising sextet. Do the casual math of instrumental permutations from six soloists to one sextet, adding in duos, trios, quartets and quintets, and you have something like 55 possible combinations. Literally anything might surface, but among the least likely is the superb music achieved here by Sestetto Internazionale, music that dances between the ideal poles of inevitability and unpredictability, inviting a sense of wonder. Lis…
"The meaning of "cadenza del crepuscolo" ("dusk cadenza") can be interpreted in a variety of ways. The most profound is the one corresponding with the implicitly slow flux of thoughts and reflections that emerge as we sense the day fading away, possibly in a moment of somewhat regretful oscillation between an unknown tomorrow, what we have already experienced and now miss, and the unexpressed potential of what we long for, but have not yet achieved (and perhaps never will).
The sympathetic music…