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The Afro National band was formed in Freetown, Sierra Leone in 1972. Their inspirational leader, Sulay Abu Bakarr accompanied by his wife Patricia and Ayo Roy Macauley split from the Sabanoh Jazz Band to form their new group. They skillfully merged highlife and jazz sounds with a deep knowledge of West African sounds. Growing to become one of the premiere bands to emerge from Sierra Leone they not only defined the sound of the country for a generation but also crafted some of the country's most …
*200 copies limited edition*
Recorded live 2nd October 2022 at Café OTO, London by Pedro SubtilMixed December 2022 by Alex BonneyMastered by Mikey Young
All compositions by Nicole Mitchell (Wheatgoddess Creations ASCAP) and Alexander Hawkins (PRS), except "There is a Balm in Gilead" (traditional, arr. Mitchell/Hawkins)
*2023 rstock* Janus is a compilation of rare material from Sun Ra and his Arkestra, drawing from tapes recorded between 1963 and 1970, taken from both live and studio performances. The space-age jazz shaman conjures up a variety of styles and moods along the way. The album has been remastered, and pressed on audiophile-grade vinyl at Pallas in Germany.
Cecil Taylor has always been considered one of the most daring and radical improvisers within the jazz genre, often pushing the boundaries with avant-garde and free jazz compositions. The Great Paris Concert is no exception Taylor's reputation. The artistic communication between the players of Taylor's quartet is second to none, and it's certainly palpable on every track of the album. Echoing each other's melodies, and 'battling' each other with solos, the group may have never sounded better. Th…
*300 coipes limited edition* "The Brønshøj Vandtårn is a concrete water tower, built almost a hundred years ago in the suburbs of Copenhagen. It's 20m wide and 34m high - smaller than some similar shapes I've played in, but with a large, lingering reverberation. Some sounds seem to float away as if through liquid, others acquire a shifting haze, and some just prefer to sit around. Thomas Buhl-Wiggers, of the Cejero festival and label, kindly invited me to play there in the summer of 2022 and arr…
Few copies available. Exclusive translucent red vinyl. Limited to 500 numbered copies. Includes In Concert At Yale University and Nommo with reproduction of hand-painted sleeve and historical inserts.
The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the v…
"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some gu…
*2023 stock* It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle’s great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland’s first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the music’s most strikingly original saxophonists, recorded together. Inside Dave’s compositions th…
Mega Tip! **Sourced from the master tapes. First-time vinyl reissue ** By the early '70s, Milford Graves had more or less stopped gigging. Having learned his lesson the hard way in multiple-night runs like a legendary Slugs' residency with Albert Ayler, he knew that the level of energy that he put out during a performance would be difficult to sustain over the long haul. A concert was a kind of absolute ritual for him, after which he would be totally spent, emotionally and physically. Graves rar…
*2023 stock* "The arrangements by Carla Bley are miracles of dynamics, rising and falling in volume and velocity and the awe-inspiring balance of collective ensembles improvising freely through swellings and contractions of individual voices entering and leaving the mysterious swirling circle of simultaneous songs as diverse as the number of performers yet never lacking in the kind of transporting telepathic unity that makes this multiplicity of musical lines such a far cry from the chaos of the…
2023 restock; originally released in 1965. 2019 reissue. Some of the most exciting jazz albums to listen to are those that try to strike a middle ground between the mainstream and the Avant-garde. One such example is Archie Shepp’s Fire Music: an often-fascinating album, rich in compositional and improvisational prowess. Employing a sextet including drummer Joe Chambers and alto saxophonist Marion Brown, Shepp puts together a record that is both challenging and accessible to most listeners. Fire…
*2023 stock* "Kami Fusen" is the second volume in the ongoing collaboration between NoBusiness and Chap Chap Records, after the excellent "The Conscience"by Rutherford and Toyozumi. This time, all the musicians come from the Far East: Itaru Oki was one of the first Japanese musicians to explore the free jazz idiom in the early Seventies; Nobuyoshi Ino comes from the same country and musical scene, even if he has often played in more traditional contexts; similarly, Korean trumpeter Choi Sun Bae …
*2023 stock* "Ask most open-eared listeners about Japanese music since the 1960s, and they’ll likely talk about the psych and noise scene, the offshoots of Onkyo music movement or maybe the richly documented electronic music documented by Omega Point on their Obscure Tape Music of Japan series. The free jazz scene in Japan and neighboring countries has been a bit harder to pin down. PSF nailed the voluminous output by Masayuki Takayanagi and Kaoru Abe and labels like Trio, Japanese Denon and Pad…
*2023 stock* The Freestyle Band never courted fame, but they never welcomed obscurity either. The choices they made to follow their individual muses and to independently document their efforts were conscious ones. The musicians made this music in the faith - perhaps certainty is a better word - that its power and integrity would ultimately triumph over shortsighted commercial pressures and America’s racist attitudes toward black artists. Perhaps this reissue does a little bit to validate that fa…
*2023 stock* "This album, the first under the band's name in six and a half years, is a jazz alternative album with a multilingual and hardcore taste that differs greatly from previous albums.
The recording for this album started in June 2020, during a period when many of our activities were being cancelled due to Covid-19. It had been a while since I last met or played with the members of this band, with whom prior to the pandemic I would regularly get together for gigs at various venues or tr…
Super Tip! *Cover design B* Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.
A Message From The Tribe 1st version (LP + 7")
The inaugural release from Tribe is getting its first ever analog reis…
One of the most gifted, prolific and adventurous figures on Egypt's thriving experimental arts scene, Louca has in recent years garnered a global reputation through three previous solo albums and an expanding, evolving lineup of genre-defying collaborations. The Wire called his 2014 sophomore solo effort, Salute the Parrot, "remarkable music-dense, driven and splashed with colour. For Louca, Elephantine serves as both the pinnacle of his wide-ranging experience and a bold next step in his develo…
Considered one of Nathan Davis’ best albums, and long a collector’s item, The Hip Walk was recorded in 1965, a time when the Afro-American Davis lived in Europe, working with such legends as Kenny Clarke, Eric Dolphy, and Art Blakey. Nathan’s Kansas City school mate, trumpeter Carmell Jones comes along for the ride. Jones played trumpet on Horace Silver’s classic 1965 Song for My Father – ‘nuff said about his credentials! Nathan’s rhythm section represents the underpinning of one of the greatest…
A forward thinking collaboration between electronic music pioneer Jon Appleton and trumpet great Don Cherry, that explores the relationship between the humanity and the manufactured robotic future. Using the techniques associated with Musique Concrete the ensuing improvisations create a unique entry into the great trumpeter's discography. It was an in vogue attempt to render the music of tomorrow, and today sounds more like the soundtrack to a truly great sci-fi movie. Reissued in a fascimile of…
The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought the…