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"Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of f…
* 300 copies, deluxe edition with two booklets, perfect replica of the original. * Joining their rapidly growing catalog of radical gestures of creative sound, Holidays Records returns with one of their most important releases to date, the first ever vinyl reissue of Pygmy Unit’s “Signals From Earth”, a towering private press obscurity, originally released by the band in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic mu…
*2024 stock. Deluxe packaging* "A gentle, introspective, yet adventurous solo work... The entire album is a one-man effort, from the composition to all of the instrumentation, with Surman building strata of sound over keyboard and percussion structures using bass clarinet and the soprano and bass saxophones he is known for. The resulting work communicates a unique vision and mood, unsullied by the conflicting interpretations of other performers." - Stacia Proefrock
Funky groove master Les Demar's legendary live recordings have been sampled by numerous artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves. Recorded at Concerts by the Sea in Redondo Beach, California, in August 1978, the eight-piece big combo's frenetic night is back in its original 1970s release!
The fusion-like 'Quetzal' (A1), which starts with an opening MC and cheers, quickly raises the tension, followed by…
Funky groove master Les Demar's legendary live recordings have been sampled by countless artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves! Recorded in August 1978 at Concerts by the Sea in Redondo Beach, California, the eight-piece big combo's frenzied night is back in its original 1970s release!
A sharp jazz-funk "Manfred S" (A1) that starts from a drum break that just asks you to sample, a ballad "Once Upon …
"Heard together, Charles Mingus Presents Charles Mingus and Pre Bird suggest the enormity of
Charles Mingus’ artistic vision. No one album encompasses it in its entirety, and perhaps not even
two or three. However, these recordings, made six months apart in 1960, vividly summarized his
work to date, as he headed towards to jazz’s pantheon." – Bill Shoemaker
*2024 stock. Deluxe packaging* Nice Guys is an album by the Art Ensemble of Chicago, recorded in May 1978 and released on ECM the following year—their debut for the label. The quintet features trumpeter Lester Bowie, saxophinists Joseph Jarman and Roscoe Mitchell and rhythm section Malachi Favors Maghostut and Famoudou Don Moye.
*2024 stock* Urban Bushmen is a live double album by the Art Ensemble of Chicago recorded at the Amerika Haus in Munich over two days in May 1980 and released on ECM in March 1982. The quintet comprises trumpeter Lester Bowie, saxophonists Joseph Jarman and Roscoe Mitchell and rhythm section Malachi Favors Maghostut and Don Moye.
Recorded in one mystical night during Ramadan in 1982, The Night of Power (Laylatu'l Qadri) is a prophetic tapestry of politically and spiritually conscious poetry and revelatory home-studio electronic jazz.
Digitally remastered edition of this 1974 album, a true holy-grail for Deep and Spiritual Jazz collectors around the world. This album was originally independently released to raise funds to combat the ongoing drought in the Sahel region of Africa (an area covering parts of Senegal, Mali, Burkina Faso, Nigeria, Chad, Darfur, Sudan and Ethiopia). During his lifetime Roy Brooks released precious few solo albums. Black Survival, the Sahel Concert at the Town Hall was originally released on the smal…
Androide Scrip is a jazz record - not mainstream, but plain and simple: piano, drums, bass. Full stop. Influenced by artists such as The Bad Plus, E.S.T., Thom Yorke, Bush and Muse, the debut is not a pop, rock or electro album, even though it repeatedly makes use of song structures from these varieties of current music styles. Together with pianist Florian Kästner and bassist Philipp Martin, the trio led by Jörg Wähner (Apparat, Bodi Bill, The DAS) explores the possibilities in such a way that …
Tip! The word Asapani is part of the artistic vocabulary of Paolo "Batà" Bianconcini, percussionist of the La Scimmia Records collective, founding member of the Circolo Psiconautico and part of the Neapolitan bands Parbleu, Funkin' Machine and Nu Genea. This ancient-sounding term is a creation of the artist, who defines it as a word of nature, but also the (italian) acronym of Listen to the Silence, Listen to the Peace, Listen to the Inner Nothingness. More than a simple term, an exhortation. T…
Pharoah Sanders recorded the songs that comprise Thembi in the winter of ’70/’71, in between sessions with Alice Coltrane that would eventually become her masterpiece Journey In Satchidananda LP. The same compelling spirituality that embued Coltrane’s masterpiece with a mood of stately calm and grace pervades Thembi. ‘On Thembi, that was the first time that I ever touched a Fender Rhodes electric piano. We got to the studio in California — Cecil McBee had to unpack his bass, the drummer had to …
*300 copies limited edition* Tucked away in a corner of northwestern Europe and so small you could drive through it in minutes without noticing you were ever there, Luxembourg is often overlooked. This is also true for Luxembourg’s music scene, and even more so in the early 1980s. Aside from a string of victories at the annual Eurovision song contest or the mighty Radio Luxembourg that had for decades been blasting jazz, rock and other modern music into stolid Western European ears, very little …
To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Ma…
Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chili. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming…
After discovering the jazz of Herbie Hancoc…
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
The New Quartet stands as a landmark in modern jazz, capturing Gary Burton at a creative peak and introducing a band of extraordinary new voices. Recorded in March 1973 at Aengus Studios and now reissued in ECM’s “Luminessence” series, this album features Burton’s radiant vibraphone alongside guitarist Mick Goodrick, bassist Abraham Laboriel (in his debut recording), and drummer Harry Blazer.
The album’s repertoire is a showcase of jazz’s evolving language, with compositions by Chick Corea, Keit…
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Recorded on December 1, 2009 at the Instants Chavirés in Montreuil. Marteau Rouge, legendary band composed of Jean-Marc Foussat (VCS3 synthesizer, toy voices), Jean François Pauvros (guitars, voices) and Makoto Sato (percussions). And the tenor saxophonist and soprano Evan Parker with whom Marteau Rouge had already recorded a CD, “ LIVE”, the year before, released by In Situ in 2009.Hammer Rouge is a trio focused in the tellurical, electric noise with Pauvros’s saturated and electrocuted guitar …