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Flowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers/musical connectors may have grown up and reside a co…
*Limited edition of 555 copies.* Atalaya is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative proces…
Gondwana Records present ‘Next Time Could Be Your Last Time’ – the debut album by Forgiveness, AKA Jack Wyllie, JQ and Richard Pike. Described as “not really jazz, not really new age, not really ambient or electronica”, instead they welcome you into a synaesthesia-inducing technicolour fantasy, full of wondrous emotive beauty. This genesis began with the sharing of music, burgeoning friendships, and the mutually-inspirational benefit of the collective power of a group dynamic, with each spurring…
100 copies on Yellow cassette shell. John kolodij - guitar, banjo, etc, anna rg - fiddle, sarah hennies - percussion
Mastered by Stephan MathieuArtwork by Myste FrenchLayout by Tiny Little Hammers
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
We Are Busy Bodies reissues Sadayasu Fujii Trio's 1977 album, Like A Child. Led by pianist, Sadayasu Fujii, the album includes jazz standards "A Sleepin' Bee" and "If I Should Lose You", along with original compositions.
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
Tip! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam open…
*the LP and 2CD contain different material.* First physical solo release from legendary vocal improvisor, dancer, and performer Maggie Nicols, and the follow up to Creative Contradiction (Takuroku 2020).
While she might be best known as an improviser (most notably in Spontaneous Music Ensemble, the Feminist Improvising Group and more recently with the likes of Les Diaboliques, Maggie Nicols’ talents stretch into song, dance, poetry, performance and composition. When Cafe OTO was shut over lockdo…
First physical solo release from legendary vocal improvisor, dancer, and performer Maggie Nicols, and the follow up to Creative Contradiction (Takuroku 2020).
While she might be best known as an improviser (most notably in Spontaneous Music Ensemble, the Feminist Improvising Group and more recently with the likes of Les Diaboliques, Maggie Nicols’ talents stretch into song, dance, poetry, performance and composition. When Cafe OTO was shut over lockdown we invited her to follow up the wonderful …
William Parker’s Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds – to j…
Temporary Super Offer! Thelonious Monk devised a new theoretical basis for his compositional aesthetic, an unorthodox, deconstructed and reinvented pianistic approach that defined his music’s unique rhythmic and melodic parameters. The piano was the vehicle of expression for his compositional mindset. - Art Lange
*In process of stocking. Limited edition of 200 copies.* Imagined (?) dreams of being chased, false awakenings, etc. analyzed through a lens of the gestaltpsychologic understanding. Perceptions containing qualities that do not result from the arrangement of simple sensory qualities. An example of Gestalt-qualität, as Christian von Ehrenfels writes, is a melody that may consist of individual tones, but is much more than just the sum of these tones. Individual tones could combine to form completel…
If you ever witnessed an Alvarius B. show you are probably aware that there are a few things only in underground music matching this level. If you haven't, don't miss him when he's coming close next. Karaoke shows one of the many characters you could explore during his shows. As his brother Richard, the other keyholder of Sun City Girls legacy, Alan Bishop played a lot of shows not only under the Alvarius B. moniker on various Unrock stages through the years. "Solo Nostalgia" (E. Morricone) and …
*Limited edition of 500 copies* Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, a…
*In process of stocking.* The grand old man of Finnish Jazz, Eero Koivistoinen, has not kept still in his old age. Far from it, he's played with rappers from the younger generation, Argentinian tango singers, you name it. The Eero Koivistoinen Quartet, onto its 10th year in existence, is his outlet for what he knows by heart like no one else - cool quartet jazz in which Eero is aided by younger luminaries from the scene. Alexi Tuomarila is on the grand piano, Jori Huhtala on bass and Jussi Lehto…
Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Henry Threadgill - alto saxophone, flute, Curtis Fowlkes - trombone, Brandon Ross - electric guitar, Marcus Rojas, Edwin Rodriguez …
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
* Edition of 300 copies * This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leadin…