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1998 release ** "A cosmopolitan synthesis of visionary music and outstanding poetry" is the concept and program of "Honey and Ashes," according to the press release. This claim naturally raises many questions about the work of German saxophonist Michael Riessler: Is it jazz—what constitutes "jazz"? There is little improvisation, as "Honey and Ashes" is largely through-composed. Is it contemporary classical music? Can you find pounding bass drums in classical music? "Honey and Ashes" is a speech …
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album ‘Expansions’ is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis.
Released in 1976,“Reflections On A Golden Dream”, the follow-up to “Expansions”, w…
1994 release ** "Everything about this album, from the artist's name and album title to the rather cheesy cover photo of a smiling tuxedo-clad man on a beach surrounded by congas, suggests to a cynical eye that Arriba! Con Montego Joe is kitschy exotica on par with Martin Denny or Les Baxter. And while that style of music has its fizzy charms, it turns out that Arriba! Con Montego Joe is something much meatier. Collecting the entirety of the two albums Montego Joe (born Joseph Sanders) made for …
*2025 stock* A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.
"First visit to the audio equivalent of a graphic novel. Follow A Very Heavy Person is more than an album—it is an experience, an inquiry, an adventure into the unknown, defying easy categorization and existing in the liminal space between music, poetry, and philosophy. Armaroli and his quintet have crafted something truly singular—a journey through sound that is both timeless and profoundly rooted in the ephemeral beauty of the present moment." - Mark Corroto
1991 release ** "Combining rhythic rock strength with the unrestrainable consequence of free improvisation. In the course of playing, amazingly sharp contours arise. There is no expression for style that can describe this audacious mixture of precision and imagination. Music as a celebration of the moment with the undertone of euphoria, reflection, pure desire and wild anger. Mobile architecture, movable sounds, moving and hair-raisingly beautiful. Jon Rose: Cello, Violin, Keyboards - Peter Holl…
2010 release ** "Here, after Schindler+Richter and Schindler/Holzbauer/Lillmeyer, multi-reed player and flautist Udo Schindler meets an old companion from the 90s. Hubert Bergmann, a Fernando Pessoa-adoring and Tai Chi & Qi Gong-inspired jack-of-all-trades from Überlingen on Lake Constance, has already played piano in Schindler Interferenz.3 and with Trio BGS. Now a master craftsman in his own workshop for improvised and new music and, as such, also a duo partner with guitarist Mary Halvorson, B…
2012 release ** "Dutch duo’s one and only release, from 2012. And quite a good album too! Henk Bakker (bass clarinet and electronic treatments) and Jelmer Cnossen (percussion, Ableton Live) somehow created a subterrestrial sonorous organism with a logic of its own. "
Symbole is very proud introducing “Women” by Kat-Tet, a unique musical gem straight from Guadeloupe, 1985. This rare album indeed re-issued is a masterpiece made by the brilliant pianist Patrick Jean-Marie where every note is an epic journey through his genius way of composing and playing. It was a true opportunity for Patrick Jean-Marie and his band to showcase their talents, recorded under professional conditions, resulting in a sound of exceptional quality. The meticulous attention to orchest…
Immersed in the encounters of Afro-Brazilian cultures and in the influences of yoga philosophy, Brazilian singer-songwriter Alvaro Lancellotti drew inspiration to create his new album: “Arruda, Alfazema e Guiné”. The songs merge the spiritual and musical realms as fundamental elements of its conception, yet remaining free from any fixed aesthetic.
With a percussive strength connected to its sound, “Arruda, Alfazema e Guiné” was released by the American label Amor in Sound, led by Mario Caldato…
"We’re listening to Blue Train, which to me is one of the most beautiful pieces on one of the most beautiful records that Coltrane recorded in the fifties. It’s his first real mature statement and he wrote all but one of the tunes on this album which was very rare in the fifties and each one is a gem, particularly the title tune Blue Train. And while it’s kind of easy to play the blues, this has a suspended and haunting kind of quality to it." - Michael Cuscuna
Dolphy’s complete April 4, 1964 Town Hall concert, a wonderful set in splendid Stereo sound quality. This concert was the last they played before traveling to Europe, where Dolphy would die shortly after. This is the first time the whole performance appears on a single set. Two extended songs from the group’s concert in Amsterdam six days later have been added as a bonus.
When driving a band with his upright bass, Charles Mingus looked -and was- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic.