Jazz /
Blue Lake
On Blue Lake, Don Cherry dissolves borders in real time: a transcendent 1971 Paris trio set with Johnny Dyani and Okay Temiz, now restored by Charly and BYG, where flute, bass and percussion spiral through Native American echoes, Far‑Eastern tonalities and two sprawling, ecstatic journeys past the twenty‑five‑minute mark.
Atmosfera
The Błoto we knew until now briefly ceased to exist in September 2025, somewhere in the backstreets of Bucharest’s Floreasca district. This was not an ending, though, but a new beginning and a conscious transformation. With their core left intact, the band expanded its lineup to include a pillar of the Romanian alternative scene, Ion D. That move became the catalyst for the most groundbreaking project in their career. The album Atmosfera, set for release in 2026 via Astigmatic Records, unfolds a…
Seven Sonnets
Originally brought together in September 2015 to perform the Zorn Bagatelles, Julian Lage and Gyan Riley have become two of Zorn’s most trusted and soulful musical collaborators, having recorded over a dozen CDs of his compositions for acoustic guitars both in duo and in trio with Bill Frisell. Seven Sonnets is their sixth CD together as a duo and the music is a lovely series of compositions referencing early music, minimalism, contemporary classical, soundtracks, folk, jazz, and more. Two of th…
Straight To The Core
*2026 stock* This album is the second release by saxophonist Sachi Hayasaka, following her debut album Free Fight. Most of the music was recorded in Tokyo with members of Stir Up!, capturing the raw energy and spirit of the group. Two additional tracks were recorded in New York at Baby Monster Studio, featuring special guest trumpeter Wadada Leo Smith. These sessions added another dimension to the album, making it an especially rich and memorable work.
The album was produced entirely by Sachi an…
Montreux Cyclone
*2026 stock* A double-set capturing Bingo Miki's Inner Galaxy Orchestra in live performance at Montreux, and one of the more ambitious large-ensemble documents in the entire Three Blind Mice catalogue. Miki spent his career writing for big bands at the edge of mainstream Japanese jazz, blending orchestral architecture with modal, spiritual and free-leaning impulses, and the Inner Galaxy Orchestra was his most expansive vehicle. The Montreux performance shows the ensemble at full stretch: long-fo…
Q
*2026 stock* Bassist Hideto Kanai was one of the most ambitious composer-bandleaders to emerge from the Japanese jazz scene of the early seventies, a writer of long-form pieces that integrated free playing with chamber-jazz architecture, and a player with the patience to leave space where lesser arrangers would clutter. Q, only the sixth release on Three Blind Mice, is one of his most uncompromising early statements: extended group playing built around Kanai's slow, structural bass lines, with t…
Maya
*2026 stock* Trumpeter Shunzo Ohno spent much of his career moving between the Japanese scene and the New York post-bop circuit, a player whose résumé runs through American bandleaders alongside his domestic work, and whose tone bears the marks of both worlds. His quintet date for Three Blind Mice is one of the records where he sounds most explicitly engaged with the modal and spiritual currents of seventies American jazz: Coltrane shadows everywhere, but absorbed into a particular Japanese pois…
Mine
The very first record released on Three Blind Mice, a debut for both label and bandleader. Recorded in Tokyo in August 1970, Mine announces the saxophonist Kosuke Mine and sets out, in advance, the editorial stance the label would hold for the next two decades: serious post-bop with European clarity, Coltrane-era heat, and a particularly Japanese sense of restraint that lets the most intense solos hold their shape. Mine's quintet pairs his alto and soprano with trombone, the great Hideo Ichikawa…
Green Prism: music by Keith Tippett
The music on “Green Prism” is rooted in the last of the many commissions Keith Tippett wrote in the latter part of his career. The original compositions featured on this album are arrangements drawn from a suite composed by Tippett entitled "Winter's Welcome" in 2018 for the brass ensemble Zinc & Copper, which premiered in Berlin on 17th February 2019. Due to ill health Keith was unable to attend the final rehearsals, which meant the project was never finished as originally envisioned. After Kei…
High Contrast
This 1971 album by the Hungarian jazz guitarist Gábor Szabó is a smooth jazz-fusion record blending psychedelic jazz, pop, and Latin influences. It includes one of Szabó’s best-known tracks, "Breezin’", later famously reworked by George Benson. The album is marked by melodic guitar lines, cinematic arrangements, and a polished, atmospheric sound typical of early-70s jazz fusion. Szabo also delivers a few stellar originals, showcasing his signature fusion of Hungarian folk music, jazz, psychedeli…
Soul Sauce
Get ready to ignite your turntable: Cal Tjader's seminal 1965 Latin jazz masterpiece Soul Sauce is back on vinyl for the first time since 1993. This vibrant reissue celebrates the album's enduring groove, fusing the vibraphonist's shimmering melodies with irresistible Afro-Cuban rhythms like mambo and boogaloo.
A cornerstone of Latin jazz, Soul Sauce captivated audiences with its tight, danceable grooves and accessible yet sophisticated arrangements. Tjader, the vibraphone virtuoso who bridged j…
A Dance More Sweetly Played
Join the Kyle Shepherd Trio on “A Dance More Sweetly Played” as they explore, collaborate and improvise on the ‘songs we like to play’. The album’s title is a dedication to the celebrated South African artist William Kentridge, with whom Shepherd collaborated on a joint-work “Waiting for Sybil” that has toured world-wide. In addition to ten Shepherd originals, perhaps most unexpected is the inclusion of an exquisite reading of Massive Attack’s ‘Teardrop’ and a deconstructed take of Journey’s ‘Do…
Live in Europe 1968 & 1972
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
Sonic House Reunion
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.
Sun's Blessings
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
Keeping It In Context
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.
Fragments: The Complete 1969 Salle Pleyel Concerts
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
Buttercorn Lady
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
The Complete Birth of the Cool
*2026 repress* "With the reissue of the Miles Davis' Birth of the Cool sessions, accompanied by recordings of this seminal nonet’s slightly earlier live dates at New York City’s Royal Roost, we now have as complete as possible an account of this still fresh sounding and beautiful music. The array of talent alone is startling: Miles Davis in transition between his earlier bebop stylings, and his later gorgeous tone and sparer choice of notes; Lee Konitz on alto sax playing startling melodic inven…
Mana
Mana is the International Anthem debut by composer, trombonist and vocalist Kalia Vandever. This new full length carries on the expansive and dazed spirit of their first solo album, We Fell In Turn, while entering a new landscape of spacious songwriting. Vandever’s music has quickly and widely gained traction in the last few years despite the fact that their style has been consistently difficult to pin down, boasting a compositional scope ranging from the cinematic modern jazz of their quartet w…