We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…
*In process of stocking* What would you do if a never before released jazz funk album from 70s Yugoslavia had dropped suddenly into your arms? An album which sounds like a crate diggers holy grail!? Album full of heavy drum breaks, repetitive bass grooves, superb sax solos and world class jazz arrangements finely intertwined with Yugoslavian folk music elements?! – “Press it!” ~ That’s what we said always striving to present the future of unheard sound of Yugoslavia! With the help from Mr. Cosmi…
*100 copies limited release* Recorded and mixed by Daniel Bengtson at Studio Rymden, Stockholm, Feb 2021Produced by Alex Zethson & Johan BerthlingMastered by Daniel Ögren
All music by Johan Berthling except For Turiya by Charlie HadenDedicated to Maria, Arvid & Vidar
Produced with support from the Swedish Arts Council
*In process of stocking* 'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compo…
*In process of stocking* Semantics was a jazz supergroup consisting of Elliott Sharp, Ned Rothenberg and Samm Bennett. Elliott Sharp, born in Ohio in 1951, began playing the piano at the age of six and started to perform concerts two years later. He soon gave up the piano, first in favour of the clarinet and later for the guitar. Sharp became intrigued with all types of experimental music, from contemporary classical to free jazz and sophisticated rock. He studied anthropology at Cornell Univers…
*In process of stocking* No Business Records presents Journal Four by Keith Tippett and Howard Riley.
Recorded on the 9th March 2016 at ‘The Steinway Spirio Two-Piano Festival’ at the PizzaExpress Jazz Club, Soho, London Audio recording supervision by Cath Longbottom Liner notes by Richard Williams Photos by Cath Longbottom Design by Oskaras Anosovas Howard Riley - piano Keith Tippett - piano
*In process of stocking* NoBusiness Records presents Sonoris Causa. Recorded on the 31st May, 2003 at Festival Musique Action in Vandoeuvre, France by François Dietz Design by Oskaras Anosovas Daunik Lazro - baritone saxophone Jouk Minor - contrabass sarrusophone Thierry Madiot - bass trombone, telescopic tubes David Chiésa - 5 strings double bass (left channel) Louis-Michel Marion - 5 strings double bass (right channel)
*In process of stocking* No Business Records presents Fertile Garden by Rob Brown (Selfpropelled Music BMI) and Juan Pablo Carletti (BigMateSongs BMI)Recorded on the 25th August, 2020 at Park West Studios (Brooklyn) by Jim ClousePhotos by by Peter Gannushkin Design by Oskaras Anosovas
Rob Brown - alto saxophoneJuan Pablo Carletti - drums, cymbals
*In process of stocking* NoBusiness Records presents Caldera by Sam Rivers trio (Sam Rivers, Anthony Cole, Dug Matthews). Recorded on March 9, 2002 at Freeport-McMoRan Theatre, Contemporary Arts Center, New Orleans
'There is a beguiling sense of simplicity in the complexity of le temps. In the scale of its orchestra - containing at least samulnori, clubs, bicycle bells, and bathtub plugs - that could be confused for just the kit. In the breadth of technique, in opening, closing, rubbing, and other gestures that confront the ear with a blown snare but could otherwise pass as traditional play. In the seemingly singular focus on one aspect of the kit in each vignette, the metal of rims and cymbals in “ouvertu…
"Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superb…
*2022 stock. In process of stocking* Saxophonist, pianist, vocalist and composer Archie Shepp is one of the most emblematic figures of Afro-American free jazz, in all its components. In the early 1960s he helped found the Jazz Composers Guild, performed with Cecil Taylor in The Connection and made several albums for Impulse. Inspired by the great jazz tradition (Ellington, Monk and Mingus) and the masters of the tenor saxophone, including Ben Webster and John Coltrane, his mentor, Archie Shepp e…
*2022 stock.* Futura Marge presents Casa-Port/Rabat-City by Dar Jazz: Michel Fernandez (tenor & soprano saxophones), Adil Riski (guitar), Abdou Beckouri (electric bass) & Marc Chambon (drums)Recorded in April and May 2008 at Studio 75 in Rabat (Morocco)
A tribute to NY reedist & wind player Mark Whitecage, who passed away in March 2021, in a concert at Rochester's BopShop in 2018 by the band he is probably best known for: Nu Band, with trumpeter Thomas Heberer taking Roy Campbell's original seat, plus Lou Grassi on drums and Joe Fonda on bass, a great concert blending modern creative jazz with passionate playing and a bit of hard bop.
*In process of stocking* Barcelona pianist Agustí Fernández and Polish bass guitarist Rafał Mazur correspond through solo tracks recorded in their respective studios, each missive an unusual and impressive free improvisation using extended techniques, inside playing and inexplicable exclamation, in a five-part exchange where each message is alternately addressed "Dear Agusti" and "Dear Rafał".
*In process of stocking* "Ballister is a transatlantic powerhouse. This free-wheeling trio first came together at a closed session in 2009, and as any fan of improvised music can imagine, the band hit hard from the first note and hasn't looked back since. The unabashed energy of Rempis and PNL, coupled with the electrified cello antics of Lonberg-Holm, make for a powerful listening experience that combines driving grooves with noisy textures and occasional melodic interjections. These sliding an…
*In process of stocking* Produced by Jimmy Curtiss, who is best remembered as lead singer of the great psychedelic folk rock band the Hobbits, Century Expanded’s “Concerto For Wah Wah” was released in 1971 but staged very little impact at the time. Finding original copies of the disc is a real chore, so how cool it is the Gear Fab label will soon reissue this super rare album, which features all instrumentals duly drenched in wah wah guitar action.
The opening track of “Concerto Wah Wah” measure…
*2022 stock* Futura Marge presents Chloé by Ray Mauger trio. Ray Mauger (guitar), Alain Raman (electric bass) & Chris Dailey McCraven (drums) - guest on two tracks: Félix Perron (curved soprano saxophone). Recorded in Paris on 12 January 2007 at Studio Mesa, and on 8 June and 16 July 2007 at Studio Border.
*2022 stock* Futura Marge presents Terronès - Suite andalouse pour Odile, Gérard & Eric Terronès by Raymond Boni Fortuna 21 octet. Raymond Boni (guitar & musical direction), Laure Donnat (voice), Joe McPhee (soprano saxophone & pocket trumpet), Anna Startseva (violin), Emmanuel Cremer (cello), Bastien Boni (double bass), Rémi Charmasson (guitar) & Jean-Marc Foussat (sound report). Recorded on 16 and 20 June 2003 in Paris, and on 25 June 2003 in Marseille (France)
*2022 stock* Futura Marge presents Crosscurrent / Live at Jazz Unité by Sam Rivers quartet. Sam Rivers (tenor & soprano saxophones, flute, piano & voice), Jerry Byrd (guitar), Rael Wesley Grant (electric bass) & Steve Ellington (drums). Recorded live on 4 April 1981 at Jazz Unité (Paris-La Défense)