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The closely affiliated Black Saint and Soul Note labels were established in the 1970s by Italian jazz lover Giacomo Pellicciotti, and together they released some of the most forward-thinking jazz recordings on the market during their four decades of independent existence (both labels were acquired by another company in 2008). In 2011, the labels' new owner began releasing a series of budget-priced box sets documenting the complete output of particular artists, each individual disc housed in an L…
CD version. The album Premonition is a masterpiece of spiritual jazz, and reflects the spiritual awakening of a natural musical genius, Umlah Sadau Holt. In the 1970s, Holt was involved in all kinds of jazz, reggae, and world music projects in the San Francisco Bay Area. Over time he absorbed the global rhythms that can only come from extensive involvement with a variety of international musicians, and he integrated them into his own developing ideas of jazz. When his friend Emmanuel Nado return…
Saba developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers…
Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …
Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the l…
Respect In Yule promises to be among the most fun and eclectic holiday albums ever – the album ranges from introspective to ecstatic, from the popular to the obscure, the sacred to the secular. In choosing the repertoire, The Respect Sextet wanted to pull together some of their favorite holiday music from all genres and view them through Respect-colored glasses. Featuring compositions by Misha Mengelberg, Loudon Wainwright III, Frank Loesser, Robbie Robertson (of The Band), Thelonious Monk, Jule…
* Edition of 100 * While working on a filmmusic job, Bjorn Eriksson started to fool around with a philharmonic orchestra plugin, and created his own crazy jazz combo. Music Iinfluenced by his heroes Django Reinhardt, Eric Dolphy, Duke Ellington, Raymond Scott, Ennio Morricone, Universe Zero and many others. This collection of compositions could be a soundtrack for a East European saga or a French strange detective serie. Although The Easywood KIller is a solo project, there will be a live grou…
Gabor Szabo's Faces, recorded for Mercury in 1977, is a distinctly jazz-fusion album. It was produced by trombonist and former Crusaders member Wayne Henderson, with the rhythm section coming from the soul-jazz-funk band Pleasure, with whom Henderson was working for the Fantasy label at the time. Built on gripping rough funk grooves, the music leaves plenty of room for Szabó's elegant guitar lines and meticulously constructed solos. The album, which was rather neglected when it was released, can…
Vocalion presents Hum Dono by Joe Harriott & Amancio D'Silva Quartet. The combination of a Jamaican sax player and an Indian jazz guitarist getting together with a UK jazz elite in its hay day could be the stoned out fantasy. It’s also a music and cultural melting pot making up a real lost treasure in jazz music. Fantasy meeting reality. Recorded at Lansdowne Studios, London, February & March 1969. A&R – Michael J. Dutton, Oliver Lomax. Alto Saxophone – Joe Harriott. Bass – Dave Green (tracks: 1…
** Edition of 150 copies ** This is a compilation of segments from 6 different recordings throughout the U.S. and Greece including: a trio with Amy Denio and Samantha Boshnack at the Good Shepherd Chapel in Seattle, part of the Wayward Series; a duo with Seetha Shivaswamy in Austin for NMASS; a trio at the BopStop in Cleveland with Mat Weisman and Rick Kodramaz; a duo with Djallo Djakate in Djallo’s studio in Detroit; a hand percussion duo with Jason Finkelman in Allen Hall at the University of …
This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. Born in 1934 in Houston, Texas, Horace came from a musical family centered around his mother, Mary Malone Tapscott, who worked professionally as a singer and pianist. When Horace was nine, the family moved to Los Angeles. As a teenager in the late 1940's, Horace was surrounded …
Damon Locks & Black Monument Ensemble’s new album "Now" was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the…
Taking its album title and the titles for three compositions from poems by Laura Winter, the German jazz quartet led by clarinetist Theo Jörgensmann with Christopher Dell on vibes, Christian Ramond on double bass and Klaus Kugel on drums present an advanced example of modern creative, chamber-oriented collective free jazz with a stunning level of communication.
NoBusiness Records presents Live at Little John, Yokohama 1999 by Mototeru Takagi Quartet. Improvised & composed by Mototeru Takagi, Susumu Kongo, Nao Takeuchi and Shota Koyama. Recorded live on the 25th September, 1999 at Little John, Yokohama, Japan by Susumu Kongo and Nao Takeuchi. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Cover photo by Mitsuo Jofu 上不三雄. Booklet photos - Shota Koyama by Yutaka Narasaki 楢崎 豊 / Nao Takeuchi courtesy of Papillon / Mototeru Takagi by M…
NoBusiness Records presents Live at Jazz Spot Combo 1975 by Itaru Oki Quartet. Improvised and composed by Itaru Oki, Yoshiaki Fujikawa, Keiki Midorikawa and Hozumi Tanaka. "Although arriving from a dissimilar tradition, free-form experiments were common in 1960s Japan with several avant-garde ensembles throughout the country. One player who tried for more international renown was trumpeter Itaru Oki (1941-2020). He relocated to France in 1974 and was soon playing with locals. Occasionally he ret…
** Edition of 400 ** NoBusiness Records presents Creation Series by Joel Futterman. All compositions by Joel Futterman. Recording engineer Dr. Benjamin Tomassetti. Recorded at the Paradise Studio, Virginia Beach, Virginia. Each track is complete unedited first-take and is in the orderi n which it was recorded. Photos by Michael Wilderman. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer - Danas Mikailionis. Co-producer - Valerij Anosov.
CD 1 - Recorded 16th June, 200…
NoBusiness Records presents Undulation, the fifth release of the Archive Series dedicated to Sam Rivers. Recorded May 17, 1981, Florence, Italy. Re-mastered by Arūnas Zujus at MAMAstudios. Photos (cover and pages 2, 7, 9): Courtesy of Monique Rivers Williams. Cover and Booklet Design: Jeff DiPerna. Liner Notes: Bill Shoemaker. Produced by Danas Mikailionis and Ed Hazell. Co-producer: Valerij Anosov.
Sam Rivers - tenor saxophone, flute, pianoJerry Byrd - guitarRael-Wesley Grant - electric bass gu…
NoBusiness Records presents Rested Turquoise by Szilard Mezei Tubass Quintet. Recorded on 21-22nd August, 2018, KCNS, Novi Sad, Serbia. Recording engineer - Lazar Živanac. Mixed and mastered by Szilárd Mezei & Lazar Živanac. Liner notes by Alexander Hawkins. Cover graphic by Erzsébet Mezei. Photo by Aleksandar Stojković. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov.Ervin Malina - double bass (right)Ernő Hock - double bass (left)Kornél Pápista - tuba (ce…
NoBusiness Records presents The Field by Rodrigo Amado Motion trio with Alexander von Schlippenbach. Recorded by Valdas Karpuška at the Vilnius Jazz Festival, Vilnius, October 18th, 2019. Mixed by Joaquim Monte and Rodrigo Amado. Mastered by David Zuchowski. Produced by Rodrigo Amado and Danas Mikailionis. Co-producer - Valerij Anosov. Cover photo by Rodrigo Amado. Inlay photo by Vytautas Suslavičius. Design by Rodrigo Amado.
Rodrigo Amado - tenor saxophoneAlexander von Schlippenbach - pianoMigu…
NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…