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** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound artist Paul Fuchs, and pianist and recorder player Friedrich Gulda, who formed the trio Anima at the time of the recordings in 1974. As musical guests they were able to enlist the trombonist Albert Mangelsdorff, the bassist Barre Phillips, the oud play…
*In process of stocking* Originally released in 1976, Ubok Aka Inua is the fifth album by legendary Nigerian saxophonist and band leader, Etubom Rex Williams. The album features Psychedelic Shoes and One Woman Is Enough Trouble, both heard on countless funk and soul compilations. The album was restored from the original tapes by Noah Mintz and artwork restored and recreated by Steve Lewin.
"Etubom Rex Williams occupies the genuine space of legend of Nigerian Highlife. His incredible professional…
*In process of stocking* We Are Busy Bodies is proud to present a reissue of composer, guitarist, and later producer, Almon Memela’s ultra rare 1975 album, Funky Africa. From the original liner notes: 'Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in …
*In process of stocking* Second, and long out of print album by South Africa's Roots. Remastered from original audio tapes. Artwork completely restored by Steve Lewin.
*In process of stocking* As a member of the all-star Jazz Epistles in the late 1950s, saxophonist Kippie Moeketsi (also spelled Moketsi during his tenure with the As-Shams record label in the 1970s) was one of the pioneering forces of modern South African jazz. While Jazz Epistles bandmates Hugh Masekela and Abdullah Ibrahim would go on to build their careers in the United States in the 1970s, it was at home in South Africa that Moeketsi would leave his mark on the domestic jazz discography. Fro…
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…
On Playtime, Piero Umiliani spins jazz, bossa nova, lounge and funk into a kaleidoscopic library music suite, now restored by We Are Busy Bodies from the original 1968 Omicron tapes with all the playful, genre‑hopping invention that made him one of Italy's most prolific soundtrack architects.
*Official remastered reissue* We Are Busy Bodies presents Drive Live. A live performance by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
We Are Busy Bodies presents Drive Unlimited. A gem by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Remastered reissue by We Are Busy Bodies. Art restoration by Steve Lewin.
Definitely one of Nucleus' lesser known albums, Alleycat nonetheless maintains the exceptionally high standards that Ian Carr & Nucleus had set for themselves over the course of numerous albums before this one. It's true that there's little here which is a departure from any of their previous releases, but with a quality of of both songwriting and playing this high, who could blame them? Once again we have fast, intricate, melodic jazz-rock fusion, with moments of high energy interspersed with s…
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this re-issue, shows off just why this deserves to be back in press. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing…
Born in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He mi…
The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Thomas, Ava Mendoza by Stuart Smith, Tigran Hamasyan by Rui Miguel Abreu, Istanbul Scene by Alper Kaliber, Isaiah Collier by Daniel Spicer, Bill Frisell by Debra Richards, DJ Old Crank by Matti Nives, Tokyo Jazz Joints Vol. 2 by Philip Arneill, reviews…
“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling improvised textures, highlighting all three individual voices as improvisers. The trio completed their inaugural tour of Europe in February & March, having to cancel their final concert and subsequent recording due to the pandemic, delaying the reco…
*In process of stocking* Songs and Poems is a project born from the necessity to explore, in a chamber dimension, the possibilities of the sound of the word. The quartet joins Blend 3 - the trio of Andrea Grossi with Manuel Caliumi and Michele Bonifati - to the voice of Beatrice Arrigoni and finds its personal dimension within a sound world generated by the fusion of 20th century European traditions, starting from improvised music and European jazz, passing through contemporary music until arriv…
Toronto-based octet Eucalyptus has been steadily gathering a devoted cult following since the release of their debut 10” Eeeeeuuucaaaaaaallyyypppptus in 2012. Led by acclaimed saxophonist and composer Brodie West, the band's languid, kaleidoscopic jazz is very much a collective endeavour, the product of an internal network of improvisational synergy they've built over more than a decade together. Moves is their sixth release, and somewhat of a milestone. In addition to it being the octet's most …
This CD was released as part of the ICP 30th Anniversary celebrations and came in a paper pocket fixed to the inside front cover of the Anniversary booklet.
track 1 recorded at Bimhuis, Amsterdam, NL on January 31, 1997track 2 recorded at Theater Romein, Leeuwarden, NL on April 1, 1992recorded by Dick Lucascover art by Han Bennink
'At its best moments – throughout most of the album in fact – Heisse Scheisse is joyous chaos. The quintet seems to relish playing two or three different overlapping pieces of music. Case in point, Lapsarian begins with a labyrinthine riff-like structure that rapidly deteriorates into Eisenberg and Neuburg heading in their own directions. After a relatively calm and short interlude, Pitsiokos and Eisenberg both solo at the same time, but in an orthogonal fashion, before the overall structure is …
'Obstacle Illusion is born out of my love for a wide array of musics that I've experienced and studied over the years. The album includes edited live concert recordings from my 3-month European tour at the end of 2021 (Centro d'Arte in Padova, AngelicA Festival in Bologna and the Rassegna di Nuova Musica in Macerata). The first and fourth tracks are solo acoustic piano. The second and third tracks are solely with the Korg Wavestate: all live, no overdubs. This music is the result of a collaborat…