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The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.
**2025 Stock** Ebalunga!!! presents a joyful reissue of the legendary compilation album "My Pussy Belongs To Daddy"! Released in 1957 on the Beacon label run by the legendary producer Joe Davis - it was one of the first albums which captured the audience’s attention by means of double entendres in the songs. The release became one of the most eccentric and scandalous albums of its time and remains one of the most sought-after gems in the history of discography. It was unusual at the time for wo…
ATA Records delivers another essential chapter in their meticulous Library Archive series. Volume 4 represents a sophisticated understanding of library music's golden era, when masters like David Shire and Roger Webb defined cinematic instrumental music. This is authentic homage executed with both reverence and creative vision.
The production showcases the full palette of classic library instrumentation: Hammond & Farfisa organs provide the foundational textures, while vibraphone and the distinc…
For its first vinyl release, Shakshouka Records proudly presents the first ever reissue of the Algerian Kabyle band Syphax, a 7-inch featuring two irresistible disco gems that set the dancefloor alight while channeling a kaleidoscope of psychedelic textures and North African Amazigh spirit.Born in exile on the outskirts of Paris, Syphax fused psychedelic rock, funk, and North African rhythms with the lyricism of Amazigh poetry and the rebellious energy of the 1970s. This record pairs the celebra…
**2025 Stock** After the groundbreaking new edition of the legendary and iconic compilation "My Pussy Belongs To Daddy" from 1957, Ebalunga!!! presents the exquisite solo album "Girlesque" by the incomparable Faye Richmonde. Originally released in 1959, "Girlesque" once again captures the attention of the audience with its unique blend of genres and provocative song titles. Without succumbing to vulgarity, Faye Richmonde maintains sophistication, ease and witty humor, playing with memorable melo…
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Composed by Ennio Morricone for Francis Girod’s 1974 film Le Trio Infernal, this score fuses elegance and moral decay in dazzling contrast. Through waltzes, grotesque marches, and ironic chanson motifs, Morricone mirrors the film’s mordant humor and gothic perversity, crafting one of his most caustically inventive European soundtracks.
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 documents David Goren’s deep listening project dedicated to Brooklyn’s pirate radio underworld, spanning recordings made between 2014 and 2021. Issued on vinyl for the first time by Death Is Not The End, the album is an extraordinary aural chronicle of New York’s invisible airwaves, focusing primarily on the rich, labyrinthine world of Caribbean-run stations, with excursions into Turkish, Orthodox Jewish, and other broadcast communities.
Originally composed in 1974 for Mauro Bolognini’s film Fatti di Gente Perbene (The Murri Affair), Ennio Morricone’s score returns in 2025 with a newly remastered limited pink-vinyl edition from Cinevox. Long considered one of his most lyrical and overlooked works, it merges romantic melancholy and psychological suspense through exquisite writing for strings, piano, and subtle chamber textures.
Autumn 2021 / Autumn 2001 is a split single pairing Los Angeles producer Free the Robots with the late Italian jazz pianist and electronic music pioneer Gianni Safred. The release juxtaposes Safred's original 1978 track, taken from the cult album Futuribile (The Life To Come), with a contemporary reimagining by Free the Robots, weaving retro-futuristic electronics and deep grooves into crisp, beat-heavy reinterpretation.
Forever by Alessandro Alessandroni is a posthumous album recorded during the composer’s final months in Namibia, operating as both a celebration of his artistry and a poignant musical testament. Fusing orchestral pop, jazz, and classical elements, the record elegantly reflects Alessandroni's multifaceted talent, closing his storied career with subtlety and grace.
Italian Library Songbook Vol. 1 | Alessandro Alessandroni by Jessica Duncan, pAd, and Alessandro Alessandroni inaugurates Four Flies Records’ new series reimagining Italian library and soundtrack music as modern pop. Revisiting Alessandroni’s soulful archives, the EP bridges vintage jazz-funk and contemporary Balearic groove with refined sensuality and cinematic warmth.
Favorite Recordings is proud to announce the release of Endless – Universal Cosmic Sounds, a visionary compilation celebrating a decade of musical archaeology and a special milestone: the thirteenth release curated by Charles Maurice since his debut in 2015. Endless is an immersive journey through cosmic soundscapes, where jazz-funk, pioneering electronics, and ambient experimentation merge into a unique listening experience. The collection features 10 rare recordings, meticulously selected from…
They Came from Beyond Space by James Stevens is a restored original soundtrack featuring vibrant orchestral electronics and moody jazz, pairing sci-fi suspense with inventive melodic writing.
6 Days in Leysin showcases Greg Foat in a quietly adventurous mood: drawing inspiration from the Swiss setting, he gathers a small ensemble to record original pieces defined by warmth, melodic transparency, and a delicate blend of acoustic and electronic jazz elements. The collection is a testament to Foat’s ongoing search for fresh forms in contemporary jazz, rooted in lyrical minimalism and atmospheric production.
More Rags, Ballads, and Blues 1971-1985 unveils Allen Ginsberg’s intimate musical experiments from the First Blues era, collecting rare recordings and performances in a candid, engaging tribute to his cross-disciplinary storytelling. Collaborations and unguarded rehearsal takes reveal the gentle wit, poetic fervor, and sonic curiosity that defined his work during these pivotal years.
Veruschka, composed by Ennio Morricone and performed by Edda Dell'Orso, is a landmark in Italian soundtrack tradition. The album, first released on CD in 1995 with 14 tracks and later expanded, encapsulates lounge moods, ambient textures, and avant-garde fragments, capturing the ephemeral world of fashion and introspection with atmospheric precision. Double transparent blue vinyl edition of 500.
Della Morte dell'Amore composed by Manuel De Sica, embodies a complex fusion of brooding electronics, subtle jazz, and gothic undertones, reflecting the film's darkly comic narrative. Spanning 34 tracks, the album stands out for its evocative mood shifts and meticulous attention to emotional detail. Limited purple vinyl edition of 500.
Limited transparent yellow vinyl edition of 500. l Medico della Mutua, composed by Piero Piccioni in 1968, delivers a brilliant soundtrack that fuses jazz, easy listening, and orchestral flourishes, mirroring the satirical verve of the film. Themes shift from playful marches to sultry tangos, amplifying both the absurdity and energy of the Italian medical system’s cinematic parody.