Gong/Ear: Shaman
Philip Corner (b. 1933) is an American composer, musician and visual artist. A founder member of Fluxus, his teachers include Henry Cowell and Olivier Messiaen, and he has performed with George Maciunas, Yoko Ono and Nam June Paik. While on military duty in Korea in 1960-1961 he studied calligraphy with Ki-sung Kim and many of his works have calligraphic scores. His wide-ranging output includes works for gongs, bells, metal percussion and gamelan orchestra. Philip Corner writes, "Hiah Park - n…
Live From The Commodore Ballroom
Live from the Commodore Ballroom captures a legendary performance by UJ3RK5 in Vancouver in 1980. A strongly visual Canadian art-rock group, sharing an affinity with bands such as Devo and Talking Heads, UJ3RK5 emerged out of punk, new wave, and post-punk music, as well as the Vancouver School of photo conceptualism that some of the members were associated with. The band included artists Rodney Graham, Jeff Wall, and Ian Wallace among others, and while at the time the band eschewed the art…
In My Arms, Many Flowers
**much needed reissue, soon ready to be sent** Recital is proud to publish the first album of American Gamelan composer Daniel Schmidt (b. 1942). Schmidt, who emerged in the Bay Area music scene in the 1970s, wove the threads of traditional Eastern Gamelan music together with American Minimalism (repetitive music). Schmidt was (and is still) a prime figure in the development of American Gamelan music – studying and collaborating with Lou Harrison, Jody Diamond, and Paul Dresher. He curren…
Audiopoems
Right here is a Creelproduction of Henri Chopin’s first - and, inarguably, best - album, initially readied by the UK-based Tangent imprint - alongside canonic sides by the Spontaneous Music Ensemble and Ann(e)a Lockwood’s “The Glass World” - in 1971, issuing three pieces of his particular strain of throat-infected Sound-Poetry, mangled in-situ via tape machine in 1969. No other recording captures Henri’s work at it’s most unfettered. The epic, side-length “Pluralité 1.1.1.1.” offers a determine…
On Earth
Monster Holy-Grail Sound-Art / Sound-Sculpture / Live-Electronic / Drone Masterpiece by German Composer Hans Otte, one of two titles issued by the Kölnischer Kunstverein's in-house imprint - the other being the Nam June Paik / Takis "Duett Paik/Takis / Klangraum Takis" LP - featuring excerpts of a staging of the piece "On Earth" given there on June 13th, 1979. Bookended by a narrative / descriptive overlay spoken by Elisabeth Weber & Wilfried Grimpe, the piece quickly ascends into a whir of subt…
Fluxus Anthology: A Collection Of Music And Sound Events
Restocked, reduced price. Song Cycle offers another remarkable addition to the canon of early sound art experimentalism, with this legendary collection of Fluxus audio works compiled by Italian conceptual artist and publisher Maurizio Nannucci. Founded in 1960 by the Lithuanian/American artist George Maciunas, Fluxus began as a small but international network of artists and composers who challenged accepted ideas about what art is. It characterised itself as a shared attitude rather than a movem…
The Entire Musical Work Of Marcel Duchamp
Another legendary album which was issued on LP by Multhipla label, "The Entire Musical Work of " Marcel Duchamp realized by Petr Kotik and S.E.M Ensemble. Work planned and composed in 1913, based on chance operation. Recorded 7 May, 1976. B2 is a track for player piano, recorded in Buffalo, New York on a Steinway player piano. In the turbulent years from 1912 to 1915, Marcel Duchamp worked with musical ideas. He composed two works of music and a conceptual piece -- a note suggesting a musical ha…
Two And Two
Restocked, reduced price. Legendary debut from sound artists Christina Kubisch and Fabrizio Plessi mixing sound and visual elements, a seminal LP record originally published on the hugely influential Multhipla, run by Gianni Sassi (also founder of Cramps Records) in conjunction with Fluxus collector and editor Gino Di Maggio. Two And Two was a live performance for two performers (Kubisch and Plessi), two video cameramen, a wall of monitors and uncommon objects and instruments. Throughout the per…
Field Days (The Amanda Loops)
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and vio…
Clear Sounds/Perfetta
CD version. After nearly 40 years of silence, Harry Bertoia's Sonambient label has been resurrected in order to release the best of Bertoia's unheard recordings from his recently preserved archive of 1/4" tapes. "Clear Sounds" b/w "Perfetta" was cut straight from the original reels and is a true analog pressing. These two pieces were selected for their minimal, meditative and lush harmonic qualities; lacking in the abundance of dynamics and contrasts found on the original Sonambient records, the…
Cru 2 (Pauline Oliveros, Henri Chopin, T. Wishart, Gil J Wolman)
Second issue of CRU Magazine, the annual magazine of the Berlin art space La Plaque Tournante ran by french composer Frédéric Acquaviva and english mezzo soprano Loré Lixenberg, which states what has happened or could have happened in the last year at La Plaque Tournante. This issue, printed at 500 copies, includes this time 3 catalogues under the form of affiche + postcard + list of material exhibited + poster of the 3 main exhibs of last year, on Broutin (lettrist since 1968), Gil J Wolman (wi…
The BBC Radiophonic Workshop - The First Years
A photographic essay depicting the everyday work of the members of the mythical workshop responsable for most of BBC´s sound effects between the 50s and 80s. All images are believed to be in the public domain and of BBC origin. Edited captions by Ray White.
Zine A5 / Staple / ByW / 40 pp / 1st ed - 2014 / 50 copies
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S. Talks #1
S. Talks # is a series of uncut interviews with electronic contemporary musicians. Each interview is individually published in a zine and distributed for free. Originally from Houston, Texas, James Daniel Emmanuel is a pioneer of electronic minimal music with a career that started in the late 70s and more than fifteen albums released...
Zine 10 x 15 cm / Stapled / B-W / 6 pp / 1st ed - 2013 / 100 copies
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The Liberation of Sound
"I dream of instruments obedient to my thought and which with their contribution to a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm."
About the author in Earle Brown words: "There could have not been a Ligeti, a Xenakis or a Penderecki without a Varèse."
Zine A5 / Staple / ByW / 6 pp / 1st ed - 2014 / 50 copies
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Clara Rockmore by Robert Moog
Theremin´s virtuoso interviewed by synthesizser´s maverick Robert Moog in 1977. "I am a violinist and a musician. I wanted to see if it were possible to use the theremin to make real music. Bach couldn't write for the theremin when he was alive, but there is no reason why I can't play Bach on the theremin today. "Clara Rockmore
Zine A5 / Staple / ByW / 8 pp / 1st ed - 2014 / 50 copies
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Fluxus Music
"Where does music fit into George Maciunas´s definition? Where does music fit into Fluxus praxis? Music fit where all the other individual arts fit into Fluxus - into a process of de-definition that robs music and the other arts of media that is itself not easily distinguished from the rest of life."
Zine A5 / Staple / ByW / 6 pp / 1st ed - 2015 / 50 copies
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Who Cares if you Listen
"Towards this condition of musical and societal "isolation," a variety of attitudes has been expressed, usually with the purpose of assigning blame, often to the music itself, occasionally to critics or performers, and very occasionally to the public. "
Music as Gradual Process
Minimalism´s father Steve Reich explains his composition method in this short essay which was first published in his book " Writings about music 1965-2002" ."I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music."
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The Art of Noises
Luigi Russolo´s 1914 futurist manifesto on the inclusion of ambient sounds in music.
“Let us invite young musicians go genius and audacity to listen attentively to all noises. Our increased perceptivity, which has already acquired futurist eye, will then have futurist ears. Thus the motors and machines of industrial cities someday be intelligently pitched, so as to make of every factory and intoxicating orchestra of noises.”
Manifesto of Futurist Musicians
“I appeal to the young. Only they should listen, and only they can understand what I have to say. Some people are born old, slobbering spectres of the past, cryptograms swollen with poison. To them no words or ideas, but a single injunction: the end..”