We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
2025 stock This spring, acclaimed abstract hip-hop producer and cofounder of Anticon Records, Odd Nosdam, will release MIRRORS - a new LP via Alien Transistor. Composed entirely of found sounds, most of them sourced from rare and private press vinyl, MIRRORS’s instrumental beats and sound collages pulse with a sense of exploration and rediscovery that has been Nosdam’s calling card since the turn of this past century. Its every track presents a treasure trove of unique aural gems, each nestled i…
2025 stock Jam Money is the shared musical vision of Kevin Cormack and Mathew Fowler. Mathew (Bons) and Kevin (Half Cousin, Harry Deerness) first began collaborating as part of the Blank Tape Spillage Fete, an ongoing collective project of art and music which focuses on the creation and perpetuation of small DIY exhibitions, related events and limited releases that celebrates the hobbyist nature of home recording.
Jam Money revolves around a passion for the simple and sometimes restrictive natu…
2025 stock 1115 are an experimental kraut-rave-IDM duo consisting of grey and fehler kuti. The two met in Munich in 2015 and started jamming in fehler's kitchen in the Westermühlstrasse. Grey operates a virtual 808 drum machine, bass and organ synthesizer, while fehler kuti uses, loops and modulates his voice. Their performances are rythm heavy hypnotic jam sessions that range from noise soundscapes to techno like club raves. Imagine Dieter Moebius and The Residents attending a Hauka Cult ritual…
2025 stock Following their recent solo releases Soniscope (Dauw) and Cells #5 (Important Records), Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length: Water Ladder. An intense, multilayered continuation of earlier collaborations (Atsuko was featured on Midori’s debut LP back in 2006), the foundation for this new collaborative album was laid when they shared stages in Berlin (Ausland) and J…
2025 stock Protein, registered in every day life as tax payer Tobias Laemmert, released his first official studio album "Süss" in 2001. Mathias Modica, the Gomma label boss, heard Protein's tape by chance during a taxi ride and instantly offered him a contract.
In the here and now Protein sends out sonic distortions into the intermediate world of instrumental music. Whether digital or analogue – his minimalist sound collages and their accurately adjusted de- and reconstructions, broken rhythms a…
2025 stock Instead of taking the short cut and roaring south from Weilheim via the Brenner Pass, Markus Acher prefers to visit and approach foreign places in a different, more cautious way: Whenever he finds the time between his collective work with The Notwist and Lali Puna, he sets out to record film soundtracks under his solo moniker Rayon. This time it's Eleonora Danco's recently released film "N-capace" that inspired 10 cinematic, instrumental sketches, which see Rayon not only heading sout…
2025 stock Click-clack – click-clack – click-clack: The beat of riding on a train before the invention of pneumatic suspension was no jazz. But combined with the landscape passing by the window its steady pulsing beat had consequences: digressing thoughts, imagination kicking in – roll it! This principle can be heard on Saroos’ third album. The three band members, who live in Berlin and Munich, toured Italy by train numerous times. They liked it a lot, they say. You travel more slowly, you tour …
Well-versed in vintage vernaculars, Oakland-based producer/musician Mike Walti is about to return with his sophomore offering under the Organi moniker – as new album “Babylonia” follows 2020’s “Parlez-vous Français?,” a landmark in vibe acquisition ever since.
Hometown to Come, the second full-length album by Minhwi Lee. The eight tracks were written over a period of seven years after Lee's first album and loosely form a single story, contemplating how people who have lost their hometown can return.
“What I had imagined from the title, Hometown to Come, was something forever delayed yet constantly approaching; however, upon repeated listens, it takes on a different meaning—a promise of hospitality being realized every day. Even if our places to meet d…
"Enid Valu normally relies on lenses and light to express herself. Known to create stunning visuals, to capture sonic worlds with her preferred instrument (the camera), the US-born, Munich-based photographer and video artist has been working with various bands, shooting concerts, creating music videos, visualizing what she hears. However, now that she’s become an indispensable part of the local scene, she for once ditches the cam and steps up to the mic instead – appearing as featured vocalist o…
Borrowed Tongue is the debut solo album by Korean singer-songwriter Minhwi Lee. It’s a mysterious, strangely compelling thing, an album of rare poetry, and remarkably self-assured. Originally released in November 2016, the album made waves, winning best folk album of 2016 at the 14th Korean Music Awards. Its eight songs, written and predominantly arranged by Lee, don’t reveal their secrets easily, or at first blush; rather, they take their time slowly to unfurl in her listeners’ worlds. There ar…
There’s a big clue to the pacific wisdom of The Orchestra in the Sky in the artist name – Hochzeitskapelle + Japanese Friends. For this is, indeed, music based in, and resonating with, friendship, camaraderie, collaboration, and creative exchange. Across two albums – one documenting recordings from Tokyo, the other an expansive double album of sessions from Kobe – Hochzeitskapelle gather around them some of the finest voices in Japanese independent and underground pop music, like Tenniscoats, Ed…
There’s a big clue to the pacific wisdom of The Orchestra in the Sky in the artist name – Hochzeitskapelle + Japanese Friends. For this is, indeed, music based in, and resonating with, friendship, camaraderie, collaboration, and creative exchange. Across two albums – one documenting recordings from Tokyo, the other an expansive double album of sessions from Kobe – Hochzeitskapelle gather around them some of the finest voices in Japanese independent and underground pop music, like Tenniscoats, Ed…
There’s a big clue to the pacific wisdom of The Orchestra in the Sky in the artist name – Hochzeitskapelle + Japanese Friends. For this is, indeed, music based in, and resonating with, friendship, camaraderie, collaboration, and creative exchange. Across two albums – one documenting recordings from Tokyo, the other an expansive double album of sessions from Kobe – Hochzeitskapelle gather around them some of the finest voices in Japanese independent and underground pop music, like Tenniscoats, Ed…
*In process of stocking. 2022 stock* Following their recent solo releases Soniscope (Dauw) and Cells #5 (Important Records), Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length: Water Ladder. An intense, multilayered continuation of earlier collaborations (Atsuko was featured on Midori’s debut LP back in 2006), the foundation for this new collaborative album was laid when they shared stages…
*Limited edition of 500 copies, silk-screened sleeve, random green and rose artwork.* Alien Transistor present Alien Parade Japan, a joyous double-album compilation of groups from Japan’s indie-pop and avant-garde undergrounds, all of which feature brass or woodwind instruments as part of their line-up. Compiled by Markus Acher (Alien Transistor, The Notwist, Hochzeitskapelle) with plenty of support and help from his Spirit Fest bandmate, Saya (also of Tenniscoats), it features some familiar nam…
Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised …
A quick, spontané voyage to the French Riviera ca. 1968, good times long before things went south, Organi’s “Parlez-vous Français?” is a woozy, tripping, soothing sojourn: DIY dream pop, hazy psychedelia, blurred-but-steady beats dripping down the golden boulevard, complete with mystical chants, a dash of half-remembered Franglais that goes down like some vintage eau-de-vie. There’s a fine massage waiting behind those venetian blinds. Pay half an hour, you’ll be relaxed and revived after 22 mi…
**300 copies** Fehler Kuti on the album (Munich, Autumn 2019): "I remember the first time I read W.E.B. DuBois eclectic masterpiece The Souls of Black Folk. The way in which this Weberian scholar flowed from personal account to prose to sociological analysis to music and even political intervention has had a lasting impact on my own work as a cultural anthropologist. It made me understand that as scholars we must use different means in order to give expression to the totality of the lived experi…
After the release of his debut album in June 2015, Le Millipede is back with a 7" single with "Neue Welt" and "Lenity".
The newcomer to the A-Z of instruments of Le Millipede is the clarinet.
Together with Le Millipede's characteristic percussion, it sets the
basic structure of "Neue Welt". Two melodies of piano and bass trumpet
join in to a euphoric, dreamy tune, only to be shaken up profoundly - or
should we say challenged? - by the second debuting instrument, a
ukulele.
Lenity is melanch…