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How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Com…
How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibi…
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroaco…
This hour-long ensemble piece from 2024, recorded in Stockholm, marks the twelfth album by Swedish composer Magnus Granberg on Another Timbre. Granberg, born in Umeå in 1974, studied saxophone and improvisation at the University of Gothenburg and in …
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music gr…
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this yea…
"Maybe I'm like a still life painter," Linda Catlin Smith says, "looking at the same objects again and again over the years." Yet this survey of chamber works—spanning 1986 to 2024—shows a composer whose perspectives continually shift, finding someth…
Catherine Lamb works at the boundary between perception and illusion. In Curva Triangulus (2018/21), the American composer takes Bridget Riley's geometric forms as starting point for "warping" Renaissance materials through geometric musical figures. …
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. …
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitti…
2009 release ** "Two improvisations-one live, one without audience-by an Anglo-French trio of new voices from trombonist Forge, electronics artists Julian and cellist Papapostolou. The music is quiet and spacious....there is a wonderful sense of slow…
The excellently titled Loiter Volcano was a constant source of somewhat surprising pleasure the first time I listened. "Surprising" because the general attack leans a bit more toward efi (I suppose "post-efi" has been appropriate for a good while) th…
A duo improvisation recorded in an exhibition space with several of Max Eastley's sound sculptures, and next door to a park where a firework display was taking place...
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely ac…
Recorded live at the June 2006 Jazz à Poitiers festival, this gem pairs two extraordinary musicians in an unusual and very welcome configuration. Phil Minton - the legendary British vocalist with decades of experience exploring the outer possibilitie…
Wanderer assembles eight sophisticated chamber pieces from Linda Catlin Smith, rendered by the ever-inventive Apartment House ensemble. Across this collection, Smith’s distinct voice emerges through piano, strings, winds, percussion, and brass, revea…
Four compositions by the US-Chinese composer:
'Of Monsters' - Ingrid Lee, piano Merima Kljuko, accordion'Cells' - Ingrid Lee & Rowan Smith, amplified snare drums'Bead Spit' - Ingrid Lee, piano, Max Kutner, electric guitar, Tony Gennaro, percussion'An…
Wade Matthews (software synthesis, manipulated field recordings) and Stéphane Rives (soprano saxophone) recorded these four pieces in Madrid in July 2008, creating music that speaks to transformation, identity, and the improviser's paradox. The album…