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Dirt Road stands as a milestone in Linda Catlin Smith's catalogue - a single work expanding over an hour, composed in 2005 and commissioned for dance. Performed by Mira Benjamin (violin) and Simon Limbrick (percussion), the piece moves through fiftee…
Ffansion | Fancies, voted one of the year’s best albums by BBC Radio 3’s Late Junction, documents the rare rapport between Welsh violinist Angharad Davies and Berlin-based pianist Tisha Mukarji. Realized as part of Another Timbre’s “Violin +1” series…
Tocando Fondo is the result of a year’s deep collaboration between Vienna-based electronics artist Klaus Filip and Argentinian trumpeter Leonel Kaplan, recorded in Buenos Aires in 2014. The album gathers two extended improvisations, both unfolding at…
Assigned #15 continues James Saunders’s trajectory of modular, context-sensitive composition. Derived from his long-term project #[Unassigned], this work is scored for seven musicians - violin, viola, cello, percussion, melodica, chamber organ, and o…
Grizzana features Swiss composer Jürg Frey at his most introspective, realized by Ensemble Grizzana - Frey (clarinet), Mira Benjamin (violin), Richard Craig (flute), Emma Richards (viola), Philip Thomas (piano), Seth Woods (cello), and Ryoko Akama (o…
Extinguishment documents the chamber dialogue between Billy Gomberg (bass guitar, electronics, recordings) and Anne Guthrie (French horn, electronics, recordings), working as Fraufraulein for Another Timbre. Recorded over several months in 2014, the …
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
Sometimes We All Disappear documents the enduring collaboration between Canadian artists Jamie Drouin (suitcase modular synth, portable radio) and Lance Austin Olsen (amplified objects, audio cassettes). Recorded in Victoria, West Canada, shortly bef…
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cell…
Two Pianos and Other Pieces 1953-1969 collects the most experimental and beautiful works for multiple pianos from Morton Feldman’s formative years, exhuming scores rarely captured before - including “Two Pianos,” “Piece for Four Pianos,” “Piano Four …
The Roananax / Obliq split chronicles two generations of Berlin’s radical improvisers in dialogue. On the first half, Annette Krebs (electro-acoustic guitar, mixing board), Axel Dörner (trumpet), Robin Hayward (tuba), and Andrea Neumann (inside piano…
Luv / Kopfüberwelle unfolds in two halves, each radiating the signature sensitivity of Sabine Vogel. “luv,” a nearly thirty-minute solo piece, sits at the intersection of field recording, flute improvisation, and subtle electronic manipulation. Vogel…
Chamber Works 1992–2009 showcases the breadth and quirks of British composer Laurence Crane over fourteen pieces for chamber ensemble, composed across nearly two decades and interpreted by Apartment House. Crane’s language thrives on the surface simp…
F23M-12: Field With Figures No. 1–4 / Rush! is a distinctive entry in Another Timbre’s Berlin Series, sharing two worlds of experimental practice. In the first half, Christian Kesten and the late Mark Trayle create four pieces for voice and electroni…
Pneuma presents five distinctive pieces by British composer Martin Iddon, performed by specialist new music ensembles. The set includes “pneuma.sarx” for Trio Atem (flute, voice, cello), “pneuma.kharis” (flute, cello, voice), “Danaë” (solo piano, Cat…
LL (Another Timbre at70) chronicles the collaborative project Partial - namely, Chicago experimentalists Noe Cuellar and Joseph Clayton Mills. Commissioned as part of a site-specific installation at Pilsen Vintage and Thrift, the album uses only the …
A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, …
Variable Formations documents a singular sextet in action: Johnny Chang (viola), Angharad Davies (violin), Jamie Drouin (analogue synth, radio), Phil Durrant (electronics), Lee Patterson (amplified objects/processes), and John Tilbury (piano). Presen…
Rows marks a unique entry in the Skogen ensemble’s catalog: instead of ensemble founder Magnus Granberg, the composer’s role is assumed by Anders Dahl. The album’s nine movements - each titled as a numbered row - are written out on paper using a syst…
Variations (Another Timbre) showcases Swiss composer-performer Christoph Schiller at the spinet, piano, and with a select arsenal of amplified objects. Across seven “variations,” Schiller explores a unique hybrid of structured improvisation and prede…