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A duo improvisation recorded in an exhibition space with several of Max Eastley's sound sculptures, and next door to a park where a firework display was taking place...
Three extended improvisations recorded at the church of St. James the Great, North London, September 2007 - the first convocation of this unexpected quartet crossing different generations and playing styles. Max Eastley (arc - electro-acoustic monochord), Graham Halliwell (computer & electronics), Evan Parker (soprano saxophone) and Mark Wastell (tam-tam, metal percussion & harmonium) document a meeting of three generations of London free improvisation.
Parker has had a venerable presence as bot…
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely acoustic affair impossible to ignore the heritage that goes before such a recording of piano and violin: the slow pace of Feldman and the New York School, the grey austerity of the Wandelweiser collective echo through these five improvisations.
Davies …
Wanderer assembles eight sophisticated chamber pieces from Linda Catlin Smith, rendered by the ever-inventive Apartment House ensemble. Across this collection, Smith’s distinct voice emerges through piano, strings, winds, percussion, and brass, revealing an uncompressed sense of time and patience. Philip Thomas’s solo piano work offers gentle resonance and poised silence, while duos and quintets - performed with Mark Knoop, Mira Benjamin, Anton Lukoszevieze, Heather Roche, and others - bring nua…
Four compositions by the US-Chinese composer:
'Of Monsters' - Ingrid Lee, piano Merima Kljuko, accordion'Cells' - Ingrid Lee & Rowan Smith, amplified snare drums'Bead Spit' - Ingrid Lee, piano, Max Kutner, electric guitar, Tony Gennaro, percussion'Another' - Eric KM Clark & Andy Studer, violins, Heather Lockie, viola, Meldoy Yenn, cello, Jake Rosenzweig, bass & Tony Gennaro, vibraphone
The Sealed Knot—Burkhard Beins (percussion, objects), Rhodri Davies (pedal harp, e-bow), Mark Wastell (double bass, bow, beaters)—are what Clive Bell in The Wire calls "one of the great free improvisation groups, comparable to the classic 1980s SME line-up of John Stevens, Nigel Coombes and Roger Smith for edge-of-your-seat attentiveness and sheer inter-group telepathy." This single 40-minute piece, recorded live at the Ear We Are Festival in Biel, Switzerland in February 2007, captures the trio…
Lucio Capece (soprano saxophone, bass clarinet, preparations, sruti box) and Lee Patterson (CD players, pick-ups, e-bowed springrods, springplate, hazelnuts) recorded these eight pieces in what Norman Records describes as "absolutely beautiful music" where "two masters of tiny sounds meet up." Capece approaches his reeds "more as tubes for breath than as traditional 'instruments,'" while Patterson uses all sorts of sound processes—including amplifying burning hazelnuts.
Nick Cain in The Wire not…
Wade Matthews (software synthesis, manipulated field recordings) and Stéphane Rives (soprano saxophone) recorded these four pieces in Madrid in July 2008, creating music that speaks to transformation, identity, and the improviser's paradox. The album takes its name from Ovid's tale of Arethusa—a nymph fleeing the river god Alpheus who, in attempting to escape change, becomes water itself. As Matthews writes in his liner notes, "in her quest to remain herself, she has become exactly what she fled…
American composer Paul Paccione makes a welcome return to recording with this portrait album featuring five chamber works originally composed between 1980 and 1990, all performed by the acclaimed Apartment House ensemble. Born in New York in 1952, Paccione studied with legendary minimalist pioneer Harley Gaber and later at the University of Iowa, developing a distinctive voice deeply influenced by Morton Feldman, John Cage, and Anton Webern.
The album includes Exit Music for string trio, Gridwor…
Boston-based composer Nomi Epstein makes her debut on Another Timbre with this portrait album featuring three chamber works composed between 2011 and 2023. Influenced by the New York School, Fluxus, Pauline Oliveros's Sonic Meditations, and the Wandelweiser collective, Epstein has developed a distinctive compositional voice centered on sonic fragility and textural subtlety.
The album opens with the title piece shades, a 20-minute string quartet written specifically for Apartment House in 2023. T…
Things that Happen Again offers a panoramic entry point into the lucid, evolving world of Paul Newland. Recorded by Apartment House at Goldsmiths in 2023, the album presents compositions written across a fourteen-year span. The title alludes to Newland’s fascination with recurrence and reworking - tracks such as “Difference is Everywhere (altered again)” or “Things That Happen Again (again)” are not only marked by repetition but by acts of subtle reinvention, echoing Newland's habit of dismantli…
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
New York-based duo andPlay – violinist Maya Bennardo and violist Hannah Levinson – present two extended works exploring the sonic possibilities of just intonation tuning systems. Both pieces were commissioned for andPlay's concert series Translucent Harmonies and premiered in 2018.
Catherine Lamb's Prisma Interius VIII (Melodic Duo) (22 minutes) strips her Prisma Interius series down to its bare essence, removing the electronic spectral resonance of earlier versions. Here, violin and viola plot …
Melbourne-born composer Anthony Pateras presents two substantial chamber works emerging from distinct contexts yet unified by his singular approach to electro-acoustic orchestration. Born to Macedonian immigrants in the late 1970s, Pateras has built a 25-year career spanning collaborations with John Zorn's Tzadik, Peter Rehberg's Editions Mego, and commissions from INA-GRM.
Patterned Language (19 minutes) unfolds from a live performance at Melbourne's Church of All Nations in November 2022. Comm…
Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde.
Summers grew up in rural Inverne…
Natural World by Laurence Crane offers an expansive and quietly subversive study in sonic ecology, blending piano, soprano, and field recordings. Written for Juliet Fraser and Mark Knoop, the piece unfolds over three movements, combining encyclopedic texts, birdsong, and elemental musical motives in a measured fifty-five-minute reflection on beauty and environmental fragility.
Evening Star, Vesper Bell by Magnus Granberg with Apartment House is a nearly hour-long meditation bridging composed structures and improvisational nuances. Drawing on remnants from Schubert and Cole Porter, the ensemble crafts an intricate tapestry of sound, embracing openness, patience, and detailed interplay. It is a work that rewards repeated, attentive listening and the discovery of subtle, shifting textures.
Neha is an album by Adrián Demoč featuring the Slovak Radio Symphony Orchestra and Ostrava New Orchestra. Each work extends beyond twenty-five minutes, exploring soft layers of orchestral sound, calmly repeating motifs, and silences that articulate the music’s emotional contour. The pieces are defined by their meditative atmosphere and gradual, unforced transformations.
Naiads by Martin Iddon, realized by Apartment House, is a cycle of five chamber works inspired by freshwater nymphs from Greek myth. Each piece constructs its own world of slow-blooming gestures and modestly veiled lyricism, balancing clarity and ambiguity as the ensemble circulates between unison playing, shifting tempos, and suspended harmonies. The result is a collection of subtly haunting, atmospheric music shaped with patient detail.