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With yet another striking and forward-thinking work of contemporary composition, Another Timbre returns with “Maniera”, their second outing with the Italian composer, Marco Baldini, following on from last year's brilliant “Vesperi” which sold out within weeks. Comprising seven works for various configurations of string ensemble, masterfully executed by Apartment House, that nod across time toward Italian polyphonic compositions of the 16th and early 17th centuries, the diverse history of Minimal…
American composer Paul Paccione makes a welcome return to recording with this portrait album featuring five chamber works originally composed between 1980 and 1990, all performed by the acclaimed Apartment House ensemble. Born in New York in 1952, Paccione studied with legendary minimalist pioneer Harley Gaber and later at the University of Iowa, developing a distinctive voice deeply influenced by Morton Feldman, John Cage, and Anton Webern.
The album includes Exit Music for string trio, Gridwor…
Things that Happen Again offers a panoramic entry point into the lucid, evolving world of Paul Newland. Recorded by Apartment House at Goldsmiths in 2023, the album presents compositions written across a fourteen-year span. The title alludes to Newland’s fascination with recurrence and reworking - tracks such as “Difference is Everywhere (altered again)” or “Things That Happen Again (again)” are not only marked by repetition but by acts of subtle reinvention, echoing Newland's habit of dismantli…
British composer Frank Denyer (born London, 1943) presents an extraordinary collection of five works spanning nearly fifty years of creative activity, performed by the Octandre Ensemble conducted by Jon Hargreaves. This release, recorded at the Menuhin School in Surrey in September 2022, serves as a landmark document of one of the most original voices in contemporary music.
The album includes Broken Music (1990) featuring a bewildering array of instruments including flute, piccolo, crow call, me…
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
Three vocal works recorded between 2014 and 2020 reveal the Berlin-based American composer's singular approach to voice as spectral instrument. Lotte Betts-Dean, Explore Ensemble, and Exaudi navigate Lamb's radiant harmonic language where phonemes replace text, vowel sounds emphasize overtone clusters, and the human voice blends seamlessly with bowed strings shifting between pure tone and noise.
color residua opens with four sections where composite melodies emerge through slow hocket between si…
New York-based duo andPlay – violinist Maya Bennardo and violist Hannah Levinson – present two extended works exploring the sonic possibilities of just intonation tuning systems. Both pieces were commissioned for andPlay's concert series Translucent Harmonies and premiered in 2018.
Catherine Lamb's Prisma Interius VIII (Melodic Duo) (22 minutes) strips her Prisma Interius series down to its bare essence, removing the electronic spectral resonance of earlier versions. Here, violin and viola plot …
A 51-minute journey through sound that Swiss composer Jürg Frey describes as "a (maybe even perfect) balance between anonymity and personality." Originally commissioned by Concertgebouw Brugge and premiered at the 2019 SLOW Festival, this String Trio underwent extensive revision before Apartment House brought it to its "final destination" in this first recording. Frey's compositional process defies system – everything emerges slowly through what he calls "a slow but natural process which I can't…
Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde.
Summers grew up in rural Inverne…
Neha is an album by Adrián Demoč featuring the Slovak Radio Symphony Orchestra and Ostrava New Orchestra. Each work extends beyond twenty-five minutes, exploring soft layers of orchestral sound, calmly repeating motifs, and silences that articulate the music’s emotional contour. The pieces are defined by their meditative atmosphere and gradual, unforced transformations.
Sound Pieces is a collection from Pauline Oliveros performed by Apartment House. The album spans seven works from 1975 to 1998, comprising both open text scores and a structured seven-movement composition, "Tree/Peace." The ensemble channels Oliveros’ philosophy of deep listening and interpretive openness, delivering performances full of nuance, attentive silence, and subtle interplay.
Borderland Melodies, composed by Jürg Frey and interpreted by Apartment House, features three chamber works that exemplify Frey's subtle balance of melody, structure, and quiet innovation. The music explores gradual transformation, intertwining voices, and the shading of tone and silence, creating a meditative sound world where every phrase and rest feels considered and essential.
L’art de toucher by Evan Johnson features five chamber works that probe the outer limits of sound and silence. With a triptych for piccolo, violin, and percussion at its core, the album also presents finely wrought solo and trio pieces. Johnson’s sensitivity to musical detail shapes an experience full of ambiguity, microscopic interactions, and delicate intensity.
Somatic Refrain is a collection by Allison Cameron for varied chamber forces and ensemble, performed by Apartment House and the Allison Cameron Band. Her music combines delicate sound textures, unpredictable motifs, and hints of folk and experimental methods, rewarding attentive listeners with gentle surprises and new perspectives on instrumental color.
An Album by Tim Parkinson and Apartment House includes five works covering two decades of the composer’s creative evolution. From uncoordinated solo and ensemble pieces to re-imagined septets and violin-piano duos, the music is marked by matter-of-fact presentation, rhythmic independence, and a celebration of the mundane as fertile compositional ground.
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
Landmarks offers an immersive, contemplative collaboration between Katelyn Clark and Isaiah Ceccarelli, presenting a suite of works that draw from both ancient and contemporary sound worlds. The duo’s backgrounds in historical keyboard and percussion performance anchor the album, but the project transcends specific genres or traditions. Instead, it crafts a patient, ambient landscape shaped by resonance, modest gesture, and a shared reverence for the act of attentive listening. Throughout the al…
Tehran Dust reveals Klaus Lang at his most understated and evocative, presenting a pair of pieces that meditate on the porous boundaries between sound, space, and memory. Eschewing overt drama or visual spectacle, the album envelops the listener in a slow-form exploration of timbre and atmosphere, shaped by microtonal harmony and subtle shifts in instrumental color. What emerges is not simply a display of compositional technique, but an invitation to enter a suspended sonic landscape where each …
The Pankow-Park Sessions Vol.1 is a striking documentation of collaboration between Ernstalbrecht Stiebler and Tilman Kanitz, offering a series of works that blur distinctions between composition and improvisation in an acoustic setting. These recorded sessions capture the artists’ shared sensitivity to resonance, duration, and the momentary emergence of musical events. Rather than foregrounding virtuosic display or dense structuring, the album cultivates a sense of spaciousness where tones, sil…
A concert-length work for pipe organ, piano and percussion, created by the composer and the GBSR Duo (Siwan Rhys and George Barton) at the recent Huddersfield Contemporary Music Festival. Wonderfully brooding music, beautifully played.