★Ants
Chamber Music
Steve Peters' sound art is completely out of the box and free. His research addresses the intimate essence of the sound of nature and things. For Peters every place is an instrument - in the literal sense and in the musical sense of the word. A place where sound already exists, or where it can be made to exist. In the form that the place suggests and that the artist's inspiration receives and regenerates. You can call it sound art or compositions, installations or songs. Either way, it's a whole…
Stimmen Aus Himmel Und Hölle
** CD in gatefold carbord cover with booklet ** “Stimmen aus Himmel und Hölle” is a searching work. Search for a new voice. The appropriation of new living and sound spaces. The title “Voices from Heaven and Hell” has multiple meanings that intersect, revealing themselves to our ears. There is the literal meaning, and therefore we hear (and sometime we "see") heaven and hell in sounds, through sounds.There is the meaning of the game (“Himmel und Hölle” is the German name of the "Hopscotch" game …
Island Gardens (BOX : 2 Dvd + Book + Inserts)
* Limited Edition of 75 numbered copies. * This release is dedicated to the video works of Mike Cooper, a cosmopolitan figure of which musically it seems superfluous to say. From bluesman of the first hour, to improviser/ experimenter of the European (and not) more interesting scene, to proponent of a sort of experimental exotica that has become, over time, his trademark. But, instead of the well-known and represented musician and sound artist, this publication offers, in two DVDs for almost 3 …
Schwingende Luftsäulen 3
Here the third and final chapter of “Schwingende Luftsäulen” the series dedicated by Werner Durand to the Pan-Ney, the wind instrument of his own invention. In confront with the first two volumes this one represent a sort of flashback. In fact the five pieces on the CD present “early” works, mainly created in the first half of the 90s. “Still Another Ocean” was composed in June /July1991 in Ile de la Réunion, in the wonderful house of Frédéric Borne.
“M-Ocean” was composed in the summer of 1994 …
Electric Music
**Cardboard Folded cover 6-page colour booklet with liner notes in English by Dave Smith and Andrea Rocca** Here is a new, exciting, step in the discover of the genius of the English composer, pianist and tuba player John White, the maverick master of British Experimental Music, Sctarch Orchestra former member (with Cornelius Cardew, Gavin Bryars and John Tilbury). This double CD represent one of a thousand in between the musical facets of his enormous output. As Dave Smith says in his liner no…
Chromatic Fields
Limited Edition of 50 numbered copies. Chromatic Fields by Jamie Crofts are compositions for piano that make use of the entire keyboard. Explorations of the expressive range and depth of the instrument taking a unique view of the instrument's sonic potential. Chromatic Fields is the fruit of a world of relationships. The relationships between the sound of a piano, the space of a blank page, silence and emptiness, color and sound.The chromatic sound fields of Jamie Crofts, the result of a profoun…
Variazioni su Fuori
Limited Edition of 50 numbered copies. Fuori is a creation by Giuseppe Chiari, the world renowned Fluxus artist, dated 1965, that is usually performed (even if performances are quite rare) in concert situations or happenings. It is a verbal score: there is no music notation, only instructions; there are no directions about time duration. The performer has to describe the sounds he listens in that very moment. Francesco Michi and Mechi Cena conceived "Variazioni su FUORI" as a new piece, a non-c…
Spillà
“Spillá” (meaning "to play" in the secret language of the Neapolitan musicians) is a meeting between two masters of the guitar: Elliott Sharp's continuous innovation meet Sergio Sorrentino’s mastery of interpretation. Recorded live in 2018 in Vercelli (Italy) here we have the surprising and effervescent rendition of two Sharp’s graphic scores: "Hudson River Nr. 6" (1974) is an early experiment and is part of a series of scores derived from topographical maps superimposed to musical staff and the…
Spectre of Radiants
R Keenan Lawler & John Krausbauer's “Spectre of radiants” is a droning, everlasting buzz of strings, gently undulating and intersecting. Unconventionally played, as usual, the resonator guitars and the banjos, builds the perfect stream of sound to accompany your longest days. Fitting in the ultraminimalist/drone panorama, this acoustic gem follow the lineage draw by authours like Phill Niblock, Tony Conrad or Eliane Radigue, mixing and confonting it with the direct attitude toward sound of peopl…
Schwingende Luftsäulen 2
Werner Durand Schwingende Luftsäulen 2, the second chapter dedicated to Durand's music applied to the Pan-Ney, the wind instrument of his own invention. With gorgeous artworks by Karlheinz Bux and extensive liner notes by Adelio Fusé. "Schwingende Luftsäulen 2 is the second chapter of a trilogy featuring the Pan-Ney with its tubes or columns of vibrating air (Schwingende Luftsäulen, in fact). This second chapter, in which the Pan-Ney is flanked by the tenor sax, reconnects where the first one en…
Beats
The work of LA based music-maker John Krausbauer has so much to do with minimalism as with trance music as with soundart experimentation and "performance based" sound forms. And where, as he himself states, the "Trance-Psychedelia is the aim and goal". Firmly rooted in the 60s/70s Minimalist movement of LaMonte Young and The Theater of Eternal Music, as well as the trajectory out of that...(with the likes of Conrad, Flynt, Wada, Palestine, Chatham; Oliveros, Radigue etc etc), "beats" also touch …
Livebatts!
Livebatts! is the result of the eclectic approach to music and sound of John White, the experimental composer better known for his early work with Cornelius Cardew and the Scratch Orchestra and for his formidable output of piano sonatas (now counting almost to 200).Everything started out from his passion for those cheap battery driven keyboards which appeared on the market of musical instruments in the 80s. Much more similar to toys than to proper instruments, these did interested so much Mr. Wh…
Gamelan Coming & Going
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
Brdo
Limited Edition of 100 copies.
It started again the CDR series, with a historical name of the ANTS catalog: Albert Mayr. This work dates back, like the previous "Suono Ambiente" of the same series, to 1978.A research project on a hypothesis of a "community rhythm" well described by Gillo Dorfles in his notes of the time:"The time-space musical analysis performed by Albert Mayr in February 1978 in the tiny village of Brdo, in Istria, is the result of long meditations and deep practical experiment…
conceptmusic
Conceptmusic is a work
that speaks for itself.
It is a solicitation.
It is a statement.
It is an object of art,
but also a musical object.
Actual and potential.
“conceptmusic” is a verbal score that leave you the
chance not only to perform but even to conceive
your own music.
It contains no "sounding" support.
Every box is numbered.
Visitazioni
Two works from different periods come together in this "case-book": Ora (1997/2001) and Visitazioni (2011/ 2013). Times ... ways ... experiences intersect. Ora is a single stream of sounds and silences of 120 minutes. It can be "healed" (replaced) according to the feel of the listener. Its division into sections - like the same graphic score - have this unique feature. Headphone listening at a low volume is absolutely privileged. Visitazioni, referring to similar principles but changing the ways…
Fire Chorus
Fire Chorus is a work of “construction”. If, Bwana (alias, or, as you prefer, “personification”, of Al Margolis), presents a sound form starting from the concept of “perception”. His concept of electroacoustic music doesn’t belong to the idea of “appropriation” (which is behind the gestures of many people now working with natural, non-musical, or “other” sound sources). If, Bwana uses his raw materials as animated objects,letting them appear and disappear in his own sound structures. He creates …
Organ and Silence
File under: minimalism, conceptual sound art, organ music. A music whose talking about, as the author writes in the disc notes, 'the importance of silence in music'. This work is conceived not 'for organ' but, really, for 'organ and silence', as the silence is a founding part of it, and it's not possible to give it up. It's the tentative, as the author explain 'to permit as much silence as possible, without allowing the music to actually stop'. Tom Johnson is one of the masters of minimalism,…
A tribute
From the liner notes of Eric Salzman: “John Cage wrote for keyboards throughout most of his life. Most famously, he invented the so-called "prepared piano" but he also wrote for unprepared piano in both traditional and untraditional ways. His later piano works employ an almost ferocious complication and virtuosity at the outer limits of performer possibility. Earlier he used electronic extensions, chance and performer collaboration in complex ways. His early keyboard music was written for himsel…
Hora Harmonica
"Hora Harmonica," realized in 1983 at the Pietro Grossi S 2F M (Studio di fonologia musicale di Firenze), is not a proper piece of music, but conceptual art inspired by the physics of sound. Albert Mayr proposes a harmonic clock, a model of non-linear time.. “When we slow down a sound many times, all the way below 15 cps approximately, we perceive as a series of discrete pulses. In a physical sense it remains a sound, but not for human perception. Try now to imagine an extremely slow 'sound' whe…