We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Blume

After Being In Holland For Two Years
The music you are about to hear defies categorisation. Peter Cusack’s debut long player from 1977 is a peak into one of the most varied and experimental musical scrapbooks you are likely to hear. Infused with natural sounds and a healthy dose of musical abstraction, it is difficult to pigeonhole this record into any genre. It is the kind of record you wished existed while nothing really came close to the mark. A solo album of guitar and environmental sounds, a montage filled with montages where …
Movimenti Lunari
Alessandra Novaga delivers a stunning new LP album, a compelling investigation of her resonantly spacious guitar playing, which dismantles the instrument’s unique properties through relentlessness. Movimenti Lunari speaks of the relentlessness of natural forces. Something that seems to have no development, but instead advances inexorably. A form developing out of a memory progressively coming into focus; never still, constantly pulsating and vibrating with new elements. Beyond any rational, anal…
Real Time
Reinhold Friedl and Dirk Dresselhaus come from really different backgrounds: Dirk Dresselhaus has released several experimental-electronic freak-pop recordings as Schneider TM since the late '90s. He started making music in the late '80s and developed his personal approach to sound and structure as an autodidact, starting with guitar effect devices and four-track home-recording. Reinhold Friedl studied mathematics and music, won scholarships and international commissions, and built up the ensemb…
Hemispheres
Going back to his early musical inspirations in the early seventies, Werner Durand was fascinated with the multiple saxophone sounds coming from Terry Riley's Poppy Nogood and Happy Ending, Dickie Landry's Fifteen Saxophones and Ariel Kalma's Reternelle. His particpation in the Parisian saxophone ensemble Urban Sax in 1976/77 became a starting point for his own musical endeavours. The 2 saxophone pieces presented here were composed and recorded roughly 10 years apart and document his move from f…
1 2