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Original 1977 Japanese LP on Columbia with the monumental symphonic suite of the music composed for the anime TV series "Space Battleship Yamato". With insert and obi.
Original 1978 Japanese LP on Columbia with music and dialogue from the anime TV series "Space Battleship Yamato". Never re-issued on either LP or CD. Gatefold sleeve with glued-in insert.
Beautiful 1978 Japanese double-album on Columbia with story and music excerpts from the 1978 anime film "Farewell to Space Battleship Yamato". Never re-issued on either LP or CD. Gatefold sleeve with glued-in insert and obi.
Original Japanese edition with different cover of the 1960 album with lush instrumental orchestral versions of classic Italian and French songs. Glamour cover.
1968 album on Columbia with mood jazz cover renditions of Japanese pop hits by the celebrated saxophone player backed by the label's in-house orchestra. Glamour cover, with obi.
1996 release (light wear) **
1965: Conrad Rooks commissions Ornette Coleman to score his film Chappaqua, then declines to use the music - reportedly because it was too beautiful and would overwhelm the images, which may be the most flattering rejection in the history of commissioned art. The unused score, with Pharoah Sanders in the ensemble and orchestral textures surrounding the trio, became this sprawling four-part suite: Ornette at his most expansive, the alto soaring and grieving over mass…
1992 release (light wear) ** The 1957 Columbia session with a split personality, and both halves are excellent. One side belongs to the Art Blakey Percussion Ensemble - Art Blakey surrounded by Latin percussion masters, exploring African and Afro-Cuban drumming in extended, ritualistic pieces years before such projects became fashionable. The other side is a hard-swinging Messengers date, business as usual at the highest level. Blakey's lifelong fascination with the drum as a global instrument, …
1980 US re-issue on Columbia's "Contemporary Masters Series" with different title and cover of the 1961 album featuring Coleman Hawkins and Julian Priester.
Great 1972 double album on Columbia of expermental electronic ambient music fusing field recordings and Moog by the composer previously know for the landmark switched-on renditions of classical masterworks.
On Live at the It Club, Thelonious Monk and his classic quartet - Charlie Rouse, Larry Gales and Ben Riley - burn through two nights of Los Angeles brilliance in 1964, turning familiar originals and standards into angular, swinging explorations now fully restored in a complete edition.