★CS Record
The World Of Shuko Mizuno
"This is a live recording of "Shuko Mizuno's World Evening" on the fourth day of "5 Days In Jazz 1976", which made the genius Shuko Mizuno known to the world. The massive, fast-paced jazz-rock piece "Concentration" and "Jazz Orchestra '75 Part II" are breathtaking performances. Katsumi Watanabe's superb solo is also noteworthy!" - Koki Hanawa
Ode To Birds
"Hideto Kanai's first album is fairly hit-or-miss free jazz, but here he's in full-blown Black Saint and the Sinner Lady mode. There are twenty three musicians on this album (twenty three!), and while the undercurrent of free jazz is still running through, it's much closer to experimental big band or avant-garde jazz. And it's extremely compelling. Two side-long pieces, both of which go in and out of being quite elaborate and being complete chaos. There's some unusual and dissonant guitar and sy…
Yokohama Concert
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Air
Reissue of the Japanese group Air featuring percussionist Yuji Imamura. Seems like half split between moderate Jazz Rock with monster improvised parts and outlandish Avant Jazz with strong percussion minimalism and tribal rhythms, the instrumental arsenal is huge and promising (various strings, winds, keyboards, electronic equipements). Two side long instrumental tracks, the material is mostly based on individual soloing depending on each musician.
Misty
*2022 stock* Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui on bass and Tetsujiro Obara on drums. The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Ta…
Orang-Utan
Bassist Isao Suzuki's popularity shot up to stratosphere with the release of Blow Up from the Three Blind Mice label. By the time he recorded this, fourth album for the label, he was actually the winner of the Swing Journal Readers' Poll. And this rather strangely titled album doesn't disappoint.Suzuki had a knack for surrounding himself with superb musicians and playing brilliant, groovy music that is firmly rooted in the jazz tradition. This time, he picked as the all-important horn player Ken…
Ginparis Session
For the better part of the 50s and 60s, Masayuki Takayanagi was among Japan's best-respected jazz guitarists. But it wasn't until his experiments with tabletop guitar led him down the seductive path of sonic experimentation that he became the stuff of legend. “Ginparis” (literally translated as Silver Paris) was known as the chanson cafe in Tokyo, Ginza, and the performances often centred around chansons but eventually became the session venue for young jazz musicians. They left their mark on a…
Lonely Woman
*2022 stock* Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz, leading a group called New Direction, among others. Ever a fighting spirit, in 1982, shortly after recovering from a life-threatening medical condition and surgery, Takayanagi decided to take on a challenging task for any guitarist: To record an entire solo …