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One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects. Born in Tokyo, in 1941, Masahiko Satoh's earli…
"A largely unsung classic, originally released in 1969, and featuring the most purist of all the followers of Cool School guru Lennie Tristano's ascetically linear method of jazz improvising. West Coast saxophonist Warne Marsh (like all the Tristanoites) liked staying in a narrow dynamic range, but within it he could perform miracles of melodic invention and rhythmic audacity – though almost always performing the latter over a metronomically steady drummer's groove" - John Fordham
French jazz library LP with female voices and drum breaks, originally released in 1972 on Mondiophone. Stunning composition and wonderfully recorded, this dark, aggressive jazz orchestral vibes, flitting perfectly between the abstract and the structured. Essential. 180 gram LP.
Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his sixth studio release Stone Flower is an absolute classic. The album is emblematic of '70s bossa with its seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and…
Tip! A superb and under-recognized recording, Crisis is one-third of a trilogy of extraordinary albums -- the others being Broken Shadows and Science Fiction -- by Ornette Coleman's small groups of the late '60s and early '70s. A rendition of the piece "Broken Shadows" itself, a dirge of astonishing beauty second only to his "Lonely Woman," opens the live performance and offers solos of deep and poignant probity from Coleman and tenorist Dewey Redman, whose earthy growled tones counterbalanced t…
She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…
Back in print by popular demand ! The expressive English pianist Mike Taylor recorded a couple of excellent albums in the mid-1960s, at the request of Denis Preston of Lansdowne Studios, before drug use got the better of him, resulting in a long period of homelessness and a tragically early death from drowning at the age of 30, in 1970. Trio, the only album Taylor cut with the jazz trio he fronted, has strikingly original renditions of jazz standards such as “Stella By Starlight” and “The End Of…
Endless Happiness presents Kulu Sè Mama by John Coltrane. Reissue for this classic album from '67 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself as the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."
Endless Happiness presents Love Songs by The Mike Westbrook Concert Band. Highly sought-after British Jazz-Rock with some vocals thrown in by Norma Winstone. Love Songs was recorded at Tangerine Studios, 1970, and it is sorefreshing, choral and utterly distinctive with a staggeringly good group ofmusicians led by Westbrook and Surman. A mix of the melodic and the wistful, backed by a groovy beat, reissue now available for this classic masterpiece.
Long awaited reissue for Terry Riley's 1966 debut album, and one of the greatest pieces of minimal music ever created on Philip Ornstein’s iconic MassArt imprint, which also brought us Max Neuhaus & John Cage’s Fontana Mix-Feed and Allan Kaprow’s How to Make a Happening, is among the most sought after in Terry Riley vast discography. It is also the first recordings Riley made using his two personal Revox reel-to-reel tape machines (or "Time Lag Accumulators") later heard on his groundbreaking re…
Ornette Coleman's most controversial album back on vinyl. Originally from 1966, 'The empty foxhole' also marking the recording debut of his son Denardo, who was ten years of age at the time of the recording. " Ornette Coleman's brief tenure at Blue Note was neither as seminal as his Atlantic output nor as brazenly ambitious as his early-'70s work for Columbia and later with Prime Time. Still, the period did produce some quality music, and The Empty Foxhole is one of his most intriguing efforts. …