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Fundacja Słuchaj! presents Unmoved Mover, a solo album by Vasco Trilla. All music by Vasco Trilla. Recorded on 30/06/2020 by El Pricto at T.U.R.F, Barcelona. Mixed and Mastered by El Pricto. Photo by Arvydas Gudas. Graphic Design: Zuza Ustjan. Executive Producer: Maciej Karłowski.
"Vasco Trilla is a masterful visionary sonic alchemist, a sound painter of subtlety and grace. His work has a great capacity for stillness and space, qualities both rare and much needed in these chaotic overstimulated …
Fundacja Słuchaj! presents Room of the Present by Guillermo Gregorio, Damon Smith and Jerome Bryerton. Recorded by Todd Carter, Experimental Sound Studio, Chicago 2007 & 2008. Mixed & mastered by Ryan Edwards. "Madipiece 1," "Madipiece 2," "Coplanar 1+2," "Moholy 2," and "Otra Musica 4b." by Guillermo Gregroio, Copyright Guillermo Gregorio "Cards" by Roscoe Mitchell Art Ensemble Of Chicago Publishing Co. Ascap.
This album is structured around two performances of Guillermo Gregorio’s graphic scor…
Fundacja Słuchaj! presents Bosque de Niebla (2CD) by Lucia Martínez, Agustí Fernández and Barry Guy. Recorded: July 9th, 2019 at Rosazul Estudi, Barcelona, Spain. Recording, mixing, and mastering: Ferran Conangla. Photo: Mario Burbano. Liner Note: Lucía Martínez. Liner Note translation: Sarah Claman. Graphic design: Semafor. Executive Producer: Maciej Karłowski. Produced by Lucía Martínez for Fundacja Słuchaj. Barry Guy plays exclusively on Thomastik Springs + logo. Music by Lucía Martínez, Agus…
Fundacja Słuchaj! presents Remedy by Thomas Heberer, Joe Fonda and Joe Hertenstein. Recorded August 26, 2020, by Tom Tedesco, Tedesco Studios, Paramus, NJ. Mixed & mastered January 2021 by Jon Rosenberg, Brooklyn, NY. Photo: Kind Bystander. Graphic Design: Semafor. Executive Producer: Maciej Karłowski. Special thanks to Maciej Karłowski, Jon Rosenberg, Tom Tedesco. Extra special thanks to Daisy Payero, Ilse Pfeifer, Robin Rusch.
Thomas Heberer - trumpetJoe Fonda - bass, flute (track 7)Joe Herten…
Fundacja Słuchaj! presents Move in Moers by In Moers. Live concert recorded by Moers Festival 8th June 2019. Sound engineer: Thomas Block. Mixing/mastering: Patrick Römer, Unisono Studio – Berlin. All music by Achim Kaufmann (GEMA), Dag Magnus Narvesen (TONO), Adam Pultz Melbye (KODA), Emilio Gordoa, Harri Sjöström (GEMA). Cover photo: painting by Thomas Nyqvist. Group Photo: Miriam Juschkat. Cover design: Zuza Ustjan. Produced by Harri Sjöström & Maciej Karłowski in co-op. Executive Producer: …
Fundacja Słuchaj! presents Tempranillo by Evan Parker & Agusti Fernandez. Recorded on November 24th, 1995 at Estudi 84, Barcelona (Spain). Recording and mixing engineer: David Casamitjana. All music by Evan Parker and Agustí Fernández. Piano tuning: Xavier Clascà. Original mastering: Coque Vázquez. New mastering: Ferran Conangla. Liner notes: Miquel Jurado. English version: Oriol Rogent. Photos: Sònia Balcells. Cover art: Zuza Ustjan. Recording produced by Agustí Fernández. Original CD released …
Fundacja Sluchaj! presents Warszawa 2019 by Evan Parker Electro-Acoustic Ensemble. Recorded live on 12 of October 2019 at 14th Ad Libitum Festival, Laboratorium, U-Jazdowski, Wojciech Krukowski Hall, Warsaw by Kuba Sosulski. Mixed by Evan Parker with Fil Gomes at Arcobarco, Ramsgate, UK. Mastering by Grzegorz Piwkowski (High End Audio). Photos: Piotr Gruchała. Liner notes: Stuart Broomer. Cover Design: Zuza Ustjan. Executive Producer: Maciej Karłowski.
The ElectroAcoustic Ensemble was formed in…
Fundacja Słuchaj! presents Known / Unknown by Paul Lytton and Nate Wooley. Recorded January 2018 in Dusseldorf, Germany. Engineered and Mixed/Mastered by Bojan Vuletic. Special Thanks to Bojan and Maciej. All Music by Paul Lytton (GEMA) and Nate Wooley (fourwordseamusic BMI). Paul Lytton photo by Gerald Schauder. Nate Wooley photo Frank Schneeman. Graphic Design: Małgorzata Lipińska. Executive Producer: Maciej Karłowski.
It had been awhile since we'd made a real studio recording in which I cou…
Nate Wooley and Torben Snekkestad recorded live at "KoncertKirken – Blågårds Plads" in Copenhagen, July 5, 2015. The result is an astonishingly focused music, which transfers listeners
into a completely different world and different order of things,
enclosed in sounds played with great care, as if each of them was so
fragile that any inattention could destroy its structure
Last year Maciej Karlowski invited me to participate in the Ad Libitum Festival and perform four different concerts to celebrate my 60th birthday. From among the many projects I have been a part of, he chose three: The Aurora trio, which had been performing regularly for over ten years and has released four CDs; the piano solo El Laberint de la Memòria; and the Thunder trio, which was a world première. The fourth concert was an invitation to play and conduct a group of Polish musicians who had t…
The second album of Zakrocki & Olak is even better than the first one. The reason is simple: it is recorded with Agustí Fernández, whose inside piano effects enrich the general sound of the ensemble.
The City of Gardens is an album that is a natural consequence of the artistic initiative "Contemporary Sonus", initiated by RGG in 2015. It is an idea, within which a completely new musical story was created, composed and dedicated to performers with a specific approach to improvisation. Artistic agreement and a friendly bond between the members of the quintet was a key deciding factor of the character and emotional charge, flowing directly from the creation of sound. The Contemporary Sonus of o…
"Play me your music – said Ravi Coltrane years ago, to the Polish participants of the SIM workshop. What does "your music” mean? Is it the music you love, the music desire to play, the one you study thoroughly or the one you've been listening to as a child and it awakened your imagination for the first time? Or perhaps, the one considered our roots music for historical and traditional reasons? How can we meet the criterion of "ourness” and how can we determine which music is more „our” than othe…
It is very common today to see musicians from diverse musical and cultural backgrounds converging at some geographical point to improvise together. Collective improvisation is an interactive art. The responses among the improvisers are individual and subjective, but the whole result implies a kind of inter-subjectivity. Subjectivities are historical and embodied. They are configured through successive experiences within concrete contexts and are embodied in the sense that subjectivity can’t exis…
"Tools Of Imagination is one of the newest albums, recently released by Fundacja Sluchaj. The music was recorded by great duo – Evan Parker (tenor saxophone) and Eddie Prevost (drums, percussion). Both musicians are great famous jazz masters. Their improvisations always are played with passion and have expressive, live and bright musical language. The music is based on avant-garde jazz and free improvisations. Musicians like to improvise spontaneously – they are the masters of creative, colorful…
"Torben Snekkestad and Barry Guy first worked together on 2015’s impressive Slip, Slide and Collide - that recording, with its labyrinthine improvisations and near-feverish eruptions, proved the duo to be fiercely attuned to one another. Now, on Louisiana Variations, another voice is drawn into the fold - that of Spanish pianist Agustí Fernández, a long-time collaborator with Barry Guy and an excellent composer/improviser in his own right. On this release, the trio lose none of the intensity pre…
The jazz violin tradition in Poland is dominated by two Giants: Michał Urbaniak, who pioneered highly non-trivial use of electric violin in fusion music of 1970s and Zbigniew Seifert, who combined free and modal jazz à la Coltrane with fusion. Amazingly, this tradition is present even today, listen to the winners of the first two Seifert Competitions: Bartosz Dworak or Mateusz Smoczyński. An exception that support this rule is Adam Bałdych, who records for the ACT label and whose music has a Sca…
Note from Barry Guy: Zlatko Kaučič invited Maya Homburger and myself to perform a concert in Ljubljana. This meeting (2016) proved to be convivial and communicative on many levels. Other than making music we discussed our individual situations and general views including the many pressing events that continue to accumulate in the world. Zlatko himself lives close to one of the “corridors” where displaced refugees make their agonisingly slow walk to a more hopeful future. It is to these people t…
The concert and Agustí Fernández’s 60th birthday, celebrated in a quite extraordinary way, was possible due the generous support of the 2015 GREC Festival de Barcelona. The personnel is completely different from the Polish recording, and so is the music. Despite the presence of the explosive Mats and super-abstract Joe, Agustí’s music carries certain "kindness", lyricism and melancholy in the freely improvised parts. Despite the truly abstract nature, there are also certain similarities (in the …
"On June 15th 2016 the website jazzarium.pl celebrated its fifth anniversary. It wasn't turning 18, but in the virtual reality time flows a bit differently, you count it not the same way as outside the Internet. On such occasion we wanted to hear music that was unheard before. Music, that gives you no chance to prepare for or to anticipate its perception; music that is full of risk on one hand, and that can open new horizons for both listeners and musicians on the other.Therefore, we decided to …