★INA - GRM
Sphæra
In Daniel Teruggi's own words: Between 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously bel…
Musica Mundana / L'Estran
'Musica Mundana': Mixed, fusion and root music, work on 'harmonisation' of various music and vocals. A genuine alchemy! 'L'Estran': What a beautiful metaphor is this piece of coastline. It conveys an impression of in-between, uncertainty, contraries. After studying music in the French National Music School, a decisive encounter with Ivo Malec, Guy Reibel, Jacques Lejeune and Jean Schwarz at the GRM will introduce him to electroacoustic music which he will afterwards focus on. He has composed aro…
Hinterland
Carlos Roque Alsina is an Argentinean-born composer who tends to mix acoustic and taped sounds together in a manner that evokes natural sounds to some degree, something of a more programmatically inclined Iannis Xenakis. The title piece combines piano and percussion with taped sounds that often possess an organ-like quality. While the acoustic instruments dance around each other in intricate patterns, the tape heaves and respires ominously, depicting the sort of backcountry that's unsettling in …
La creation du monde (1982-84)
This is a sprawling, ambitious painting in sound modeled on the birth of the universe. Moving from roiling, gaseous clouds of hiss and static through sharp peels of detailed, unrestrained texture, this is acousmatic music at its very finest, literally creating a universe of sound out of thin air. (AMG)
De natura sonorum
Classic 1975 recording of mostly quiet, resonating electronic sounds. "With the music of Bernard Parmegiani something in us is freed and comes out of passivity. This thing, which I know now was blocked without my knowing where, is the buzzing and Time within the flesh -- a humming of millions of closed mouths between the cells. What is the murmur made up of? The body develops a tongue in listening to this music, and there is within it great movement of the sound material... it is music that make…
Sonare
One 25 minute piece, from 1996. A State/CIRM commissioned work. A dreamy five-movement suite that deals with the encounter and metamorphosis of natural sounds and synthetic sounds. Bernard Parmegiani wrote about this piece "There is already music... of an Italian an character in this title! Sonare: l love this word because it is Italian and because upon hearing it, music simply springs forth from within it. For each of the 5 movements, I have chosen a pseudo-instrumental or synthesis sound whic…
Plain-temps
2006 release, presenting 3 versions of "Plain-Temps". Classic new work from the most important INA GRM composer. The first part of the suite, "Le Present Compose" is from 1991, recorded here in 2006. "The second part is "Entre-Temps" from 1992. "The gradual slowing down of the tick-tock sound of a penduluum with which the this piece opens provides us with not only the most symbolic but also the most illusory image of the passing of time. This is followed by by a constantly changing continuum, ap…
L'oeil Ecoute
An awesome Parmegiani release, featuring: "L'oeil Ecoute" (1970), "La Roue Ferris" (1971), "Especes d'espace" (2002-2003). "Excepting some mixed pieces, his work as a whole takes the form of music for 'fixed sound', coming within the scope of the immense repertoire of electro-acoustic music. In 1971, he made a video film based on the music in 'L'Oeil ecoute', featuring visual imagery processed through a synthesiser. We only need listen to the opening of 'L'Oeil ecoute', a sustained swirl and flu…
La memoire des Sons
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
Violostries
Finally reissued, with new artwork; this has been the most in-demand electroacoustic CD for the past few years. Bernard Parmegiani is one the electroacoustic superstars of the INA GRM universe, and along with various Francois Bayle titles this is a great place to start with the label. This amazing double CD is broken up into 2 parts: the first disc consists of old-style tape-splicing electroacoustic material, dating from 1963 to 1976 ("Violostries," "Pour en Finir avec le Pourvoir d'Orphee" & "D…
Thrène
Three electroacoustic compositions from André Boucourechliev (1925 - 1997) : 'Thrène' (1973-74). 'Texte I' (1958). 'Texte II' (1959). And 'Concerto pour piano et orchestre' (1977).