★Philips
A Tábua De Esmeralda
Searing samba soul from Jorge Ben – one of his best-remembered albums of the 70s, and for good reason too! The album's got a slightly fuller feel than some of Ben's other work of the time – never slick, but with backings balanced nicely against his own raspy vocals and acoustic guitar – sweetening things up with a bit of the strings you'd find on Forca Bruta, but with a hint of the soul to come on Africa Brasil! The balance is great – thanks to arrangers Osmar Milito, Darcy De Paulo, and Hugo Be…
La Banda Del Sole (LP)
500 numbered copies Remastered from the original tapes. Orange Vinyl During the 1970s, Italy was one of the most exciting and fascinating musical contexts in Europe, birthing seminal projects and artists like Franco Battiato, Aktuala, Lino 'Capra ' Vaccina, Giusto Pio, Roberto Cacciapaglia, Futuro Antico, and so many more. Defining the scene was an ethos that rigorously pursued creative freedom and experimentation, with its artists fluidly moving between popular music - rock, prog, jazz, etc. -…
Getatchew Mekuria And His Saxophone
Getatchew Mekurya is probably the most revered veteran of Ethiopian saxophone. A real giant, both physically and musically. Not only is he at the very top level of Ethiopian saxophonists, but he is the 'inventor' of an extremely distinctive musical 'style.'
Messe pour le temps present
Terrific LP re-issue: in the sixties Pierre Henry and Michel Colombier composed "Messe pour le temps present" as a ballet for Maurice Brejart. Colombier was a musical polyglot, he was astoundingly prolific and comes across as the consummate musical professional. Henry, of course, was something else entirely; his background was experimental, electro-acoustic and concrete music. Psyché Rock is the best of both worlds. Written for the ballet Messe pour le temps présent in 1967, it's since gon…
Ceremony
LP Reissue of this controversial conept album from 1969. "There are some albums out there that completely defy genre categorization. But every once in a blue moon, an album comes along that manages to completely defy all rational explanation. This would be one of those albums. Spooky Tooth was one of the heavier hard rock acts of its day, driven by Gary Wright (later of 'Dream Weaver' fame) and Mike Harrison's dual, bluesy wails set against Luther Grosvenor's searing guitar leads. One day…