★ReR Megacorp
Downtime
The first release by the Blegvad Trio (Peter Blegvad, John Greaves, Chris Cutler). Compiled over two years without the pressure of Peter's major label releases, giving time for the songs and for Peter's singing to speak for themselves. Widely dive…
Sift
"Blast's second release on the Recommended label after a long wait from this unique ensemble. Equally at home with the discipline of composition and the tightrope of improvisation Blast have evolved a fluid, pointillistic, unfathomable but transpa…
Funnel to a Thread
Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of qu…
Cape Flyaway
After 5 years of extensive and careful work, the new and much anticipated CD by this extraordinary collective, who have no parallels, no rivals and no peers, is at last complete. It’s a dense and indescribable orchestration of electric and acousti…
Hopes And Fears
The first Art Bears LP, mostly made by the band formerly known as Henry Cow and completed by Fred Frith, Chris Cutler and Dagmar Krause who went on, as '[Art Bears', to investigate this short song format further over the next two years, once Henry…
Winter Songs
A reissue of the brilliant second album by Art Bears, a band/project featuring Fred Frith, Chris Cutler and Dagmar Krause, formed in 1978 after disputes over the musical direction within Henry Cow. 'Winter Songs', originally released in 1979, placed …
Tessuti
The latest from Paulo on which he plays compositions by Fred Frith and Bjork - solo (though when you hear it, you definitely won't believe it) on his highly customised and extended, electrified, giant Sardinian guitar. A tour de force of technique…
Itsunomanika
Paolo Angeli and ex-After Dinner/Volapuk violinist/singer Takumi Fukushima present an integrated, complex and largely composed programme of deft, focused pieces that make the most of their not inconsiderable individual talents and instruments; mostly…
Bucato
Extraordinary player - extraordinary instrument. Paulo plays a highly modified and treated Sardinian Guitar - in many styles, some of them apparently impossible. Innovative techniques, a deeply musical sensibility and a rich, occasionally baffling…
NITA. L'Angelo sul Trapezio
This could hardly be more different from his first ReR CD- the extraordinary collection of solo prepared Sardinian Guitar pieces. Here, with a small orchestra of musicians (30 of Bologna's finest), is a programme of highly evolved, through compos…
Tibi
This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests)…
S'Û
An amazing record. It’s beautifully recorded and almost impossible to believe that such a layered and polyphonic music, with chords, percussion, lead lines, bass lines, harmonies, string sections and sometimes voice could all be produced by one perso…
Crashing Icons
Based in Miami, this is a very interesting American band, ploughing its own furrow - whose accent is what they call 'prog' over there, but whose language is more complex by far. Pip Pyle adds a seasoned sophistication - in fact I think this is a g…
Crisis In Clay
Second Installment from monster band 5UU's, featuring rock complexity, extraordinary production (by bassist and singer Bob Drake) and high energy precision mixed with eccentric song-writing. People that work this hard are becoming an endangered sp…
A Face We All Know
'A Face We All Know' breaks new ground altogether. This is a single work with texts by Chris Cutler, Rainald Geotz and Thomas Pynchon and documents the last days of a political nightmare. Start here with Cassiber.
Field Days (The Amanda Loops)
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and lan…
Propaganda
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood i…
Impur
"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France. He roped in as many of the students as he could, grouped according to their departments (early music, rock, African dr…
Impur II
Essentially a pretty great concert by a large 19 strong ensemble with Fred conducting as well as playing. Lots of rhythm, harmony, rock noise, exotic instrumentation, power, complexity and melodic writing, with stretches of chaos, eccentricity and…
Nowhere Sideshow Thin Air
This is Frith's sixth CD of music for dance, featuring three commissions by three different choreographers each sharing, as Fred says ' a certain obsession with melodic deconstruction.' Two of them feature - and were especially written for - the r…