Biota
Funnel to a Thread
LabelReR MegacorpGenreComposition
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Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of quasi-familiar musical languages and sounds – or none - and use instrumental resources that span half a millennium and two thirds of the planet to create unique combinations of timbral colour in constant motion; this is a music in which everything is in flux, constantly dissolving and reforming and mutating while, from a distance, there is calm.
It’s a music in which movement and stasis share a single endless moment. And although we arrive nowhere, the path beguiles, both familiar and strange and – on this record – strangely comforting. As always it’s meticulously recorded, with layer on layer of subtle processing and mixing. Like all their earlier releases Funnel has been some five years in the making. You can hear why. Comes in a lavish package with copious artwork by the Biota/Mnemonist collective.
Format
Packaged in a Digipak with an illustrated 28-page booklet that includes artwork, credits, release information, and tracklist.
Recorded, mixed, edited, mastered: Dys Studio (Bellvue, Colorado) between Fall 2012 & Summer 2014
Hammond, accordion, autoharp, & kaen recorded at Nashville, Indiana
Rhodes, trumpet, & flutes recorded at Fort Collins, Colorado
Made in USA
Release notes
Packaged in a Digipak with an illustrated 28-page booklet that includes artwork, credits, release information, and tracklist. Recorded, mixed, edited, mastered: Dys Studio (Bellvue, Colorado) between Fall 2012 & Summer 2014 Hammond, accordion, autoharp, & kaen recorded at Nashville, Indiana Rhodes, trumpet, & flutes recorded at Fort Collins, Colorado Made in USA
| 1 | Falling In Wood | 3:07 | |
| 2 | Receptor | 1:29 | |
| 3 | Double Unfound | 1:27 | |
| 4 | Hearsay | 4:03 | |
| 5 | Half Dwelling | 3:04 | |
| 6 | Shed | 1:34 | |
| 7 | Misnoticed | 3:29 | |
| 8 | Understory | 2:34 | |
| 9 | Numberless Years | 3:28 | |
| 10 | A Dozen Moons | 3:15 | |
| 11 | Winder | 2:42 | |
| 12 | Not A Single Thing | 4:03 | |
| 13 | More Than Say | 1:34 | |
| 14 | Take Warning | 4:15 | |
| 15 | The Land Away | 3:39 | |
| 16 | Whirl Round | 1:33 | |
| 17 | Hand Nor Glove | 1:40 | |
| 18 | High Painted Streets | 1:13 | |
| 19 | Till Time And Times | 5:01 | |
| 20 | Usually The Guesser | 2:20 | |
| 21 | Choosehow | 1:35 |
- Mnemonists
- Artwork By [Paintings/Drawings/Photographs]
- Larry Wilson
- Drums [Kit], Percussion, Percussion [Ranat], Xylophone
- Tom Katsimpalis
- Electric Guitar, Guitar [Nylon], Twelve-String Guitar, Bass [Crown], Keyboards [Clavioline], Zither, Graphic Design
- Randy Miotke
- Electric Piano [Rhodes], Flute [Flutes], Recorded By [Rhodes, Trumpet, Flutes], Trumpet (13, 19)
- William Sharp
- Graphic Design, Mixed By [Mix], Edited By [Editing], Electronics [Electronic Processing], Engineer
- Mark Piersel
- Guitar [Resophonic], Edited By [Editing]
- Randy Yeates
- Keyboards [Biomellodrone], Effects [Roland Space Echo]
- Gordon Whitlow
- Organ [Hammond Electric, Estey Pump], Accordion, Khene [Kaen], Autoharp, Recorded By [Hammond, Accordion, Autoharp, Kaen]
- James Gardner
- Performer [Kim], Trumpet (2, 9, 21)
- Charles O'Meara
- Piano
- Biota
- Producer [Production], Arranged By [Arrangements], Mixed By [Mixdown], Composed By, Arranged By
- David Zekman
- Violin, Mandolin, Banjo [Banjolin]
- Kristianne Gale
- Voice, Strumstick
- Trad.
- Words By (4, 8, 13, 14, 16, 17, 19, 21)





















































