★Room40
A field for mixing
'Richard Chartier's monochromatic aesthetic has come to define an audio culture surrounding minimalism. His craftsmanship, working predominately with sounds that exist at the edges of perception is a powerful, albeit subtle statement about notions of space and sound density. With A Field For Mixing', chartier brings the physicality of space directly into his compositional practise. Recording a variety of small and large spaces in Australia, Japan and the USA (amongst other locations), chartier …
May
May is the latest collaboration between New York composers Taylor Deupree and Kenneth Kirschner. Recorded on May 9, 2008 at the OFFF Festival in Lisbon, Portugal, the album represents the first available live recording of Deupree and Kirschner's concert performances. Continuing in the direction of their acclaimed post_piano series, Deupree and Kirschner's live work explores the intersection between piano and digital music technology. For this performance, Deupree and Kirschner took an even more …
47 songs humans shouldn't sing
Eugene Carchesio's renown as a visual artist has unjustly eclipsed his extraordinary output as a soundmaker. Since the mid 80s, the Brisbane artist has steadfastly proliferated a sack full of barely released cassettes and cdrs under the D.N.E. moniker.Twenty years ago, he emptied his wallet to press 250 copies of the appropriately titled LP 47 Songs Humans Shouldn't Sing'. Then compact discs arrived. The local pressing plant closed and the master tape went with it. Copies were circulated to frie…
Painting Sky Together
Wroclaw based sound artist Tomasz Bednarczyk has a penchant for capturing the emotion in moments of stasis. It's this acute sense of expanding fleeting moments and exploring their detail that informs the sonic palette of his latest full length recording Painting Sky Together. Akin to his acclaimed debut edition 'Summer Feelings' (Room40), which elegantly documented a uniquely Polish experience of summer replete with distantly warm bursts of piano, and crisp glitch ridden pulses, Painting Sky Tog…
Basis
'Basis' is based on recordings of acoustic instruments. All sounds were processed and layered into compositions by Steinbrüchel. Through this processing Steinbrüchel revealed hidden structures and melodies and isolated them, creating new melodic and organic textures without losing the soul of the original. These seven tracks reveal a new side in his music. Tonal harmonics have never before played such an important role and each track contains layers of subtle shifting and interweaving melodies, …
Revers ouest*
"This is the story of a man marked by an image of his childhood… Or perhaps is it the story of this woman coming here to meet a beloved stranger, at the Grange-Auloup street ? or maybe their story ?" Sébastien Roux. Revers Ouest* is a radiophonic work based on text fragments drawing a futuristic and mental description of the Nantes city. It’s an isolated utopist vision of architecture, buildings made like concrete waves. The texts are read by two actors, whose voices are used as a musical materi…
Stéme
Between his reputation as swift shifting improviser, concréte composer and turntable deconstructionist, Marseilles based artist ERIKM has earned himself an enviable position in the European music community. With Stéme, his most ambitious and fully realised compositional work to date, he devolves and recontextualises the boundaries between sound source and sound media. In essence, Stème originates from a selection of ten one minute long sound pieces burned on a CD which was deliberately damaged. …
11 Easy Pieces
Since 1995, Brisbane resident Leighton Craig has etched out a varied musical existence, from solo keyboard studies to an extensive body of collaborative work. His solo works, which span delicate ambient keyboard excursions through to site specific live documents and most recently song based explorations, have mapped out a focus of tone, duration and 'situations' for sound. On 11 Easy Pieces, his first widely available solo LP, Craig offers an intimate yet robust collection of works recorded on a…
Audible Geography
Geography is an ongoing force shaping our understandings of the environments around us and, in turn, experiences ongoing transformation and development. Considering not only the natural world, but also culture, economy and politics in diverse settings and across many scales, contemporary geography acts as a glue - integrating disparate research streams and continuing to provide insights into our relations with space and place. On Audible Geography, 11 sound artists were asked to consider the sco…
Rhythmic Movement Disorder
Robbie Avenaim's RMD has been a long time in the making. His debut solo release to surface in a career that stretches back to the late 1980s, collects together the better part of a decade's worth of experimentation with the possibilities of prepared percussion, irregular rhythm, modulated pulse and low-tech electronics. Avenaim is perhaps best known for his improvised collaborations alongside the likes of Otomo Yoshihide, Oren Ambarchi (with whom he released the transcendental 'Clockwork') and K…
Substation
Apart from being recognised as two of Australia's leading improvising musical forces, Clayton Thomas and Robin Fox are also acknowledged for their unrelenting experiments and divergent acoustic approaches in relation to their instrument of choice. Over the past 3 years, Robin Fox has developed some of the most powerful live processing tools in Australia through his research with MAXMSP. Clayton Thomas on the other hand has expanded his performance styles, moving between blistering free jazz expl…
Current
Richard Chartier’s sound installation and recorded pieces evoke a state of aural awareness. Working with a variety of minimal structures and refined sound sources, Chartier has been responsible for some of the most austere audio works of recent years. Aesthetically refined and creatively provocative much of his work has focused on the edges of perception, both in frequency range and amplitude. On Current, his latest work to be released in conjunction with his performances in Australia and Japan …
Pech
Pech is the latest duo recording from inside pianist Reinhold Friedl and avant- percussionist Michael Vorfeld. Over the past five years, this pair of German musicians have created some of the most engaging and imaginative electro-acoustic music, exploring the potentials of subtle performance techniques and refined compositional approaches. On Pech, the duo seek to uncover the hidden and masked character of their instruments - the piano is altered via various preparations and unconventional ways …
Ku
The act of conjuring remarkable sound from found objects is at the very heart of this recording from American musicians Greg Davis and Jeph Jerman. Having met in Arizona some years back, Davis and Jerman commenced working together on a series of recording projects. Improvising with a range of implements and devices ranging from sticks, stones and lo-fi electronics to prepared instruments, gongs and broken percussion, the pair sought to develop a personal language that reflected their individual …
Wakool
Recorded over a series of four Sunday afternoons, Wakool is an interrogation into an expanded range of techniques and gestures applied to instruments including banjo, electroacoustic guitar, bandura, and eukolin. In part an antidote to laborious studio process, this project privileges live stereo recordings without additional overdubs, processing or equalization. The varied and spontaneous nature of David's effortless playing across an eclectic range of instruments was recorded transparently to …