★Rotorelief
Unusual Perversions
Unusual Perversions was the first "official" production of Pacific 231, originally released in 1984. Previously,Psychic Euthanasia was a limited edition, self-produced tape, and one of the first DIY experiments from 1981-83. After the short lived Berlinerluft, an outfit that included Axel Kyrou (from Vox Populi!) andBertrand Wolf, Pacific 231 swiftly moved away from the new wave genre toward a raw industrial sound with power electronics tonalities in-line with his influences, going from writers …
Fondements Bruitistes 2
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and social envir…
Fondements Bruitistes 1
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…
Second Empire
Limited and numbered edition of 300 copies on black vinyl in a deluxe silver cover. Bruitism, Empirism, Explosion, Process, Labor, Loss, Fracture, Abstraction, to throw, to rebuilt, to leave, to doubt, to corrupt, to wrap up, to close, to forget, to macerate, to forsake, perforate, energy, pleasure, method, existence, survival, exhibition, abstraction, History, Terror, Resistance, Construction, Progression, Music, Second Empire
Frog 2
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
Geometry Of Chromonium Skin
In 2011, Le Syndicat & Sektor 304 began to exchange sounds through internet, driven by a mutual artistic respect & the will to create a new project together. No way to make another traditional split with separate tracks by each bands. The goal was to rearrange, transform, mutate & sometimes destroy each other sounds to create real collaborative tracks where the sound and styles of the bands are efficiently melted. This process has been on work for 2 years, during 2011 & 2012. The re…
Landform Erosion
Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …
Veriti Plastici
Veriti Plastici, the third part of the first works of Vivenza, recorded and completed in 1983, represents a fundamental step in the definitive formalisation of the bruitist sonorous views. Made of very objective industrial atmospheres, this recording will be the bridge between the pure experimental approach, and the rigorous structuring of the works that will be produced later (Fondements Bruitistes - 1984, Réalités Servomécaniques - 1985, Machines - 1985, etc.).
The release of …
Modes reels collectifs
Modes réels collectifs is the first work published in 1981 under the Vivenza banner, following Jean-Marc Vivenza's time with the bands Glace (1976) and Mécanique Populaire (1979). It represents a genuine manifesto that would become emblematic of all Vivenza's subsequent work. By suggesting, from philosophical and sonic points of view, an idea of opening to the reality directly inspired from Futurist theories, Vivenza was presenting what he had brought from his relationship with machines and soun…
1000
This 45 rpm 12'' called « 1000 » is a collection of Roxy's unreleased New Wave and synth-infused tracks still signed by her oh so particular voice. Sometimes punchy, sometimes languorous and velvety, a common point all the tracks have is a strength that seems never to leave her. Also noticeable is the reprise of the mythical and mysterious synth-pop band Nine Circles, who else better than Roxy could tell us « What's There Left »?.
Whiter than white
The title Whiter than white sounds like an advert for soap. Adverts and soap are precisely what Les Belles Noïseuses blame. Or even more precisely what they represent: consumption, conformity, economic liberalism. However, don't expect to get a speech from Les Belles Noïseuses. Only feelings, emotions, dreams and nightmares are conveyed through their refined musical structure. The doom-jazz double-bass reminds the best from Mick Karn. The minimalist guitar scrapes melody to the bone, to the aton…
Deconstructing hank
I wanted to share Hank with a world that was unfamiliar with him and unable to grasp the despair, hurt and loneliness that he lived, unable to absorb the words or the sentiment, unable to hear the words, “Like a piece of driftwood on the sea, may you never be alone like me”. I asked Derek Rush if he would be interested in doing Hank Williams songs with me, he put them in a minor key and arranged them while I re-interpreted the melody and sang the words of Hank Williams, adding my g…
When the May Rain Comes
cover of a track by Sand, whose work has had a profound affect on Tibet’s work, first appeared on Current 93’s influential album Thunder Perfect Mind. Also appearing on this 12'' is an alternate version of the same track from a CD single which accompanied the first 1,000 copies of Tibet and Stapleton’s release of material by Sand, Ultrasonic Seraphim. This 12'' is part of a series of releases from rotorelief comprised of new al…
Music for air raids V2.0
LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…
Ethnicities
Ethnicities is an electro-acoustical scope of unreleased recordings of PACIFIC 231's post-industrial period. Successive and consecutive cuts were made until he put together the concept of the album as: pluri-cultural diversity of the sounds, tropical steams, exotic journeys & electronic man-made build-up manipulations, urban dins and industrial mazes, ' Ethnicities ' is a psychedelic and unexpected patchwork from PACIFIC 231.
In memory ov John Balance and homage to Coil
CD Compact disc album, cardboard cover, limited edition. '17 french bands from the genesis of industrial, experimental, free jazz musics, for the most part unclassable underground musics, and more recent and emergent artists from the same vein, form COILECTIF. These artists explore and express, openly and without limits, what Coil's heritage suggests to them, an opportunity to make an homage to Geff Rushton aka John Balance or Jhon[n] who left us on November 13th 2004. Coilectif is also an homag…