★Shame File Music
Thylacine
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey thr…
Blindfold test
Movement, unpredictability and found sound take center stage as Clinton Green and Ernie Althoff bring together turntable constructions and hand-built kinetic instruments. Their joint work finds a magnetic middle ground between gentle percussive chaos…
Steady State
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that pro…
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
The Interstices Of These Epidemics
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued t…
Vestigial Gamelan
Tip! *100 copies limited edition* This album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been reali…
Blue Plum Bloom
*150 copies limited edition* Blue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects). The trio is an expansion of Buck (The Necks) and …
A Conduit
*100 copies limited edition* A Conduit consists of three linked works honed from Green’s recent explorations of broken Walkmans playing themselves.
Loose internal speakers from the Walkmans are positioned between the spindle and play-head. The parts …
Some Technical Drawings
*100 copies limited edition* Ross Manning is a contemporary new media artist from Brisbane, Australia. He focuses on alive instrument practises, kinetic and sound composition. He is is an obsessive creator of systems that are driven by their own logi…
Molecular Gamelan
*2022 stock* Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and…
Elliptical Gamelan
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor)…
Relativity/Only
'Relativity/Only' is Clinton Green's clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, usi…
At the Salt Museum
In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting mach…
Hootonics
MILESTONE! After being mooted for several years, the soundtrack to Arthur and Corinne Cantrill's 1970 feature-length film Harry Hooton is finally available. Features the groundbreaking music/sound created using a variety of musique concrete/tape tec…
Chromatic Mysteries: Soundtracks 1963-2009
'Chromatic Mysteries: soundtracks 1963-2009 CD by Arthur Cantrill. Arthur and Corinne Cantrill have been making stunning, innovative films for fifty years. Yet little attention has been paid to their soundtracks. Many were realised by Arthur Cantrill…
Artefacts of Australian Experimental Music: Volume II 1974-1983
2025 stock The story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringe…