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The experimental landmark Opera by FNTC returns in a remastered CD edition, nearly forty years after its original cassette release on Staalplaat in 1987. A striking document of Europe's late 80s cassette underground, Opera captures the collective at their most adventurous - merging spontaneous composition, sound collage and performance art into a single immersive experience. As a member of the Fluxus movement, Willem de Ridder brought his conceptual sensibility to the project, pushing the bounda…
Reissue of 1998 CD release originally via Solipsism
Recorded at Less Than Zero Studio and Oncosonik Laboratory Dec. 1996 - Feb. 1998.Edited Feb. 11, 1998.
Originally released as Solipsism-05, 1998Archival materials courtesy of Kyle Wright
Reissue of 1994 cassette originally on Art Konkret. A notable deviation from the earliest Macro tapes yet still building up to the sonic form of the '95 era. Last track features voice samples from Keith Brewer.
First on-record meeting of Randy Greif and long-time conspirator Alva Svoboda. A more abstract, electronically-processed work than their collaborative tracks on Golden Joy Club or Shadow Traders.
"Burning, screaming, terror assault on your ears. Hot wax on someone else's body - what more could you want? Once ya check this out, you'll never be able to save your desire for noise. More noise, roaring, raging noise. Noise!"
Deaf Lions is the recording project of T.S. Vickers who was based out of the San Francisco area. Although only active for a short period during the 1980s and early 90s, Vickers pioneered an enigmatic style of industrial / ambient utilizing early digital sampling techniques, Roland Juno compositions, and reel-to-reel tape loops.
Cassettes by Deaf Lions were self-released under the Stolen Art Productions imprint, though 1987’s “Copia” saw an official label release with Al Margolis & Sound of Pig. …
The motion and speed of a metropolis is captured on this collage-style disc. MJE sends field recordings and incidental music to Cyess Afxzs who provides further processing. 6-panel CD digipak is indexed as separate tracks and includes an additional epilogue.
Originally released in 1990 and taken from the second and third DSIP recording sessions. Surreal industrial vignettes built upon blown-out loops and electronic delirium, dated by its technology to the late 1980s yet bearing a striking resemblance to present-day plunderphonics.
Two different editions of AOM were published simultaneously by IRRE Tapes (Germany) and Audiofile Tapes (US), which included separate / unique mixes of the final track on the cassette "Chorion-Biopsie". Both mixes of the t…