New Arrivals / Last week
Eureka
2024 repress; originally released in 1999. LP version. "Jim O'Rourke is doing for himself what he's more than generously done for other so-called musical talents. Everybody wants a little pop in their lives and the O'Rourke is no exception. There is no way to listen to Eureka without hearing the eccentricity, the progressive musical textures, the utter lack of anything like pop music, but at the same time it's magnificent in scale, pleasant to listen to, catchy and even reminiscent of other reco…
Halfway to a Threeway
2024 stock. "Well, never mind--as long as people love it, here's another few sides of long-ago and far-away Jim O'Rourke back on vinyl for the first time since way back in the mid-aughties. It's the Halfway to a Threeway 12" EP back to set turntables a-spinnin'! Fans of Eureka and Insignificance (not to mention Jim's tomfoolery as part of the Loose Fur band) will appreciate the analog pressing of these four slices of the pop music party-pooper combination of folk, classic rock, smooth jazz and a…
Bad Timing
2024 Repress. LP version, originally released 1997, the first Jim O'Rourke album for Drag City. "Make no mistake, Bad Timing is not a pop album by any standards. But it is a musing on popular standards and uses much of the same instrumentation that many of our country's most popular records have. Yes, Bad Timing is a theme record, Jim O'Rourke's pop opera, just waiting for someone to come along and play with it. Based on John Fahey-esque 6-string acoustic guitar foundations, each of the three pi…
Red Hash
** 2024 Stock ** LP version with bonus 7". "1973: Connecticut native Gary Higgins and his friends record Red Hash and release it on Gary's own Nufusmoon Records. Following the release, legal issues halt all promotion and sales, rendering the small pressing of Red Hash a hotly-rumored and much sought-after 'lost' album of rock and roll lore. 2005: Drag City is honored to present the first-ever authorized reissue of Gary Higgins' acid-folk gem Red Hash -- mastered from the original master tapes wi…
Stadthalle, Sindelfingen, Germany October 8, 1964
The Miles Davis historical second quintet with Wayne Shorter - tenor sax, Herbie Hancock - piano Ron Carter, bass and Tony Williams - drums. A perfect coalition of young, creative individuals under Miles' direction. A turning point in the whole history of American Jazz. Recorded live in Germany in October 1964 this double album features hiper- adventurous renditions of classic tunes including Davis originals like "All Blues". "Milestones" and "Walking" and standards like Rollins' "Oleo" and Cole…
Musique Original De Films, Volume Deux
Habibi Funk is thrilled to share a second collection of deep grooves and unreleased songs from Algeria's Ahmed Malek, often compared to Italian heavyweight Ennio Morricone. Malek's music effortlessly switches between thematic jazz, funk, reggae and Algerian folk – creating indelible soundscapes that intersect the musical innovations made in African jazz by Mulatu Astatke, Bembeya Jazz National along with some of Europe's finest experimental composers like Piero Piccioni and Janko Nilovic. "Musiq…
A Shared Sense of Purpose
The first transmission from forthcoming Warrington-Runcorn New Town Development Plan's new album, "Your Community Hub"
Trinity
2024 stock. This is a collaborative cassette released by Japanese experimental musicians Buffalomckee & Yuki Kaneko & Sekiguchi Satoru in April 2023 from Steep Gloss, a British experimental/co-production label.
Gut Health
2024 stock. Source material recorded in Berlin on a warm July afternoon along with some cheap sparkling wine. Arranged, mixed and mastered by Jeff Surak.
Glimmers of Quintessence
2024 stock. Claude & Ola return to the Steep Gloss label with Immara. Recorded from autumn of 2021 into 2022, this collaboration introduces new sounds and textures into each artist's catalog, while retaining and amplifying the varying degrees of abstraction inherent in their unique approaches. Claude and Ola Aldous are experimental musicians residing in the northern reaches of New York state in the US. They have previously released music on the Steep Gloss, TQN-Aut, Tone Burst, and Noise á Noise…
A Typical Sunday
"Curington obliterates junk he’s pulled from the internet to create a razor-edged hall of mirrors which Yol’s rants alternately smash through and get consumed by. Curington’s production is completely at one with Yol’s vocal performances, catapulting them into a more frenzied, harrowed place than I’ve heard them go before. The pair conjure absurdity and violence in equal measure. Channeling the ugly feelings of ugly times." - Daryl Worthington for Spool's Out in The Quietus"Everything is arranged…
Post-Immagini
Manuel Carbone: Synths, cassette loops and samplerssorta opalka: Synths, field recording, object(on II) Roeliff Jansen: Digital sampling(on III,VI) noiserr: Voice, synths, tape recorder (on IV) Chemiefaserwerk: Casio m-10, tape recorderOriginal cover photography: Orland C.Collage and layout: Ross Scott-BuccleuchMastering: C.metaesquema
Drempt
Teasel is the duo of Gwilly Edmondez (voice) and John Garner (violin) that began playing in 2017. From around 2022 onwards they have focused on just the raw pairing of voice and violin without added electronics and accoutrements. Untreated articulations of air cut with the gaspings of gut in both directions.DREMPT comes from a series of sessions that take these two sound sources as the entry point to an adventure in instantaneous-simultaneous autobiography and its escape from cold hits.
Whispered Something Good
Circling guitar lines; the rise of fall of delicate bass; deep, breathy horns: sonic elements that exist in a state of slow, perpetual motion, like ideas sprouting from some kind of cognitive compost. With wonder and charm, G. S. Schray's new solo album, Whispered Something Good, evokes a realm of new growth while offering a fitting soundtrack for its exploration, as if tailor made for both the daydreamer and silly adventurer. We start in the darkness of "Unlit Center" with elliptical phrases of…
GNASH
"This overdue duo record by longtime colleagues Tashi Dorji (guitar) and Dave Rempis (saxophones) is a monument to the endless musical curiosity that links them. These two come at it from remarkably different backgrounds – Dorji combining his Bhutanese ethnicity with a love for metal, punk, American blues and folk, and anarchist political theory, with Rempis riding the outer edges of the jazz world throughout his career, while also inspired by his Greek ethnicity and a longstanding interest in f…
Sylphine Soporifera
Air is the central element in Antonina Nowacka's third solo album Sylphine Soporifera. The title names an imaginary species and the land they inhabit, inspired by the unreal desert landscape of Paracas and the undulating tree-less hills of the Outer Hebrides, and comes from the writings of Rudolf Steiner, who describes creatures called Sylphs as the spirits of the air, and the Latin word sopor which means deep sleep. As with all her releases, Nowacka's other-worldly vocals coming as if from beyo…
Live at I.U.C.C. 9/30/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - September 30, 1979. This is the seventh concert that Tom Albach recorded at Immanuel United Church of Christ. A wild and beautiful performance from beginning to end. Opening with an angelic take of Coltrane’s ‘Equinox’ which turns into a Coltrane medley, this recording is obviously a special one from the start… the existence of an unheard Sabir Mateen composition from 1979 (‘A C…
Live at I.U.C.C. 3/25/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - March 25, 1979. This is the third concert that Tom Albach recorded at Immanuel United Church of Christ. This recording finds the Arkestra on new feet following the departure of bandleader Jesse Sharps. Featuring two of Jesse’s classics, including a totally different take on ‘Mykowski’s’, and the now iconic live version of ‘Desert Fairy Princess’, this concert also marks the debu…
Live at I.U.C.C. 4/29/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 29, 1979. This is the fourth concert that Tom Albach recorded at Immanuel United Church of Christ. Featuring fiery takes of ‘Village Dance’ and ‘Mykowski’s First Fifth’, this concert also marks the only known recording of Tapscott’s ‘Song of Emanon’. Rounded out with the Jesse Sharps tune ‘Sea Wife’ and Tapscott’s homage to David Bryant ‘Dee Bee’s Dance’, this recording ma…
Antigone
Violaine Sultan : violaLaurent Pernice: bass, double bass, zither, harp, electronic treatments, mixComposed, recorded and mixed by Laurent Pernice at Cabanon Studio, Marseille, 2022
Soundtrack to Sophocles' Play Directed by Emma Gustafsson and Laurent Hatat - Anima Motrix