We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Stunningly beautiful harmonium improvisations recorded in 1949 by spiritualist G.I Gurdjieff. Many who heard these performances live found themselves crying uncontrollably. After this cathartic listening experience they reached a place where they felt happy and whole. We hope this record will bring a similar experience to the modern day listener. It doesn't get much purer than this. Cover is silkscreened with gold ink. A co-release with Psychic Sounds Research."An extraordinary collection of har…
Deluxe 2LP version. More voraciously bestial soundwork coming from Daniel Menche -- this time, his chosen theme is the piano, in which he attacks, investigates and dissects with the precision of an autopsy surgeon, adding a whole new meaning to the concept of prepared piano, or should we say, unprepared piano, for an all-out assault. Guts lays out quite possibly some of the finest slabs of Menchian sonic mayhem to date. Slightly different track sequence over CD and vinyl formats due to time…
'Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label.The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noises.'Most …
Over the past year as Peder Mannerfelt has shed the skin of The Subliminal Kid, we've only had small samples to taste of his new brand of musical sorcery. Lines Describing Circles changes all of that. Ten tracks deep, this is not so much an album as it is a declaration. From the opening, harrowing crackle of "Collapsion," Mannerfelt's intent is to crush the listener into a perfect metal cube. Lines Describing Circles displays the sound of a man fully in control of his machines. Throughout th…
An undisputed 70s spiritual jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals. Doug Carn's third album for Black Jazz, Revelation (1973), is as compulsively listenable as his previous outings. The keyboardist-composer-arranger-bandleader is on top of his game -- Jean Carn returns to handle the vocal parts, the hir…
gorgeous LP by this Leeds duo whose first half lives in London (and loves Whitehouse and Rush) and the other in Berlin (and loves Farley Jackmaster Funk). With several releases on labels such as Chocolate Monk, American Tapes, Troniks, Hospital Productions, or their own: Alcoholic Narcolepsy, Luke and Steven have been crafting and sculpting their psychedelic-electronic-noise-drone sound for over half a decade. But who cares and what does that sound description mean anyway? If you ask them,…
New York's "...premiere improvisatory, vocal-and-electronics cosmic beat-box band..." return to Woodsist with a brilliant side of loopy hypnotics, including an insert code for free digital download of the 2007 cassette-only release for Tank Tapes redeemable directly from the label. All four tracks are previously unreleased, arms-out eyes-shut wanders through darkly tinted terrain. 'Oboh' opens up with what sounds like reversed field recordings made inside a washing machine at a Native Am…
Sweeping and rustically romantic neo-classical and drone flights seemingly dropped from the sky on the wonderful Students Of Decay label "From the very first seconds of “Within/Without,” listeners familiar with the output of Aquarelle, the nom-de-plume of Madison, WI-based sound artist Ryan Potts, will find themselves in territory that is at once familiar and new. This opening salvo explodes into being with the surging, analog fuzz blooms and preternatural sense of rhythm that endeared many to …
“Not since the early days of MC5 at the Grande Ballroom in Detroit, circa 1968, had there been such an organic melding of sheer metalesque maelstrom and free jazz. These archival recordings from the legendary punk club CBGB capture a moment in time when open-minded musicians from the 'downtown scene' were exploring the possibility of bringing Lou Reed's feedback-infested Metal Machine Music together with Albert Ayler's Love Cry. Dissipated Face guitarist Kurt "Hologram" Ralske and special guest …
Julian Cope Review on Head Heritage Site: VILKÉ is the particularly fine and sprawling new 2LP by American composer, field recordist and hiker Daniel Menche. Inspired by the wolves of his travels in the N. West and named for the Lithuanian for ‘she-wolf’, VILKÉ presents us with four side-long pieces of haunted and eerie atmosphere music whose dilating post-industrial rhythms, and seemingly ever-decaying, ever-degrading, cicadas-driven post-industrial drone-o-drudge inhabits a parallel half-world…
New solo album by the highly prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms. Here, his music sways towards the difficult and embraces organ drones and swells, frazzled electronics, a voice that is at once unnerving and unnerved, and more besides. Anybody expecting a comfortable listen should be prepared.
Bilingual (English/French) and biannual, Volume - What You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history.Interviews Special Issue.'Why a special issue devoted to the interview?This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words Ð or at least with dialogue, because interviews are not necessarily …
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
2010 edition, long out of print, few copies resurfaced. Box Set, Limited Edition, Special Limited Box Edition - Album comes in a cardboard sleeve with tracks 11 and 12 as bonus tracks and as part of a box set including inserts. Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from …
Brian Pyle is becoming a big name in disquieting ambient and haunted audio, and two new releases (this and Light that Comes, Light that Goes) from him this week aptly explain why. Interval Signals is an enticingly evocative story, a single-take journey through a series of interiors and exteriors spaces layered with memories and geographies. Melancholy like an old crime scene, its mixture of ancient broadcasts, echoes trapped in the dusty twentieth-century telephone network, spiritualistic tuned …
Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood.Tied across and back. Knot Invariants is Helena Gough’s third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton Lukoszevieze.
"Marissa Nadler's Kickstarter funded self-titled self-release. Brian McTear produced the album, which Nadler says is the 'most honest, natural record' of her career." "You'll want this music to never end...best severe and complex emotions that we've possibly never recognized in this or previous lives." -- LA Weekly