New Arrivals
Blue eyes are my reward
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…
Sound Carvings (Ongoing Celebrations of Insignificance)
"Recorded in concert by Milo Fine (May 16, 2008) at the Ritz Theater (as part of the Heliotrope V Festival), Minneapolis, MN. electronic piano (electronics), voice, Acme whistle. Design and screen printing by Cork Leg Nelson." - Mutant Music
untitled #228
250 copies, hand numbered. Ini.itu is releasing the fourth LP of its catalogue, a new work composed by Francisco López. Francisco López is a sound artist who is active since 30 years and has composed an impressive catalogue, strongly consistent and full of nuances. Trained as an entomologist and ecologist, his attention is acutely focused on the natural sound environments. His reflection on the phenomenology of the act of listening has led him to develop of a form of 'absolute musique concrète',…
Ectoplasma
Software Recording Co. presents Tropa Macaca's fourth release, Ectoplasm. The ambient-noise duo of André Abel and Joana da Conceição have been going strong from their Portugal home base since 2005, while lunging out into the world with releases via Qbico and Ruby Red. The following to 2009's Sensação do Princípio on Stiltbreeze, Ectoplasm finds Tropa Macaca creating a quantic fantasy sound not unlike a cybernetically enhanced Taj Mahal Travellers interpreting a lost chapter of One Hundred…
Sufferers
Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…
Sete
First release for the italian duo (Alessandro De Zan, Riccardo Mazza), recorded and assembled during one year, giving as result the deepest sound ever. Beautiful and fresh vibes coming out from acoustic guitars, percussions, flutes, voices and birds' field recordings, in five fine composed tunes spacing between Amazzonia and Africa, flying on the wings of perfect bliss. This is going to be particularly appreciated from those who love '70s brazilian psych such as Lula Cortez, Zè Ramalho, Stenio M…
Spielwiese 3
"for the latest of their sound expeditions, the two warriors of experimental music from two generations (hans joachim irmler from faust and fm einheit as a founding member of einstÜrzende neubauten), have rejuvenated themselves and added a feminine touch. here, the german multimedia performer ute-maria paul, as well as the american composer and bassoonist katie young, broaden the sound cosmos which could already be explored on "no apologies", irmler's first co-operation with fm einheit. b…
Live In Tokyo, August, 19th 1974, Part Two
Part two. This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited…
Shot
ultralimited lavishly packaged LP (100 handnumbered copies only!), this ground-breaking electro-acoustic trio made my day. The album is largely improvised, with extracts of Charles Bukowski’s poetic works overlapping on the interweavings and multiple stratiï¬Âed references in the trio’s music. It features a faceted palette of acoustic, analogue and digital colours: drums, metallic objects, ethnical instruments, samples, sequences, filtered voice, pedal effects, vinyls, digital electronic…
Trop de pas assez
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). Recorded in 2007. Limited to 150 copies.
Apocatastisis
released 10 march, 2007. performed and recorded by michael gibbons (bardo pond) over the course of 2006 in the lemur house, apocatastisis is a meditation on restoration and awakening. an inner voyage in seven parts consisting of guitars, effects, sitar, tabla and violin. a truly special record. from a one-time pressing of 677 hand-numbered copies. housed within sleeves that were individually silk-screened by alan sherry (SIWA). all pre-orders of this release also received copies of this 500mg bo…
Visits Planet Earth
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …
Spoils
Sacred Bones is proud to present The Spoils from Zola Jesus. Hailing from the unsuspecting locale of Madison, WI, Zola Jesus—the alter ego of Nika Roza Danilova—occupy a sphere of sparse industrial rhythms, no-fi drones, and ethereal femme vocals. Those who have seen her handful of live shows, heard her WFMU set, or caught any of the acclaimed, sought after, and now mostly out of print releases on Die Stasi or Troubleman Unlimited already know. For those uninitiated The Spoils may be the m…
Le viandier de taillevent
for almost 10 years, the québécois collective napalm jazz gets its hands dirty with its unorthodox approaches to improv.' 'mostly activ as a duo with erick d'orion and philémon they like to get different guests like for example a_dontigny, arnaud rivière, erikm or erik minkkinen. limited to 181 copies and coproduced with notype from montréal." (label info)
Hyperborean Trenchtown
The album resonates a future sound vision that can only come from an old soul destined to further pave the paths laid by electronic & minimalist pioneers. Undeniably pure processes of creating & sustaining sound visually, sonically & otherwise brings a mathematical & scientific accuracy that hasn't been seen since the days of lovely music ltd. or GRM. Brilliant textures & audio hallucinogenic time/space wormholes create infinite listening possibilities
A Year In The Kingdom
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…
Amateur Doubles
amateur doubles is the brand new solo lp by graham lambkin - a two-part improvisation recorded in a honda civic. dangerous, tedious, pointless and timeless, amateur doubles is a perfect snapshot of life on the open road. expertly mastered by jason lescalleet, amateur doubles arrives in a high gloss full color gatefold, on clear vinyl, in an edition of 500
Sacred & Profane Love
We haven’t made any secret of our love for Estonian Producer Maria Minerva, and this latest offering for 100% Silk might just be her finest yet. She’s had to bat off plenty of comparisons with Nite Jewel, Glass Candy and others from the nu-disco set, and this collection of six tracks should be where those comparisons end. Here Minerva explores a wider range of dancefloor styles, beginning with woozy late night Chicago gloom on ‘A Love So Strong’ with its detuned vocal hook and punchy bas…
Off Duty
As if the music of lysergic, lo-fi drugdub one man band Sun Araw wasn't flipped out and damaged enough, on this latest joint, those already tweaked and twisted sounds get even more far out, the vibe WAY druggier and spacier, a 26 minute blast of crumbling wah-guitar laced psychdub comedown in the form of three skull caving soul freeing innerspace excursions."Last Chants" begins with a dense swirling cloud of white noise and damaged effects, shot through with barely there melodies, and loose detu…
Bang
This is a very unique electroacoustic work by an unknown French artist. Two records self produced that sometimes sounds a bit like the first Lieutenant Caramel."There is an outside music to the man, the wind, the sound of leaves, thunder and birdsong. In what he hears, the man develops the idea that sounds refers to forces that exceed it. The music of nature is a communication with God. Or with gods. [...]Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestr…