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Limited copies back in stock. It's hard to believe that it's been almost a year since Rutger Zuydervelt helped nail our jaws to the floor with his exceptional album 'Dauw'. It used to be that there was a new Machinefabriek album almost every week (sometimes two or three) but since 'Dauw' it seems like Rutger's slowed down and withdrawn into a self-imposed silence . And that's no bad thing - 'Shuffle' is his first self-released record in some time and it shows in the near-obsessive quality of the…
Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic tracks skirt the fri…
When, years ago, I read Herman Hesse's "Steppenwolf" I was struck by a part of the novel... Harry Haller, the main character, is walking through a passage with endless doors. As he opens each door he is thrown into a new, unknown, mysterious dimension; a life between the real and the virtual world."Login" is an imaginary journey through the web, where one can explore new realities - or different views of well known stuff - on a thin line between truth and fiction.For this sound project I've used…
first ever legit reissue of THE UNITS. This genre-defying band, from San Francisco's barely-documented synth/punk/art underground of the late ‘70s and early ‘80s, combined sarcastic humor with deadly serious cultural critique, and synthetic experimentation with the bombast of punk. Includes the most sought-after early singles and selections from their first LP, Digital Stimulation, along with unreleased demos, and more. Remastered audio. Packaged in gatefold LP style sleeves with 32-page booklet…
Bertrand Denzler tenor saxophone. Recorded by Christophe Hauser on february 21st, 2010. 'As well as being part of such improvisation ensembles as Hubbub, Trio Sowari and Propagations Sax Quartet, Bertrand Denzler, who plays the tenor saxophone, also records solo music. Each of the three lengthy pieces on Tenor use a single note which are subsequently layered. Not by repeating them on the computer, like say Phill Niblock would do this, but by adding small variations in how he plays them. In Filte…
Eyvind Kang’s newest CD collects quiet new compositions spanning the past five years, which he considers to be among his truly breakthrough works. Music for solo piano, string quintet and more take the unique sonic environments of Morton Feldman to an entirely new place via the metaphors of agricultural poetry, Chinese medicine, sweatlodge and Ikat weaving. Mesmerizing work from the elusive and ever-stimulating mind of Eyvind Kang!
Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
Trumpet virtuoso Marco Blaauw, known for his pioneering performances of contemporary classical music has been working with composer and sound improviser Yannis Kyriakides in numerous projects including a multi-media perfomance 'co-inc', and several projects for the ensemble musikFabrik in Cologne. 'Play Robot Dream' is a set of improvisations for trumpet(s) and computer. At times playful, at times meditative, they fuse a haunting melodic tendency with a provocative mix of drum machines an…
Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…
Originally self-published as a very limited triple 3" CDR release in May, 2009, Celer's Levitation And Breaking Points is now available again on CD - this time limited to 300 copies. Surely one of Celer's most subtly beautiful and uplifting albums out of an already beautiful, highly prolific and much celebrated discography of work. Especially magical o listen to in the early evening as the sunlight fades below the horizon... a balm for the soul.
Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
Jonas Kocher, accordion with Hans Koch & Patricia Bosshard, Christian Wolfarth, Gaudenz Badrutt, Urs Leimgruber, Christoph Schiller, Christian Müller. Recorded during the year 2011. Mastered by Giuseppe Ielasi. Limited edition of 222 numerated copies.
Bill Fay is one of English music's best kept secrets. At the dawn of the 1970s, he was a one-man song factory, with a piano that spilled liquid gold and a voice every bit the equal of Ray Davies, John Lennon, early Bowie, or Procol Harum's Gary Brooker. He made two solo albums but his contract wasn't renewed, which left his LPs and his reputation to become cult items. But he never stopped writing, the music kept on coming. Now, in his late sixties, he has produced Life Is People, a brand …
The trio of pianist Aki Takase, guitarist/daxophonist Kazuhisa Uchihashi, and trumpeter Axel Dorner in an exploration of informed and exquisite dialog in acoustic and electric improvisation. This trio's musical inspirations give birth to an amazing, extraordinary, mind-boggling mandala of sound. It's an extreme sound that could only be achieved by people engaged in the ultimate sonic and musical explorations. Surrender yourself to the joyful sounds coming out of the left and right speaker…
Tomoko Sauvage: water, porcelain bowls, hydrophones, condenser mics, metal wire and wood spoons. Sauvage, a Paris-based Japanese musician, uses water-filled porcelain bowls for her electro-acoustic performances and compositions. The use of hydrophones (underwater microphones) allows her to capture the subtle sound of water waves and drops resonating in porcelain bowls. The serene, contemplative aquatic soundscape is woven from these fragile materials. Her first solo album, Ombrophilia will be r…
Pimmon is the alias for electronic composer Paul Gough. In the last decade, Pimmon has forged an international reputation for creating dense, challenging and engaging electronic music. Smudge Another Yesterday is Pimmon’s first full length release in five years. This release picks up and goes further from the point where the acclaimed Secret Sleeping Birds left off. Smudge Another Yesterday is an exploration of the song behind the noise; the secret whispers hidden in the static. Within these vas…
the new album by the über-prolific and often esoteric Z'ev sees this musician leaves the drums aside and focus on long, slightly noisy and constantly rumbling low-frequency drones. Dark and brooding, but clearly grittier and dirtier as, let's say, Lustmord, "Sum Things" is a decidedly atmospheric album in the truest sense of the word, but will also appeal to anybody interested in dense, carefully laid and deep drone works."Through an element darkly… In the fall of 2005 Z’EV began dipping deep in…
A split album with Volcano the Bear and La STPO. VTB tracks 1-5 and STPO tracks 6-9. Bears and Birds, oh my! One side keeps the hot hot. And the other keeps the weird weird. VTB’s typically atypical entomological set scratches like a hive that has evolved just to the point of thumping out tribal fealties to its giant insect God-Thing. Environmentally ritualized sub-rhythms mix musique-concrete with actual concrete, forming freakishly minimal foundations for the hive of whatevers to swarm within.…