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Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous…
Michael Wintsch, piano, synthesizer. Christian Weber, bass. Christian Wolfarth, drums. Ten years ago Michel Witsch (piano, synthesizer), Christian Weber (bass) and Christian Wolfarth (drums) met - 3 musicians who have not only shaped the European scene of improvisation in the most different formations but who also catch an ear with the maybe most relevant aspect in music whatsoever: SOUND. Wintsch, Weber and Wolfrath make music with a breathtaking mental vigor. The long time working band has…
The EP might be the ideal format for Justin Broadrick's music, regardless of his alias. Whether he's trying to erase your head via concrete-slab guitars in Napalm Death, reduce techno to a series of clockwork hammerblows with Final, or massage your pleasure centers with neo-shoegaze in Godflesh, Broadrick's music has a laudable singularity. The three-or-four-song dose mainlines his all-consuming mood of the moment without the potential dilution of trying to fill up a CD. Broadrick claims to be …
Gravetemple was formed in 2006 as a side-project of the band Sunn O))) by Oren Ambarchi, Stephen O'Malley and Attila Csihar. The group formed initially to tour in Israel in the summer of '06, creating several recordings which eventually became The Holy Down album, which was released on Southern Lord Recordings in 2007. At the time of the Israel tour, the Lebanon War started and was in action. In summer '08, the trio reformed together with the addition of Australian drummer Matt "Skitz" Sander…
House of Low Culture is the long-running solo project of Aaron Turner (Isis, Mamiffer, Lotus Eaters, etc.) and Poisoned Soil is the first proper album to be released in nearly a decade. HOLC's first release, Submarine Immersion Techniques Vol. 1, would set the tone for all that would follow. Recorded from 1997-1999, released in 2000, the album explored lonely, lysergic drone territories and the construction of textural weavings. Over the course of the next several years, Turner broadened …
We've been waiting for a vinyl issue of Alberich material for an age, and here it is - an 8 track selection of often brutal, always heavy-hitting Industrial/Techno/Ambient productions from one of the most interesting characters to have emerged from the Hospital axis. Scoping rare and out-of-print highlights from his extensive cache over the last 6 years, it embodies a shell-shocked and embattled spirit in eight parts ranging from water-boarded ambience to remorseless industrial rhythms and night…
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
Alto completes a discrete trilogy within JOE MCPHEE’s catalog of unaccompanied waxings (Tenor, 1977, and Soprano, 2007). Recorded live at a Lower East Side bar in 2009, McPhee's explorations on alto saxophone and clarinet are alternately fiery and contemplative, imbued with the masterful intelligence that's marked his work for over forty years. This is a limited edition of 525 copies on 180-gram vinyl, with a JUDITH LINDBLOOM silkscreen print on rice paper and liner notes by HANK SHTEAMER. Digit…
This Zine was developed from a collaborative exhibition and performance organized by the writer, Brandon Stosuy, and the artist, Kai Althoff in the Summer of 2009 at Dispatch Bureau in NYC. It was displayed during the White Columns Annual 2009, during which pages were added by the original exhibition's various participants. The Zine features new materials by artists, writers and musicians such as Adam Helms, Brandon Stosuy, Hunter Hunt-Hendrix, Kai Althoff, Karlynn Holland, Lionel Maunz, Matt Za…
Rhys Chatham's 'Harmonie Du Soir' presents three compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergtter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is…
Rob Aiki Aubrey Lowe (Om, 90 Day Men) swiftly proceeds his stunning 'Timon Irnok Manta' side for Type with a humbling, stripped down suite crafted almost entirely from his own vocals, subtly layered with some synth work. 'Lítió Fólk' feels at once vast and intimate: Lowe's vocals resonate deeply, instinctively - quavering notes and curling overtones centre the sound within the body - while the layered and sustained drone structure seems to draw the spirit ever outwards, drawing enchanting melodi…
THE WIRE'S BEST OF 2010!
Jailbreak s the duo of pedal steel-vocalist Heather Leigh and drummer Chris Corsano. The name foregrounds the kind of outlaw violence with which the two reformulate rock-roll instants by bringing free jazz fire power to amp-humping sex beats. Their musical alliance goes all the way back to the legendary Brattleboro Free Folk Fest, the birthplace of the 'New Weird America', where Corsano and his long-term saxophone partner Paul Flaherty joined Leigh and Christina C…
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
There's a disarming honesty to the way Michigan-based husband and wife duo Windy & Carl communicate with one another. A blog post from Windy, published in late 2011, describes the making of We Will Always Be, framing it in the context of their relationship. "Yeah, we have had bumps in the road, and on occasion it seems as if we may never recover from these bumps, but we do," she wrote. That type of candor doesn't stop at the written word; it also bleeds through into the duo's music. Often their …
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Ship Chop is a celebratory cut-up of far-flung musics. Edited, collaged and re-arranged by Daniel Padden from original vinyl sources to create impossible collaborations between musical ghosts. It is both reverential and sacrilegious, giving the music its full praise whilst also subjecting it to playful subversion. Some of the editing is obvious and transparent, but some of it much less so, where sounds from different recordings and continents overlap into an unlikely whole.
Daniel Padden …
Date : December 28, 2006. Place : Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03- 13:46) in Osaka, Japan. Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her 'stereo bugscope' (two inductive microphones) system to catch electromagnetic sounds.
A collection of darkly shining northern diamonds, Sous juju is a two-CD compilation of the musical work of Kuupuu from her first releases in 2003 up to previously unreleased material from 2012. Kuupuu, known by her parents as Jonna Karanka, is a self-taught musician and visual artist from Finland who inhabits a semi-magical world where the mundane and the mysterious meet and make wonderful music together. Using tapes and loops, instruments both traditional and modern, Kuupuu's blend of low-tech …
Jamal Moss aka Heiroglyphic Being presents The Electronic Belt, his second release for Alter, and perhaps his most dancefloor-oriented release. The EP is made up of three choice cuts from 2012's Man with the Red Drum transmission with each track bearing the signifiers of Jamal's rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit hard and tight. Yellow vinyl edition in five different colored disco bags, mastered for vinyl by Step…
VINYL VERSION! NOTE NEW PRICING! Alasdair Roberts is bidding farewell to his nom-de-musique, APPENDIX OUT. What once was Appendix Out is now & forever Alasdair Roberts. The broadest work in young Roberts' canon so far. Heavily steeped in the lineage of European folk, the words & music of "Farewell Sorrow" evoke a spirit of youth, an air of reckless abandon, a passion not meant to stay in this world.