New Arrivals
Reverb
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
Meido
This 2025 album by sound artist Yengo is a haunting exploration of sonic landscapes. Oscillators rise as if drawing curses from the depths of the underworld, surrounded by collage noise that drifts, vanishes, and gradually intensifies in ferocity. The album weaves a chilling atmosphere reminiscent of Japanese horror films with an experimental and avant-garde auditory sensibility, converging towards a sonic catastrophe. The cassette tape edition is uniquely packaged in a sleeve wrapped in bamboo …
Enjoy Country Music
Tommaso Rolando and Domiziano Maselli met at the release party for Emilio Pozzolini's latest album, thanks to Emilio's invitation. This proved to be a pivotal moment; Tommaso's planned tour of southern France had been cancelled due to COVID-related disruptions within Orchestra Bailam. Since that concert, the duo has shared common ground—stages, rehearsal spaces, video calls—and a shared goal: developing a genuine and personal musical vocabulary.Despite their different backgrounds and generationa…
Then I Heard The Clear Voice Of The Flute
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
Jasnovidec & Tarnovski
During hot and mid pandemic August 2021, duo of Daniel Jakeš and Michael Nechvátal, know under their stage moniker of Jasnovidec, went to Pardubice for artist residency at notorious location of Divadlo 29 (Theater 29), key Czech location for worldwide avant garde experimental music and theater. During four long days and nights, the duo went onto several intense recording sessions, on which both Jakeš and Nechvátal played solely just their modular synths setups. On a few of the occasions they wer…
Elliptical Gloom
I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …
dustsceawung
"Pressure relief..... these are the sounds to listen with caution. dustsceawung is a well used pot on the stove with a locking lid. The broken gauge configured with a crack that looks suspiciously like a smile. A worn rubber gasket creating a seal far past it's expected life by the manufacturer. Still this is not enough. There is no measure to how much force lies within. A hiss escapes, a rattle or knocking comes and goes. The process continues with thoughts of the contents within. In this case …
Slow Dense
broken velocities & miss understood micro fractions ⋆.ೃ࿔*:･Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …
Dirty
Live recording from Mamer's solo performance 'The Imitator Series Ⅷ: Dirty' on June 25, 2024 at Old Heaven Books.
Imitate Sky
Track A1, B3 and B4 are original compositions by Mamer, track B1 is composed by Ashim Dongxeuly, track B5 is a Tatar traditional folk tune, the rest are based on Kazakh traditional folk tunes. Live recording from Mamer's solo performance 'The Imitator Series Ⅵ: Sky' on June 19, 2024 at Old Heaven Books.
Fake Jazz
Live recording from Mamer's solo performance 'The Imitator Series Ⅺ: Fake Jazz' on July 3, 2024 at Old Heaven Books.
Live In Meetkerke
"This tape is the registration of a session I played on invitation by Knotwilg Records on Saturday, June 8, 2024 at the town hall of Meetkerke, a one street village tucked away between Bruges and the North Sea in the midst of Flanders flatlands. The session was broadcasted live during the Kneautwilg radioshow on Studio Néau that afternoon. I recorded the air waves on magnetic tape with a Korg CR-3, two SM57 mics and two AKG C1000 mics. This tape is the result of those analog recordings." - Knotw…
Alien Space Wreck
"As i was looking for tracks for our monthly Kneautwilg radioshow i jumped into my cdr collection and stumbled upon a pile of those mini-cdr's so fashionable in the first decade of this century. Without prelistening i played it on the show resulting in juvenile state of enthusiasm. The hints towards a young Dead C are there, sure. But it sounded different: maybe younger, wilder. So who else can make such a nz guitar assault? I should have known the answer being a long time CJA/Futurians fan. Sur…
Vielle-Electronica
"The first time i stumbled on a hurdy-gurdy was as a little boy on a holiday during a 'bal populaire' in a small village in Brittany (France). Later on i discovered the term hurdy-gurdy from a Donovan track which returned in my adolescent years as a Butthole Surfers track. But somehow the instrument kept returning in my life. Lise Barkas being a good example, and obviously the whirlwind France. Mining deeper i bumped into the traditional play of for instance Claude Flagel.
And the story goes …
Time Lapse
*30 copies limited edition* The album is minimalist and with atmospheric depth. Electronic ambient and drone sounds create a world of their own. The artwork focuses on recycling. The sleeve is made of cardboard mesh, there is recycled paper and remnants from an interior design studio.
Dentro
*2025 stock* Dentro is an album created using the pipe organ and electronic audio processes. It is a work that explores the concept of the materiality of sound and the representation of space through it. The packaging consists of a handmade cardboard box with a foil print. It includes a tea light in a home-made holder and matches showing the credits.
Of Form And Formlessness
*2025 stock* Both sides recorded live in single takes during October 2022. The packaging is a multi-layered collage based on coffee packaging, photographic paper, prints and adhesives. The prints are based on a self-justified stamp and are each a section of the overall image. The artwork was conceived and realized by Moritz Böckmann.
Le Flétrissement
*2025 stock* The degradation of a tape loop and the saturation of a driven tube created an idea of sustain, meditation and patience. Embrace the overtone. Conceived in Clermont, France and recorded in Cork, Ireland Summer 2022.
Dissolving In A Body
*2025 stock. 30 copies limited edition* Recorded live without edits or overdubs on the evening of July 26, 2020, using the R-EW Audioholistics system in conjunction with Mackie ProFX8 & Peavey FX2 mixing consoles, and Squier & Park amplifiers. The O-Card complemented with stained wood is in a small cloth bag. The credits were embedded in the wood via a paper roll.
From Pure Air
*30 copies limited edition* "From Pure Air" is inspired by a rain and thunderstorm that passed through southern Sweden, which was capture with recording equipment and got combined with some of my guitar-based drones to complete the work. The title is a reference to creativity and the creative mind and what it can make with even pretty small resources. The artwork consists of a simple cardboard box, which fits the album perfectly thanks to the use of different shades of blue.